A Room With a View by E. M. Forster (top fiction books of all time TXT) 📕
Description
A Room With a View, perhaps E. M. Forster’s lightest novel, was also one long in gestation—he began it as early as 1901, and only published it in 1908.
In it we meet young Lucy Honeychurch and her cousin Charlotte Bartlett, who have gone on tour to Italy. During their stay they meet a series of interesting characters, including George Emerson, the son of an eccentric gentleman. The conflict between Lucy’s choice of the unusual George, or her more conventional English suitor Cecil, forms the crux of Forster’s critique of contemporary English society.
Despite the novel being a societal critique, the prose is light and studded with Forster’s easy witticisms. In 1958 Forster added an appendix elaborating on what occurred to the main characters after the novel’s end: the two world wars figure largely in their futures.
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- Author: E. M. Forster
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“But, of course, you know all about these things, and you have Mr. Vyse to help you. A gentleman is such a standby.”
Mrs. Honeychurch, who had come up to town with her daughter, began to drum nervously upon her card-case.
“We think it so good of Mr. Vyse to spare you,” Miss Catharine continued. “It is not every young man who would be so unselfish. But perhaps he will come out and join you later on.”
“Or does his work keep him in London?” said Miss Teresa, the more acute and less kindly of the two sisters.
“However, we shall see him when he sees you off. I do so long to see him.”
“No one will see Lucy off,” interposed Mrs. Honeychurch. “She doesn’t like it.”
“No, I hate seeings-off,” said Lucy.
“Really? How funny! I should have thought that in this case—”
“Oh, Mrs. Honeychurch, you aren’t going? It is such a pleasure to have met you!”
They escaped, and Lucy said with relief: “That’s all right. We just got through that time.”
But her mother was annoyed. “I should be told, dear, that I am unsympathetic. But I cannot see why you didn’t tell your friends about Cecil and be done with it. There all the time we had to sit fencing, and almost telling lies, and be seen through, too, I dare say, which is most unpleasant.”
Lucy had plenty to say in reply. She described the Miss Alans’ character: they were such gossips, and if one told them, the news would be everywhere in no time.
“But why shouldn’t it be everywhere in no time?”
“Because I settled with Cecil not to announce it until I left England. I shall tell them then. It’s much pleasanter. How wet it is! Let’s turn in here.”
“Here” was the British Museum. Mrs. Honeychurch refused. If they must take shelter, let it be in a shop. Lucy felt contemptuous, for she was on the tack of caring for Greek sculpture, and had already borrowed a mythical dictionary from Mr. Beebe to get up the names of the goddesses and gods.
“Oh, well, let it be shop, then. Let’s go to Mudie’s. I’ll buy a guidebook.”
“You know, Lucy, you and Charlotte and Mr. Beebe all tell me I’m so stupid, so I suppose I am, but I shall never understand this hole-and-corner work. You’ve got rid of Cecil—well and good, and I’m thankful he’s gone, though I did feel angry for the minute. But why not announce it? Why this hushing up and tiptoeing?”
“It’s only for a few days.”
“But why at all?”
Lucy was silent. She was drifting away from her mother. It was quite easy to say, “Because George Emerson has been bothering me, and if he hears I’ve given up Cecil may begin again”—quite easy, and it had the incidental advantage of being true. But she could not say it. She disliked confidences, for they might lead to self-knowledge and to that king of terrors—Light. Ever since that last evening at Florence she had deemed it unwise to reveal her soul.
Mrs. Honeychurch, too, was silent. She was thinking, “My daughter won’t answer me; she would rather be with those inquisitive old maids than with Freddy and me. Any rag, tag, and bobtail apparently does if she can leave her home.” And as in her case thoughts never remained unspoken long, she burst out with: “You’re tired of Windy Corner.”
This was perfectly true. Lucy had hoped to return to Windy Corner when she escaped from Cecil, but she discovered that her home existed no longer. It might exist for Freddy, who still lived and thought straight, but not for one who had deliberately warped the brain. She did not acknowledge that her brain was warped, for the brain itself must assist in that acknowledgment, and she was disordering the very instruments of life. She only felt, “I do not love George; I broke off my engagement because I did not love George; I must go to Greece because I do not love George; it is more important that I should look up gods in the dictionary than that I should help my mother; everyone else is behaving very badly.” She only felt irritable and petulant, and anxious to do what she was not expected to do, and in this spirit she proceeded with the conversation.
“Oh, mother, what rubbish you talk! Of course I’m not tired of Windy Corner.”
“Then why not say so at once, instead of considering half an hour?”
She laughed faintly, “Half a minute would be nearer.”
“Perhaps you would like to stay away from your home altogether?”
“Hush, mother! People will hear you”; for they had entered Mudie’s. She bought Baedeker, and then continued: “Of course I want to live at home; but as we are talking about it, I may as well say that I shall want to be away in the future more than I have been. You see, I come into my money next year.”
Tears came into her mother’s eyes.
Driven by nameless bewilderment, by what is in older people termed “eccentricity,” Lucy determined to make this point clear. “I’ve seen the world so little—I felt so out of things in Italy. I have seen so little of life; one ought to come up to London more—not a cheap ticket like today, but to stop. I might even share a flat for a little with some other girl.”
“And mess with typewriters and latchkeys,” exploded Mrs. Honeychurch. “And agitate and scream, and be carried off kicking by the police. And call it a
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