The Able McLaughlins by Margaret Wilson (small books to read .TXT) π
Description
The McLaughlins are prominent members of a settlement of Scottish immigrants who emigrated to the still-wild prairies of Iowa. As the story begins, their eldest son, Wully, returns to the family farm after serving in the Union Army during the Civil War. But much has changed in his absence: the girl who once returned his love, Chirstie, now appears cold, fearful, and traumatized, and wonβt meet his eye. Wully seeks to discover what happened to her during his absence, and what he can do to set things right, without having Chirstie lose her standing in their tight-knit and very religious Presbyterian community.
Margaret Wilson grew up on a farm in the small town of Traer, and her understanding of the land and its people infuses this, her first novel. The Able McLaughlins won the Harper Novel Prize on publication and then the Pulitzer Prize in 1924.
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- Author: Margaret Wilson
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The Keiths came driving in, and the men joined the women in the kitchen to welcome them. Even the children playing at the door followed them in. Libby Keith took off her hat and wrap and gave them to a niece. She was more gray, more flabby than ever now, and her eyes were dull and brooding. But just as she went to sit down, Bonnie Wee Johnnie came in, and she saw him, and instantly her face grew soft and warm with tenderness, and her eyes grew bright. She ran and knelt down on the floor, and folded her arms about him.
βOh, the bonnie wee laddie!β she murmured, kissing him. βOh, the gay litβlinβ!β And then, kneeling as she was, she turned her face up towards her old husband and exclaimed,
βLook, John! Is he not like him?β
The unimportant John, peering intently out of his kindly old face, smiled down on them, sighing.
βAs like as two peas!β he said gently.
Then Libby, fumbling with one hand while her other held the little boy, pulled from a pocket in her voluminous cotton skirt a picture in a little case. No other woman of her class had dreamed in Scotland of aping the gentry to such an extent as having a picture of her children made. But Libby Keith had, of course, gone without food to save the necessary money. She could starve more easily than lose the remembrance of those tender child faces of hers. She opened the case, and looked at it intently for only a moment. Then she handed it to Isobel McLaughlin.
βLook at this, Isobel! You said he was more like Wully!β
Isobel took the picture, and looked at it. Tears came unexpectedly into her eyes. There before her was Libbyβs Davie, a little, innocent, broad-faced laddie, with his arm protestingly around his sister Flora, who, with her head shyly on one side, looked out at the world with wondering round eyes. And seated before them, on a stool with fringe, one leg crossed under him, sat little Peter, with a plaid cap lying proudly in his lap. Isobel blinked away her tears. βAh, Davie was like that!β she murmured. And then she turned and looked at her grandson still in Libbyβs arms. He had on his best Sunday dress that his stepgrandmother had made for him, of scarlet wool nunβs veiling, a little frock that Chirstie keeps to this day folded immaculately away. It was low in the neck, and had no sleeves to hide the soft dimpled arms. Around the neck and the flaring skirt were three rows of very narrow black velvet ribbon. Chirstie had curled his hair that morning around her finger. The curls at the back of his head were still in shape, and the long one that came down the top of his head to his forehead, disarranged as it was, still showed what a soft, sweet thing it must have been before his romp with the children. And there in the frame Isobel looked at what might have been the picture of the child before her, the very forehead, the same childish nose. Only little Johnnie had a winsome way of screwing his mouth into smiles which he must have got from his secret grandfather Keith who, quite unadmired, stood watching him indulgently.
Isobel McLaughlin said gently;
βYouβre right, Libby. Heβs like it. Peter is a McLaughlin if ever there was one.β And having taken away any cause for apprehension that Chirstie might have had, and having given her husbandβs family a little knock from which under the circumstances, the two McLaughlin men were not able to defend themselves, she handed the picture calmly to Chirstie, saying again;
βIt might have been our babyβs picture.β She never again had any doubt about the paternity of the child. And
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