The Story of the Amulet by E. Nesbit (important books to read txt) 📕
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In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half.
Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs.
A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy.
These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace.
The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who.
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- Author: E. Nesbit
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“Oh, don’t be so discontented,” said Anthea. “If it can’t do anything else it can tell us about Megatheriums and things.”
II The Half AmuletLong ago—that is to say last summer—the children, finding themselves embarrassed by some wish which the Psammead had granted them, and which the servants had not received in a proper spirit, had wished that the servants might not notice the gifts which the Psammead gave. And when they parted from the Psammead their last wish had been that they should meet it again. Therefore they had met it (and it was jolly lucky for the Psammead, as Robert pointed out). Now, of course, you see that the Psammead’s being where it was, was the consequence of one of their wishes, and therefore was a Psammead-wish, and as such could not be noticed by the servants. And it was soon plain that in the Psammead’s opinion old Nurse was still a servant, although she had now a house of her own, for she never noticed the Psammead at all. And that was as well, for she would never have consented to allow the girls to keep an animal and a bath of sand under their bed.
When breakfast had been cleared away—it was a very nice breakfast with hot rolls to it, a luxury quite out of the common way—Anthea went and dragged out the bath, and woke the Psammead. It stretched and shook itself.
“You must have bolted your breakfast most unwholesomely,” it said, “you can’t have been five minutes over it.”
“We’ve been nearly an hour,” said Anthea. “Come—you know you promised.”
“Now look here,” said the Psammead, sitting back on the sand and shooting out its long eyes suddenly, “we’d better begin as we mean to go on. It won’t do to have any misunderstanding, so I tell you plainly that—”
“Oh, please,” Anthea pleaded, “do wait till we get to the others. They’ll think it most awfully sneakish of me to talk to you without them; do come down, there’s a dear.”
She knelt before the sand-bath and held out her arms. The Psammead must have remembered how glad it had been to jump into those same little arms only the day before, for it gave a little grudging grunt, and jumped once more.
Anthea wrapped it in her pinafore and carried it downstairs. It was welcomed in a thrilling silence.
At last Anthea said, “Now then!”
“What place is this?” asked the Psammead, shooting its eyes out and turning them slowly round.
“It’s a sitting-room, of course,” said Robert.
“Then I don’t like it,” said the Psammead.
“Never mind,” said Anthea kindly; “we’ll take you anywhere you like if you want us to. What was it you were going to say upstairs when I said the others wouldn’t like it if I stayed talking to you without them?”
It looked keenly at her, and she blushed.
“Don’t be silly,” it said sharply. “Of course, it’s quite natural that you should like your brothers and sisters to know exactly how good and unselfish you were.”
“I wish you wouldn’t,” said Jane. “Anthea was quite right. What was it you were going to say when she stopped you?”
“I’ll tell you,” said the Psammead, “since you’re so anxious to know. I was going to say this. You’ve saved my life—and I’m not ungrateful—but it doesn’t change your nature or mine. You’re still very ignorant, and rather silly, and I am worth a thousand of you any day of the week.”
“Of course you are!” Anthea was beginning but it interrupted her.
“It’s very rude to interrupt,” it said; “what I mean is that I’m not going to stand any nonsense, and if you think what you’ve done is to give you the right to pet me or make me demean myself by playing with you, you’ll find out that what you think doesn’t matter a single penny. See? It’s what I think that matters.”
“I know,” said Cyril, “it always was, if you remember.”
“Well,” said the Psammead, “then that’s settled. We’re to be treated as we deserve. I with respect, and all of you with—but I don’t wish to be offensive. Do you want me to tell you how I got into that horrible den you bought me out of? Oh, I’m not ungrateful! I haven’t forgotten it and I shan’t forget it.”
“Do tell us,” said Anthea. “I know you’re awfully clever, but even with all your cleverness, I don’t believe you can possibly know how—how respectfully we do respect you. Don’t we?”
The others all said yes—and fidgeted in their chairs. Robert spoke the wishes of all when he said—
“I do wish you’d go on.”
So it sat up on the green-covered table and went on.
“When you’d gone away,” it said, “I went to sand for a bit, and slept. I was tired out with all your silly wishes, and I felt as though I hadn’t really been to sand for a year.”
“To sand?” Jane repeated.
“Where I sleep. You go to bed. I go to sand.”
Jane yawned; the mention of bed made her feel sleepy.
“All right,” said the Psammead, in offended tones. “I’m sure I don’t want to tell you a long tale. A man caught me, and I bit him. And he put me in a bag with a dead hare and a dead rabbit. And he took me to his house and put me out of the bag into a basket with holes that I could see through. And I bit him again. And then he brought me to this city, which I am told is called the Modern Babylon—though it’s not a bit like the old Babylon—and he sold me to the man you bought me from, and then I bit them both. Now, what’s your news?”
“There’s not quite so much biting in our story,” said Cyril regretfully; “in fact, there isn’t any. Father’s gone to Manchuria, and Mother and The Lamb have gone to Madeira because Mother was ill, and don’t
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