Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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Once, on the edge of a cliff in Yorkshire, where the moors come above the sea, during one of the tiresome shoots that are there the fashion, a man had bidden her observe the demeanour of the herring gulls below. They were dashing from rock to rock on the cliff face, screaming, with none of the dignity of gulls. Some of them even let fall the herrings that they had caught and she saw the pieces of silver dropping into the blue motion. The man told her to look up; high, circling and continuing for a long time to circle; illuminated by the sunlight below, like a pale flame against the sky was a bird. The man told her that that was some sort of fish-eagle or hawk. Its normal habit was to chase the gulls which, in their terror, would drop their booty of herrings, whereupon the eagle would catch the fish before it struck the water. At the moment the eagle was not on duty, but the gulls were just as terrified as if it had been.
Sylvia stayed for a long time watching the convolutions of the eagle. It pleased her to see that, though nothing threatened the gulls, they yet screamed and dropped their herrings … The whole affair reminded her of herself in her relationship to the ordinary women of the barnyard. … Not that there was the breath of a scandal against herself; that she very well knew, and it was her preoccupation just as turning down nice men—the “really nice men” of commerce—was her hobby.
She practised every kind of “turning down” on these creatures: the really nice ones, with the Kitchener moustaches, the seal’s brown eyes, the honest, thrilling voices, the clipped words, the straight backs and the admirable records—as long as you didn’t enquire too closely. Once, in the early days of the Great Struggle, a young man—she had smiled at him in mistake for someone more trustable—had followed in a taxi, hard on her motor, and flushed with wine, glory and the firm conviction that all women in that lurid carnival had become common property, had burst into her door from the public stairs. … She had overtopped him by the forehead and before a few minutes were up she seemed to him to have become ten foot high with a gift of words that scorched his backbone and the voice of a frozen marble statue: a chaud-froid effect. He had come in like a stallion, red eyed, and all his legs off the ground: he went down the stairs like a half-drowned rat, with dim eyes and really looking wet, for some reason or other.
Yet she hadn’t really told him more than the way one should behave to the wives of one’s brother officers then actually in the line, a point of view that, with her intimates, she daily agreed was pure bosh. But it must have seemed to him like the voice of his mother—when his mother had been much younger, of course—speaking from paradise, and his conscience had contrived the rest of his general wetness. This, however, had been melodrama and war stuff at that: it hadn’t, therefore, interested her. She preferred to inflict deeper and more quiet pains.
She could, she flattered herself, tell the amount of empressement which a man would develop about herself at the first glance—the amount and the quality too. And from not vouchsafing a look at all, or a look of the barest and most incurious to some poor devil who even on introduction couldn’t conceal his desires, to letting, after dinner, a measured glance travel from the right foot of a late dinner partner, diagonally up the ironed fold of the right trouser to the watch pocket, diagonally still, across the shirt front, pausing at the stud and so, rather more quickly away over the left shoulder, while the poor fellow stood appalled, with his dinner going wrong—from the milder note to the more pronounced she ran the whole gamut of “turnings down.” The poor fellows next day would change their bootmakers, their sock merchants, their tailors, the designers of their dress-studs and shirts: they would sigh even to change the cut of their faces, communing seriously with their after-breakfast mirrors. But they knew in their hearts that calamity came from the fact that she hadn’t deigned to look into their eyes. … Perhaps hadn’t dared was the right word!
Sylvia, herself, would have cordially acknowledged that it might have been. She knew that, like her intimates—all the Elizabeths, Alixs, and Lady Moiras of the smooth-papered, be-photographed weekly journals—she was man-mad. It was the condition, indeed, of their intimacy as of their eligibilities for reproduction on hot-pressed paper. They went about in bands with, as it were, a cornfield of feather boas floating above them, though to be sure no one wore feather boas; they shortened their hairs and their skirts and flattened, as far as possible, their chest developments, which does give, oh, you know … a certain … They adopted demeanours as like as possible—and yet how unlike—to those of waitresses in teashops frequented by city men. And one reads in police court reports of raids what those are! Probably they were, in action, as respectable as any body of women; more respectable, probably, than the great middle class of before the war, and certainly spotless by comparison with their own upper servants whose morals, merely as recorded in the divorce court statistics—that she had from Tietjens—would put to shame even those of Welsh or lowland Scotch villages. Her mother was accustomed to say that she was sure her butler would get to heaven, simply because the Recording Angel, being an angel—and, as such,
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