His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕
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His Masterpiece, sometimes translated as “The Work” or “The Masterpiece,” is Zola’s 14th entry in his Rougon-Macquart series of novels. In it we see Claude Lantier, a painter with obvious talent, struggle to leave a revolutionary mark on the art world of 19th-century Paris. The novel deftly explores the themes of genius, poverty, purity in art, art as a beaurocratic institution, obsession, and madness.
The book is notable not just for its accurate portrayal of the art world of the time, but also for the interesting personal details Zola incorporated into the book. Lantier is a pastiche of several famous painters Zola personally knew, including Paul Cézanne, Claude Monet, and Édouard Manet; Lantier’s masterpiece is based on Manet’s revolutionary painting Le Déjeuner sur l’herbe; and the novel’s accuracy is even blamed on ending the long friendship between Zola and Cézanne. Zola himself includes a self-portrait, as the character Pierre Sandoz.
Vizetelly’s translation is fresh and readable, and Zola’s rendition of Paris and the surrounding countryside is vibrant and engrossing. Rarely do we get such a close and engaging window into bohemian life in old Paris.
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- Author: Émile Zola
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But Christine lived indeed. All the latent passion of her nature burst into being. She was indeed an amorosa, a child of nature and of love.
Thus their days passed by and solitude did not prove irksome to them. No desire for diversion, of paying or receiving visits, as yet made them look beyond themselves. Such hours as she did not spend near him, she employed in household cares, turning the house upside down with great cleanings, which Mélie executed under her supervision, and falling into fits of reckless activity, which led her to engage in personal combats with the few saucepans in the kitchen. The garden especially occupied her; provided with pruning shears, careless of the thorns which lacerated her hands, she reaped harvests of roses from the giant rosebushes; and she gave herself a thorough backache in gathering the apricots, which she sold for two hundred francs to some of the Englishmen who scoured the district every year. She was very proud of her bargain, and seriously talked of living upon the garden produce. Claude cared less for gardening; he had placed his couch in the large dining-room, transformed into a studio; and he stretched himself upon it, and through the open window watched her sow and plant. There was profound peace, the certainty that nobody would come, that no ring at the bell would disturb them at any moment of the day. Claude carried this fear of coming into contact with people so far as to avoid passing Faucheur’s inn, for he dreaded lest he might run against some party of chums from Paris. Not a soul came, however, throughout the livelong summer. And every night as they went upstairs, he repeated that, after all, it was deuced lucky.
There was, however, a secret sore in the depths of his happiness. After their flight from Paris, Sandoz had learnt their address, and had written to ask whether he might go to see Claude, but the latter had not answered the letter, and so coolness had followed, and the old friendship seemed dead. Christine was grieved at this, for she realised well enough that he had broken off all intercourse with his comrades for her sake. She constantly reverted to the subject; she did not want to estrange him from his friends, and indeed she insisted that he should invite them. But, though he promised to set matters right, he did nothing of the kind. It was all over; what was the use of raking up the past?
However, money having become scarce towards the latter days of July, he was obliged to go to Paris to sell Papa Malgras half a dozen of his old studies, and Christine, on accompanying him to the station, made him solemnly promise that he would go to see Sandoz. In the evening she was there again, at the Bonnières Station, waiting for him.
“Well, did you see him? did you embrace each other?”
He began walking by her side in silent embarrassment. Then he answered in a husky voice:
“No; I hadn’t time.”
Thereupon, sorely distressed, with two big tears welling to her eyes, she replied:
“You grieve me very much indeed.”
Then, as they were walking under the trees, he kissed her, crying also, and begging her not to make him sadder still. “Could people alter life? Did it not suffice that they were happy together?”
During the earlier months they only once met some strangers. This occurred a little above Bennecourt, in the direction of La Roche-Guyon. They were strolling along a deserted, wooded lane, one of those delightful dingle paths of the region, when, at a turning, they came upon three middle-class people out for a walk—father, mother, and daughter. It precisely happened that, believing themselves to be quite alone, Claude and Christine had passed their arms round each other’s waists; she, bending towards him, was offering her lips; while he laughingly protruded his; and their surprise was so sudden that they did not change their attitude, but, still clasped together, advanced at the same slow pace. The amazed family remained transfixed against one of the side banks, the father stout and apoplectic, the mother as thin as a knife-blade, and the daughter, a mere shadow, looking like a sick bird moulting—all three of them ugly, moreover, and but scantily provided with the vitiated blood of their race. They looked disgraceful amidst the throbbing life of nature, beneath the glorious sun. And all at once the sorry girl, who with stupefied eyes thus watched love passing by, was pushed off by her father, dragged along by her mother, both beside themselves, exasperated by the sight of that embrace, and asking whether there was no longer any
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