Crome Yellow by Aldous Huxley (free novels txt) 📕
Description
Denis, a young writer and poet, travels to an English countryside manor to spend the summer alongside a cast of outlandish leisure class intellectuals. The younger guests of the manor grapple with navigating love and sex within a post-Victorian society. Older guests and inhabitants obsess over trivialities from their vast libraries, eager to give a show of their knowledge to each other. The novel uses these interactions to paint a scathing representation of their insecurities and world views.
Crome Yellow is Aldous Huxley’s first published novel. His inspiration for many of the characters came from his time spent at Garsington Manor, a haven for many writers and poets of the time.
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- Author: Aldous Huxley
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Before he went down—patent leather was his final choice—he looked at himself critically in the glass. His hair might have been more golden, he reflected. As it was, its yellowness had the hint of a greenish tinge in it. But his forehead was good. His forehead made up in height what his chin lacked in prominence. His nose might have been longer, but it would pass. His eyes might have been blue and not green. But his coat was very well cut and, discreetly padded, made him seem robuster than he actually was. His legs, in their white casing, were long and elegant. Satisfied, he descended the stairs. Most of the party had already finished their breakfast. He found himself alone with Jenny.
“I hope you slept well,” he said.
“Yes, isn’t it lovely?” Jenny replied, giving two rapid little nods. “But we had such awful thunderstorms last week.”
Parallel straight lines, Denis reflected, meet only at infinity. He might talk forever of care-charmer sleep and she of meteorology till the end of time. Did one ever establish contact with anyone? We are all parallel straight lines. Jenny was only a little more parallel than most.
“They are very alarming, these thunderstorms,” he said, helping himself to porridge. “Don’t you think so? Or are you above being frightened?”
“No. I always go to bed in a storm. One is so much safer lying down.”
“Why?”
“Because,” said Jenny, making a descriptive gesture, “because lightning goes downwards and not flat ways. When you’re lying down you’re out of the current.”
“That’s very ingenious.”
“It’s true.”
There was a silence. Denis finished his porridge and helped himself to bacon. For lack of anything better to say, and because Mr. Scogan’s absurd phrase was for some reason running in his head, he turned to Jenny and asked:
“Do you consider yourself a femme supérieure?” He had to repeat the question several times before Jenny got the hang of it.
“No,” she said, rather indignantly, when at last she heard what Denis was saying. “Certainly not. Has anyone been suggesting that I am?”
“No,” said Denis. “Mr. Scogan told Mary she was one.”
“Did he?” Jenny lowered her voice. “Shall I tell you what I think of that man? I think he’s slightly sinister.”
Having made this pronouncement, she entered the ivory tower of her deafness and closed the door. Denis could not induce her to say anything more, could not induce her even to listen. She just smiled at him, smiled and occasionally nodded.
Denis went out on to the terrace to smoke his after-breakfast pipe and to read his morning paper. An hour later, when Anne came down, she found him still reading. By this time he had got to the Court Circular and the Forthcoming Weddings. He got up to meet her as she approached, a Hamadryad in white muslin, across the grass.
“Why, Denis,” she exclaimed, “you look perfectly sweet in your white trousers.”
Denis was dreadfully taken aback. There was no possible retort. “You speak as though I were a child in a new frock,” he said, with a show of irritation.
“But that’s how I feel about you, Denis dear.”
“Then you oughtn’t to.”
“But I can’t help it. I’m so much older than you.”
“I like that,” he said. “Four years older.”
“And if you do look perfectly sweet in your white trousers, why shouldn’t I say so? And why did you put them on, if you didn’t think you were going to look sweet in them?”
“Let’s go into the garden,” said Denis. He was put out; the conversation had taken such a preposterous and unexpected turn. He had planned a very different opening, in which he was to lead off with, “You look adorable this morning,” or something of the kind, and she was to answer, “Do I?” and then there was to be a pregnant silence. And now she had got in first with the trousers. It was provoking; his pride was hurt.
That part of the garden that sloped down from the foot of the terrace to the pool had a beauty which did not depend on colour so much as on forms. It was as beautiful by moonlight as in the sun. The silver of water, the dark shapes of yew and ilex trees remained, at all hours and seasons, the dominant features of the scene. It was a landscape in black and white. For colour there was the flower-garden; it lay to one side of the pool, separated from it by a huge Babylonian wall of yews. You passed through a tunnel in the hedge, you opened a wicket in a wall, and you found yourself, startlingly and suddenly, in the world of colour. The July borders blazed and flared under the sun. Within its high brick walls the garden was like a great tank of warmth and perfume and colour.
Denis held open the little iron gate for his companion. “It’s like passing from a cloister into an Oriental palace,” he said, and took a deep breath of the warm, flower-scented air. “ ‘In fragrant volleys they let fly …’ How does it go?”
“ ‘Well shot, ye firemen! Oh how sweet
And round your equal fires do meet;
Whose shrill report no ear can tell,
But echoes to the eye and smell …’ ”
“You have a bad habit of quoting,” said Anne. “As I never know the context or author, I find it humiliating.”
Denis apologized. “It’s the fault of one’s education. Things somehow seem more real and vivid when one can apply somebody else’s ready-made phrase about them. And then there are lots of lovely names and words—Monophysite, Iamblichus, Pomponazzi; you bring them out triumphantly, and feel you’ve clinched the argument with the mere magical sound of them. That’s what comes of the higher
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