White Fang by Jack London (good book recommendations txt) 📕
Description
White Fang is Jack London’s companion novel to The Call of the Wild. In The Call of the Wild we follow a dog’s journey from domestication to wilderness, but in White Fang we see the opposite: a wild wolf-dog captured by men and eventually domesticated.
White Fang’s journey isn’t an easy one; both the wild and civilization have their share of brutal violence. But he eventually seems happy in a home with a loving family. When read side-by-side with The Call of the Wild, White Fang poses an interesting question: is wilderness really an improvement over civilization? Is there one right way to live?
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- Author: Jack London
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But this love did not come in a day. It began with like and out of it slowly developed. White Fang did not run away, though he was allowed to remain loose, because he liked this new god. This was certainly better than the life he had lived in the cage of Beauty Smith, and it was necessary that he should have some god. The lordship of man was a need of his nature. The seal of his dependence on man had been set upon him in that early day when he turned his back on the Wild and crawled to Grey Beaver’s feet to receive the expected beating. This seal had been stamped upon him again, and ineradicably, on his second return from the Wild, when the long famine was over and there was fish once more in the village of Grey Beaver.
And so, because he needed a god and because he preferred Weedon Scott to Beauty Smith, White Fang remained. In acknowledgment of fealty, he proceeded to take upon himself the guardianship of his master’s property. He prowled about the cabin while the sled-dogs slept, and the first night-visitor to the cabin fought him off with a club until Weedon Scott came to the rescue. But White Fang soon learned to differentiate between thieves and honest men, to appraise the true value of step and carriage. The man who travelled, loud-stepping, the direct line to the cabin door, he let alone—though he watched him vigilantly until the door opened and he received the endorsement of the master. But the man who went softly, by circuitous ways, peering with caution, seeking after secrecy—that was the man who received no suspension of judgment from White Fang, and who went away abruptly, hurriedly, and without dignity.
Weedon Scott had set himself the task of redeeming White Fang—or rather, of redeeming mankind from the wrong it had done White Fang. It was a matter of principle and conscience. He felt that the ill done White Fang was a debt incurred by man and that it must be paid. So he went out of his way to be especially kind to the Fighting Wolf. Each day he made it a point to caress and pet White Fang, and to do it at length.
At first suspicious and hostile, White Fang grew to like this petting. But there was one thing that he never outgrew—his growling. Growl he would, from the moment the petting began till it ended. But it was a growl with a new note in it. A stranger could not hear this note, and to such a stranger the growling of White Fang was an exhibition of primordial savagery, nerveracking and bloodcurdling. But White Fang’s throat had become harsh-fibred from the making of ferocious sounds through the many years since his first little rasp of anger in the lair of his cubhood, and he could not soften the sounds of that throat now to express the gentleness he felt. Nevertheless, Weedon Scott’s ear and sympathy were fine enough to catch the new note all but drowned in the fierceness—the note that was the faintest hint of a croon of content and that none but he could hear.
As the days went by, the evolution of like into love was accelerated. White Fang himself began to grow aware of it, though in his consciousness he knew not what love was. It manifested itself to him as a void in his being—a hungry, aching, yearning void that clamoured to be filled. It was a pain and an unrest; and it received easement only by the touch of the new god’s presence. At such times love was joy to him, a wild, keen-thrilling satisfaction. But when away from his god, the pain and the unrest returned; the void in him sprang up and pressed against him with its emptiness, and the hunger gnawed and gnawed unceasingly.
White Fang was in the process of finding himself. In spite of the maturity of his years and of the savage rigidity of the mould that had formed him, his nature was undergoing an expansion. There was a burgeoning within him of strange feelings and unwonted impulses. His old code of conduct was changing. In the past he had liked comfort and surcease from pain, disliked discomfort and pain, and he had adjusted his actions accordingly. But now it was different. Because of this new feeling within him, he ofttimes elected discomfort and pain for the sake of his god. Thus, in the early morning, instead of roaming and foraging, or lying in a sheltered nook, he would wait for hours on the cheerless cabin-stoop for a sight of the god’s face. At night, when the god returned home, White Fang would leave the warm sleeping-place he had burrowed in the snow in order to receive the friendly snap of fingers and the word of greeting. Meat, even meat itself, he would forego to be with his god, to receive a caress from him or to accompany him down into the town.
Like had been replaced by love. And love was the plummet dropped down into the deeps of him where like had never gone. And responsive out of his deeps had come the new thing—love. That which was given unto him did he return. This was a god indeed, a love-god, a warm and radiant god, in whose light White Fang’s nature expanded as a flower expands under the sun.
But White Fang was not demonstrative. He was too old, too firmly moulded, to become adept at expressing himself in new ways. He was too self-possessed, too strongly poised in his own isolation. Too long had he cultivated reticence, aloofness, and moroseness. He had never barked in
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