Personal Recollections of Joan of Arc by Mark Twain (fiction book recommendations txt) 📕

that I was in earnest, but I was. I said that to have them know that I was the author of it would be enough for me. The boys were full of exultation, and Noël said if he could just get one chance at those people it would be all he would ask; he would make them realize that there was something higher and finer than war-lies to be had here.

But how to get the opportunity⁠—that was the difficulty. We invented several schemes that promised fairly, and at last we hit upon one that was sure. That was, to let the Paladin get a good start in a manufactured battle, and then send in a false call for him, and as soon as he was out of the room, have Noël take his place and finish the battle himself in the Paladin’s own style, imitated to a shade. That would get great applause, and win the house’s favor and put it in the right mood to hear the poem. The two triumphs together would finish the Standard-Bearer⁠—modify him, anyway, to a certainty, and give the rest of us a chance for the future.

So the next night I kept out of the way until the Paladin had got his start and was sweeping down upon the enemy like a whirlwind at the head of his corps, then I stepped within the door in my official uniform and announced that a messenger from General La Hire’s quarters desired speech with the Standard-Bearer. He left the room, and Noël took his place and said that the interruption was to be deplored, but that fortunately he was personally acquainted with the details of the battle himself, and if permitted would be glad to state them to the company. Then without waiting for the permission he turned himself to the Paladin⁠—a dwarfed Paladin, of course⁠—with manner, tones, gestures, attitudes, everything exact, and went right on with the battle, and it would be impossible to imagine a more perfectly and minutely ridiculous imitation than he furnished to those shrieking people. They went into spasms, convulsions, frenzies of laughter, and the tears flowed down their cheeks in rivulets. The more they laughed, the more inspired Noël grew with his theme and the greater marvels he worked, till really the laughter was not properly laughing any more, but screaming. Blessedest feature of all, Catherine Boucher was dying with ecstasies, and presently there was little left of her but gasps and suffocations. Victory? It was a perfect Agincourt.

The Paladin was gone only a couple of minutes; he found out at once that a trick had been played on him, so he came back. When he approached the door he heard Noël ranting in there and recognized the state of the case; so he remained near the door but out of sight, and heard the performance through to the end. The applause Noël got when he finished was wonderful; and they kept it up and kept it up, clapping their hands like mad, and shouting to him to do it over again.

But Noël was clever. He knew the very best background for a poem of deep and refined sentiment and pathetic melancholy was one where great and satisfying merriment had prepared the spirit for the powerful contrast.

So he paused until all was quiet, then his face grew grave and assumed an impressive aspect, and at once all faces sobered in sympathy and took on a look of wondering and expectant interest. Now he began in a low but distinct voice the opening verses of The Rose. As he breathed the rhythmic measures forth, and one gracious line after another fell upon those enchanted ears in that deep hush, one could catch, on every hand, half-audible ejaculations of “How lovely⁠—how beautiful⁠—how exquisite!”

By this time the Paladin, who had gone away for a moment with the opening of the poem, was back again, and had stepped within the door. He stood there now, resting his great frame against the wall and gazing toward the reciter like one entranced. When Noël got to the second part, and that heartbreaking refrain began to melt and move all listeners, the Paladin began to wipe away tears with the back of first one hand and then the other. The next time the refrain was repeated he got to snuffling, and sort of half sobbing, and went to wiping his eyes with the sleeves of his doublet. He was so conspicuous that he embarrassed Noël a little, and also had an ill effect upon the audience. With the next repetition he broke quite down and began to cry like a calf, which ruined all the effect and started many to the audience to laughing. Then he went on from bad to worse, until I never saw such a spectacle; for he fetched out a towel from under his doublet and began to swab his eyes with it and let go the most infernal bellowings mixed up with sobbings and groanings and retchings and barkings and coughings and snortings and screamings and howlings⁠—and he twisted himself about on his heels and squirmed this way and that, still pouring out that brutal clamor and flourishing his towel in the air and swabbing again and wringing it out. Hear? You couldn’t hear yourself think. Noël was wholly drowned out and silenced, and those people were laughing the very lungs out of themselves. It was the most degrading sight that ever was. Now I heard the clankety-clank that plate-armor makes when the man that is in it is running, and then alongside my head there burst out the most inhuman explosion of laughter that ever rent the drum of a person’s ear, and I looked, and it was La Hire; and he stood there with his gauntlets on his hips and his head tilted back and his jaws spread to that degree to let out his hurricanes and his thunders that it amounted to indecent exposure, for you could see