A Sicilian Romance by Ann Radcliffe (read this if .TXT) 📕

proclaimed by the sound of music, and those gates which had long rusted on their hinges, were thrown open to receive her. The courts and halls, whose aspect so lately expressed only gloom and desolation, now shone with sudden splendour, and echoed the sounds of gaiety and gladness. Julia surveyed the scene from an obscure window; and as the triumphal strains filled the air, her breast throbbed; her heart beat quick with joy, and she lost her apprehensions from the marchioness in a sort of wild delight hitherto unknown to her. The arrival of the marchioness seemed indeed the signal of universal and unlimited pleasure. When the marquis came out to receive her, the gloom that lately clouded his countenance, broke away in smiles of welcome, which the whole company appeared to consider as invitations to joy.

The tranquil heart of Emilia was not proof against a scene so alluring, and she sighed at the prospect, yet scarcely knew why. Julia pointed out to her sister, the graceful figure of a young man who followed the marchioness, and she expressed her wishes that he might be her brother. From the contemplation of the scene before them, they were summoned to meet the marchioness. Julia trembled with apprehension, and for a few moments wished the castle was in its former state. As they advanced through the saloon, in which they were presented, Julia was covered with blushes; but Emilia, tho’ equally timid, preserved her graceful dignity. The marchioness received them with a mingled smile of condescension and politeness, and immediately the whole attention of the company was attracted by their elegance and beauty. The eager eyes of Julia sought in vain to discover her brother, of whose features she had no recollection in those of any of the persons then present. At length her father presented him, and she perceived, with a sigh of regret, that he was not the youth she had observed from the window. He advanced with a very engaging air, and she met him with an unfeigned welcome. His figure was tall and majestic; he had a very noble and spirited carriage; and his countenance expressed at once sweetness and dignity. Supper was served in the east hall, and the tables were spread with a profusion of delicacies. A band of music played during the repast, and the evening concluded with a concert in the saloon.

II

The day of the festival, so long and so impatiently looked for by Julia, was now arrived. All the neighbouring nobility were invited, and the gates of the castle were thrown open for a general rejoicing. A magnificent entertainment, consisting of the most luxurious and expensive dishes, was served in the halls. Soft music floated along the vaulted roofs, the walls were hung with decorations, and it seemed as if the hand of a magician had suddenly metamorphosed this once gloomy fabric into the palace of a fairy. The marquis, notwithstanding the gaiety of the scene, frequently appeared abstracted from its enjoyments, and in spite of all his efforts at cheerfulness, the melancholy of his heart was visible in his countenance.

In the evening there was a grand ball: the marchioness, who was still distinguished for her beauty, and for the winning elegance of her manners, appeared in the most splendid attire. Her hair was ornamented with a profusion of jewels, but was so disposed as to give an air rather of voluptuousness than of grace, to her figure. Although conscious of her charms, she beheld the beauty of Emilia and Julia with a jealous eye, and was compelled secretly to acknowledge, that the simple elegance with which they were adorned, was more enchanting than all the studied artifice of splendid decoration. They were dressed alike in light Sicilian habits, and the beautiful luxuriance of their flowing hair was restrained only by bandellets of pearl. The ball was opened by Ferdinand and the lady Matilda Constanza. Emilia danced with the young Marquis della Fazelli, and acquitted herself with the ease and dignity so natural to her. Julia experienced a various emotion of pleasure and fear when the Count de Vereza, in whom she recollected the cavalier she had observed from the window, led her forth. The grace of her step, and the elegant symmetry of her figure, raised in the assembly a gentle murmur of applause, and the soft blush which now stole over her cheek, gave an additional charm to her appearance. But when the music changed, and she danced to the soft Sicilian measure, the airy grace of her movement, and the unaffected tenderness of her air, sunk attention into silence, which continued for some time after the dance had ceased. The marchioness observed the general admiration with seeming pleasure, and secret uneasiness. She had suffered a very painful solicitude, when the Count de Vereza selected her for his partner in the dance, and she pursued him through the evening with an eye of jealous scrutiny. Her bosom, which before glowed only with love, was now torn by the agitation of other passions more violent and destructive. Her thoughts were restless, her mind wandered from the scene before her, and it required all her address to preserve an apparent ease. She saw, or fancied she saw, an impassioned air in the count, when he addressed himself to Julia, that corroded her heart with jealous fury.

At twelve the gates of the castle were thrown open, and the company quitted it for the woods, which were splendidly illuminated. Arcades of light lined the long vistas, which were terminated by pyramids of lamps that presented to the eye one bright column of flame. At irregular distances buildings were erected, hung with variegated lamps, disposed in the gayest and most fantastic forms. Collations were spread under the trees; and music, touched by unseen hands, breathed around. The musicians were placed in the most obscure and embowered spots, so as to elude the eye and strike the imagination. The scene appeared