Short Fiction by O. Henry (librera reader txt) ๐
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryโs stories are the famous โtwistโ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryโs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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Kernan turned to Woods with a diabolic smile.
โIโve got him going. He believes me now. He didnโt quite cover the transmitter with his hand when he told somebody to call up Central on another phone and get our number. Iโll give him just one more dig, and then weโll make a โgetaway.โ
โHello!โ โโ โฆ Yes. Iโm here yet. You didnโt think Iโd run from such a little subsidized, turncoat rag of a newspaper, did you?โ โโ โฆ Have me inside of forty-eight hours? Say, will you quit being funny? Now, you let grown men alone and attend to your business of hunting up divorce cases and streetcar accidents and printing the filth and scandal that you make your living by. Goodbye, old boyโ โsorry I havenโt time to call on you. Iโd feel perfectly safe in your sanctum asinorum. Tra-la!โ
โHeโs as mad as a cat thatโs lost a mouse,โ said Kernan, hanging up the receiver and coming out. โAnd now, Barney, my boy, weโll go to a show and enjoy ourselves until a reasonable bedtime. Four hoursโ sleep for me, and then the westbound.โ
The two dined in a Broadway restaurant. Kernan was pleased with himself. He spent money like a prince of fiction. And then a weird and gorgeous musical comedy engaged their attention. Afterward there was a late supper in a grillroom, with champagne, and Kernan at the height of his complacency.
Half-past three in the morning found them in a corner of an all-night cafรฉ, Kernan still boasting in a vapid and rambling way, Woods thinking moodily over the end that had come to his usefulness as an upholder of the law.
But, as he pondered, his eye brightened with a speculative light.
โI wonder if itโs possible,โ he said to himself, โI wonder if itโs pos-si-ble!โ
And then outside the cafรฉ the comparative stillness of the early morning was punctured by faint, uncertain cries that seemed mere fireflies of sound, some growing louder, some fainter, waxing and waning amid the rumble of milk wagons and infrequent cars. Shrill cries they were when nearโ โwell-known cries that conveyed many meanings to the ears of those of the slumbering millions of the great city who waked to hear them. Cries that bore upon their significant, small volume the weight of a worldโs woe and laughter and delight and stress. To some, cowering beneath the protection of a nightโs ephemeral cover, they brought news of the hideous, bright day; to others, wrapped in happy sleep, they announced a morning that would dawn blacker than sable night. To many of the rich they brought a besom to sweep away what had been theirs while the stars shone; to the poor they broughtโ โanother day.
All over the city the cries were starting up, keen and sonorous, heralding the chances that the slipping of one cogwheel in the machinery of time had made; apportioning to the sleepers while they lay at the mercy of fate, the vengeance, profit, grief, reward and doom that the new figure in the calendar had brought them. Shrill and yet plaintive were the cries, as if the young voices grieved that so much evil and so little good was in their irresponsible hands. Thus echoed in the streets of the helpless city the transmission of the latest decrees of the gods, the cries of the newsboysโ โthe Clarion Call of the Press.
Woods flipped a dime to the waiter, and said: โGet me a Morning Mars.โ
When the paper came he glanced at its first page, and then tore a leaf out of his memorandum book and began to write on it with the little gold pencil.
โWhatโs the news?โ yawned Kernan.
Woods flipped over to him the piece of writing:
The New York Morning Mars:
Please pay to the order of John Kernan the one thousand dollars reward coming to me for his arrest and conviction.
Barnard Woods.
โI kind of thought they would do that,โ said Woods, โwhen you were jollying them so hard. Now, Johnny, youโll come to the police station with me.โ
The Tale of a Tainted TennerMoney talks. But you may think that the conversation of a little old ten-dollar bill in New York would be nothing more than a whisper. Oh, very well! Pass up this sotto voce autobiography of an X if you like. If you are one of the kind that prefers to listen to John Dโs checkbook roar at you through a megaphone as it passes by, all right. But donโt forget that small change can say a word to the point now and then. The next time you tip your grocerโs clerk a silver quarter to give you extra weight of his bossโs goods read the four words above the ladyโs head. How are they for repartee?
I am a ten-dollar Treasury note, series of 1901. You may have seen one in a friendโs hand. On my face, in the centre, is a picture of the bison Americanus, miscalled a buffalo by fifty or sixty millions of Americans. The heads of Capt. Lewis and Capt. Clark adorn the ends. On my back is the graceful figure of Liberty or Ceres or Maxine
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