Notre-Dame de Paris by Victor Hugo (e reader for manga txt) 📕
Description
Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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A voice without replied, “Your friend, Jacques Coictier.” He went to open the door.
It was, in fact, the king’s physician; a person about fifty years of age, whose harsh physiognomy was modified only by a crafty eye. Another man accompanied him. Both wore long slate-colored robes, furred with minever, girded and closed, with caps of the same stuff and hue. Their hands were concealed by their sleeves, their feet by their robes, their eyes by their caps.
“God help me, messieurs!” said the archdeacon, showing them in; “I was not expecting distinguished visitors at such an hour.” And while speaking in this courteous fashion he cast an uneasy and scrutinizing glance from the physician to his companion.
“ ’Tis never too late to come and pay a visit to so considerable a learned man as Dom Claude Frollo de Tirechappe,” replied Doctor Coictier, whose Franche-Comté accent made all his phrases drag along with the majesty of a train-robe.
There then ensued between the physician and the archdeacon one of those congratulatory prologues which, in accordance with custom, at that epoch preceded all conversations between learned men, and which did not prevent them from detesting each other in the most cordial manner in the world. However, it is the same nowadays; every wise man’s mouth complimenting another wise man is a vase of honeyed gall.
Claude Frollo’s felicitations to Jacques Coictier bore reference principally to the temporal advantages which the worthy physician had found means to extract, in the course of his much envied career, from each malady of the king, an operation of alchemy much better and more certain than the pursuit of the philosopher’s stone.
“In truth, Monsieur le Docteur Coictier, I felt great joy on learning of the bishopric given your nephew, my reverend seigneur Pierre Versé. Is he not Bishop of Amiens?”
“Yes, monsieur Archdeacon; it is a grace and mercy of God.”
“Do you know that you made a great figure on Christmas Day at the head of your company of the chamber of accounts, Monsieur President?”
“Vice-President, Dom Claude. Alas! nothing more.”
“How is your superb house in the Rue Saint-André des Arcs coming on? ’Tis a Louvre. I love greatly the apricot tree which is carved on the door, with this play of words: ‘A l’abri-cotier—Sheltered from reefs.’ ”
“Alas! Master Claude, all that masonry costeth me dear. In proportion as the house is erected, I am ruined.”
“Ho! have you not your revenues from the jail, and the bailiwick of the Palais, and the rents of all the houses, sheds, stalls, and booths of the enclosure? ’Tis a fine breast to suck.”
“My castellany of Poissy has brought me in nothing this year.”
“But your tolls of Triel, of Saint-James, of Saint-Germain-en-Laye are always good.”
“Six score livres, and not even Parisian livres at that.”
“You have your office of counsellor to the king. That is fixed.”
“Yes, brother Claude; but that accursed seigneury of Poligny, which people make so much noise about, is worth not sixty gold crowns, year out and year in.”
In the compliments which Dom Claude addressed to Jacques Coictier, there was that sardonical, biting, and covertly mocking accent, and the sad cruel smile of a superior and unhappy man who toys for a moment, by way of distraction, with the dense prosperity of a vulgar man. The other did not perceive it.
“Upon my soul,” said Claude at length, pressing his hand, “I am glad to see you and in such good health.”
“Thanks, Master Claude.”
“By the way,” exclaimed Dom Claude, “how is your royal patient?”
“He payeth not sufficiently his physician,” replied the doctor, casting a side glance at his companion.
“Think you so, Gossip Coictier,” said the latter.
These words, uttered in a tone of surprise and reproach, drew upon this unknown personage the attention of the archdeacon which, to tell the truth, had not been diverted from him a single moment since the stranger had set foot across the threshold of his cell. It had even required all the thousand reasons which he had for handling tenderly Doctor Jacques Coictier, the all-powerful physician of King Louis XI, to induce him to receive the latter thus accompanied. Hence, there was nothing very cordial in his manner when Jacques Coictier said to him—
“By the way, Dom Claude, I bring you a colleague who has desired to see you on account of your reputation.”
“Monsieur belongs to science?” asked the archdeacon, fixing his piercing eye upon Coictier’s companion. He found beneath the brows of the stranger a glance no less piercing or less distrustful than his own.
He was, so far as the feeble light of the lamp permitted one to judge, an old man about sixty years of age and of medium stature, who appeared somewhat sickly and broken in health. His profile, although of a very ordinary outline, had something powerful and severe about it; his eyes sparkled beneath a very deep superciliary arch, like a light in the depths of a cave; and beneath his cap which was well drawn down and fell upon his nose, one recognized the broad expanse of a brow of genius.
He took it upon himself to reply to the archdeacon’s question—
“Reverend master,” he said in a grave tone, “your renown has reached my ears, and I wish to consult you. I am but a poor provincial gentleman, who removeth his shoes before entering the dwellings of the learned. You must know my name. I am called Gossip Tourangeau.”
“Strange name for a gentleman,” said the archdeacon to himself.
Nevertheless, he had a feeling that he was in the presence of a strong and earnest character. The instinct of his own lofty intellect made him recognize an intellect no less lofty under Gossip Tourangeau’s furred cap, and as he gazed at the solemn face, the ironical smile
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