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ready to begin her affair with Sir William Heathly.

For the matter of that, Sir John Robertson, the specialist in old furniture, challenged by Lady Moira to pick holes in her beautiful house, had gone there, poked his large spectacles against cabinets, smelt the varnish of table tops and bitten the backs of chairs in his ancient and shortsighted way, and had then told Lady Moira that Tietjens had bought her nothing that wasn’t worth a bit more than he had given for it. This increased their respect for the old fellow: it explained his several millions. For, if the old fellow proposed to make out of a friend like Moira a profit of 300 percent⁠—limiting it to that out of sheer affection for a pretty woman⁠—what wouldn’t he make out of a natural⁠—and national⁠—enemy like a United States senator!

And the old man took a great fancy to Tietjens himself⁠—which Tietjens, to Sylvia’s bewilderment, did not resent. The old man would come in to tea and, if Tietjens were present, would stay for hours talking about old furniture. Tietjens would listen without talking. Sir John would expatiate over and over again about this to Mrs. Tietjens. It was extraordinary. Tietjens went purely by instinct: by taking a glance at a thing and chancing its price. According to Sir John one of the most remarkable feats of the furniture trade had been Tietjens’ purchase of the Hemingway bureau for Lady Moira. Tietjens, in his dislikeful way, had bought this at a cottage sale for £3 10s., and had told Lady Moira it was the best piece she would ever possess: Lady Moira had gone to the sale with him. Other dealers present had hardly looked at it: Tietjens certainly hadn’t opened it. But at Lady Moira’s, poking his spectacles into the upper part of the glazed piece, Sir John had put his nose straight on the little bit of inserted yellow wood by a hinge, bearing signature, name and date: “Jno. Hemingway, Bath, 1784.” Sylvia remembered them because Sir John told her so often. It was a lost “piece” that the furnishing world had been after for many years.

For that exploit the old man seemed to love Tietjens. That he loved Sylvia herself, she was quite aware. He fluttered round her tremulously, gave fantastic entertainments in her honour and was the only man she had never turned down. He had a harem, so it was said, in an enormous house at Brighton or somewhere. But it was another sort of love he bestowed on Tietjens: the rather pathetic love that the aged bestow on their possible successors in office.

Once Sir John came into tea and quite formally and with a sort of portentousness announced that that was his seventy-first birthday, and that he was a broken man. He seriously proposed that Tietjens should come into partnership with him with the reversion of the business⁠—not, of course, of his private fortune. Tietjens had listened amiably, asking a detail or two of Sir John’s proposed arrangement. Then he had said, with the rather caressing voice that he now and then bestowed on a pretty woman, that he didn’t think it would do. There would be too much beastly money about it. As a career it would be more congenial to him than his office⁠ ⁠… but there was too much beastly money about it.

Once more, a little to Sylvia’s surprise⁠—but men are queer creatures!⁠—Sir John seemed to see this objection as quite reasonable, though he heard it with regret and combated it feebly. He went away with a relieved jauntiness; for, if he couldn’t have Tietjens he couldn’t; and he invited Sylvia to dine with him somewhere where they were going to have something fabulous and very nasty at about two guineas the ounce on the menu. Something like that! And during dinner Sir John had entertained her by singing the praises of her husband. He said Tietjens was much too great a gentleman to be wasted on the old-furniture trade: that was why he hadn’t persisted. But he sent by Sylvia a message to the effect that if ever Tietjens did come to be in want of money⁠ ⁠…

Occasionally Sylvia was worried to know why people⁠—as they sometimes did⁠—told her that her husband had great gifts. To her he was merely unaccountable. His actions and opinions seemed simply the products of caprice⁠—like her own; and, since she knew that most of her own manifestations were a matter of contrariety, she abandoned the habit of thinking much about him.

But gradually and dimly she began to see that Tietjens had, at least, a consistency of character and a rather unusual knowledge of life. This came to her when she had to acknowledge that their move to the Inn of Court had been a social success and had suited herself. When they had discussed the change at Lobscheid⁠—or rather when Sylvia had unconditionally given in to every stipulation of Tietjens!⁠—he had predicted almost exactly what would happen, though it had been the affair of her mother’s cousin’s opera box that had most impressed her. He had told her, at Lobscheid, that he had no intention of interfering with her social level, and she was convinced that he was not going to. He had thought about it a good deal.

She hadn’t much listened to him. She had thought, firstly, that he was a fool and, secondly, that he did mean to hurt her. And she acknowledged that he had a certain right. If, after she had been off with another man, she asked this one still to extend to her the honour of his name and the shelter of his roof, she had no right to object to his terms. Her only decent revenge on him was to live afterwards with such equanimity as to let him know the mortification of failure.

But at Lobscheid he had talked a lot of nonsense, as it had seemed to her: a mixture of prophecy and politics. The Chancellor of the Exchequer of that

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