Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βββGood old hoss!β says Paisley, shaking my hand. βAnd Iβll do the same,β says he. βWeβll court the lady synonymously, and without any of the prudery and bloodshed usual to such occasions. And weβll be friends still, win or lose.β
βAt one side of Mrs. Jessupβs eating-house was a bench under some trees where she used to sit in the breeze after the southbound had been fed and gone. And there me and Paisley used to congregate after supper and make partial payments on our respects to the lady of our choice. And we was so honorable and circuitous in our calls that if one of us got there first we waited for the other before beginning any gallivantery.
βThe first evening that Mrs. Jessup knew about our arrangement I got to the bench before Paisley did. Supper was just over, and Mrs. Jessup was out there with a fresh pink dress on, and almost cool enough to handle.
βI sat down by her and made a few specifications about the moral surface of nature as set forth by the landscape and the contiguous perspective. That evening was surely a case in point. The moon was attending to business in the section of sky where it belonged, and the trees was making shadows on the ground according to science and nature, and there was a kind of conspicuous hullabaloo going on in the bushes between the bullbats and the orioles and the jackrabbits and other feathered insects of the forest. And the wind out of the mountains was singing like a Jewβsharp in the pile of old tomato-cans by the railroad track.
βI felt a kind of sensation in my left sideβ βsomething like dough rising in a crock by the fire. Mrs. Jessup had moved up closer.
βββOh, Mr. Hicks,β says she, βwhen one is alone in the world, donβt they feel it more aggravated on a beautiful night like this?β
βI rose up off the bench at once.
βββExcuse me, maβam,β says I, βbut Iβll have to wait till Paisley comes before I can give a audible hearing to leading questions like that.β
βAnd then I explained to her how we was friends cinctured by years of embarrassment and travel and complicity, and how we had agreed to take no advantage of each other in any of the more mushy walks of life, such as might be fomented by sentiment and proximity. Mrs. Jessup appears to think serious about the matter for a minute, and then she breaks into a species of laughter that makes the wildwood resound.
βIn a few minutes Paisley drops around, with oil of bergamot on his hair, and sits on the other side of Mrs. Jessup, and inaugurates a sad tale of adventure in which him and Pieface Lumley has a skinning-match of dead cows in β95 for a silver-mounted saddle in the Santa Rita valley during the nine monthsβ drought.
βNow, from the start of that courtship I had Paisley Fish hobbled and tied to a post. Each one of us had a different system of reaching out for the easy places in the female heart. Paisleyβs scheme was to petrify βem with wonderful relations of events that he had either come across personally or in large print. I think he must have got his idea of subjugation from one of Shakespeareβs shows I see once called βOthello.β There is a coloured man in it who acquires a dukeβs daughter by disbursing to her a mixture of the talk turned out by Rider Haggard, Lew Dockstader, and Dr. Parkhurst. But that style of courting donβt work well off the stage.
βNow, I give you my own recipe for inveigling a woman into that state of affairs when she can be referred to as βnΓ©e Jones.β Learn how to pick up her hand and hold it, and sheβs yours. It ainβt so easy. Some men grab at it so much like they was going to set a dislocation of the shoulder that you can smell the arnica and hear βem tearing off bandages. Some take it up like a hot horseshoe, and hold it off at armβs length like a druggist pouring tincture of asafoetida in a bottle. And most of βem catch hold of it and drag it right out before the ladyβs eyes like a boy finding a baseball in the grass, without giving her a chance to forget that the hand is growing on the end of her arm. Them ways are all wrong.
βIβll tell you the right way. Did you ever see a man sneak out in the back yard and pick up a rock to throw at a tomcat that was sitting on a fence looking at him? He pretends he hasnβt got a thing in his hand, and that the cat donβt see him, and that he donβt see the cat. Thatβs the idea. Never drag her hand out where sheβll have to take notice of it. Donβt let her know that you think she knows you have the least idea she is aware you are holding her hand. That was my rule of tactics; and as far as Paisleyβs serenade about hostilities and misadventure went, he might as well have been reading to her a timetable of the Sunday trains that stop at Ocean Grove, New Jersey.
βOne night when I beat Paisley to the bench by one pipeful, my friendship gets
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