A Room With a View by E. M. Forster (top fiction books of all time TXT) 📕
Description
A Room With a View, perhaps E. M. Forster’s lightest novel, was also one long in gestation—he began it as early as 1901, and only published it in 1908.
In it we meet young Lucy Honeychurch and her cousin Charlotte Bartlett, who have gone on tour to Italy. During their stay they meet a series of interesting characters, including George Emerson, the son of an eccentric gentleman. The conflict between Lucy’s choice of the unusual George, or her more conventional English suitor Cecil, forms the crux of Forster’s critique of contemporary English society.
Despite the novel being a societal critique, the prose is light and studded with Forster’s easy witticisms. In 1958 Forster added an appendix elaborating on what occurred to the main characters after the novel’s end: the two world wars figure largely in their futures.
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- Author: E. M. Forster
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“You’re quite right,” said Cecil. “Greece is not for our little lot”; and he got in. Freddy followed, nodding to the clergyman, whom he trusted not to be pulling one’s leg, really. And before they had gone a dozen yards he jumped out, and came running back for Vyse’s matchbox, which had not been returned. As he took it, he said: “I’m so glad you only talked about books. Cecil’s hard hit. Lucy won’t marry him. If you’d gone on about her, as you did about them, he might have broken down.”
“But when—”
“Late last night. I must go.”
“Perhaps they won’t want me down there.”
“No—go on. Goodbye.”
“Thank goodness!” exclaimed Mr. Beebe to himself, and struck the saddle of his bicycle approvingly, “It was the one foolish thing she ever did. Oh, what a glorious riddance!” And, after a little thought, he negotiated the slope into Windy Corner, light of heart. The house was again as it ought to be—cut off forever from Cecil’s pretentious world.
He would find Miss Minnie down in the garden.
In the drawing-room Lucy was tinkling at a Mozart Sonata. He hesitated a moment, but went down the garden as requested. There he found a mournful company. It was a blustering day, and the wind had taken and broken the dahlias. Mrs. Honeychurch, who looked cross, was tying them up, while Miss Bartlett, unsuitably dressed, impeded her with offers of assistance. At a little distance stood Minnie and the “garden-child,” a minute importation, each holding either end of a long piece of bass.
“Oh, how do you do, Mr. Beebe? Gracious what a mess everything is! Look at my scarlet pompoms, and the wind blowing your skirts about, and the ground so hard that not a prop will stick in, and then the carriage having to go out, when I had counted on having Powell, who—give everyone their due—does tie up dahlias properly.”
Evidently Mrs. Honeychurch was shattered.
“How do you do?” said Miss Bartlett, with a meaning glance, as though conveying that more than dahlias had been broken off by the autumn gales.
“Here, Lennie, the bass,” cried Mrs. Honeychurch. The garden-child, who did not know what bass was, stood rooted to the path with horror. Minnie slipped to her uncle and whispered that everyone was very disagreeable today, and that it was not her fault if dahlia-strings would tear longways instead of across.
“Come for a walk with me,” he told her. “You have worried them as much as they can stand. Mrs. Honeychurch, I only called in aimlessly. I shall take her up to tea at the Beehive Tavern, if I may.”
“Oh, must you? Yes do.—Not the scissors, thank you, Charlotte, when both my hands are full already—I’m perfectly certain that the orange cactus will go before I can get to it.”
Mr. Beebe, who was an adept at relieving situations, invited Miss Bartlett to accompany them to this mild festivity.
“Yes, Charlotte, I don’t want you—do go; there’s nothing to stop about for, either in the house or out of it.”
Miss Bartlett said that her duty lay in the dahlia bed, but when she had exasperated everyone, except Minnie, by a refusal, she turned round and exasperated Minnie by an acceptance. As they walked up the garden, the orange cactus fell, and Mr. Beebe’s last vision was of the garden-child clasping it like a lover, his dark head buried in a wealth of blossom.
“It is terrible, this havoc among the flowers,” he remarked.
“It is always terrible when the promise of months is destroyed in a moment,” enunciated Miss Bartlett.
“Perhaps we ought to send Miss Honeychurch down to her mother. Or will she come with us?”
“I think we had better leave Lucy to herself, and to her own pursuits.”
“They’re angry with Miss Honeychurch because she was late for breakfast,” whispered Minnie, “and Floyd has gone, and Mr. Vyse has gone, and Freddy won’t play with me. In fact, Uncle Arthur, the house is not at all what it was yesterday.”
“Don’t be a prig,” said her Uncle Arthur. “Go and put on your boots.”
He stepped into the drawing-room, where Lucy was still attentively pursuing the Sonatas of Mozart. She stopped when he entered.
“How do you do? Miss Bartlett and Minnie are coming with me to tea at the Beehive. Would you come too?”
“I don’t think I will, thank you.”
“No, I didn’t suppose you would care to much.”
Lucy turned to the piano and struck a few chords.
“How delicate those Sonatas are!” said Mr. Beebe, though at the bottom of his heart, he thought them silly little things.
Lucy passed into Schumann.
“Miss Honeychurch!”
“Yes.”
“I met them on the hill. Your brother told me.”
“Oh, did he?” She sounded annoyed. Mr. Beebe felt hurt, for he had thought that she would like him to be told.
“I needn’t say that it will go no further.”
“Mother, Charlotte, Cecil, Freddy, you,” said Lucy, playing a note for each person who knew, and then playing a sixth note.
“If you’ll let me say so, I am very glad, and I am certain that you have done the right thing.”
“So I hoped other people would think, but they don’t seem to.”
“I could see that Miss Bartlett thought it unwise.”
“So does mother. Mother minds dreadfully.”
“I am very sorry for that,” said Mr. Beebe with feeling.
Mrs. Honeychurch, who
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