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Archie spent most of his time, and it was here that he made the acquaintance of J. B. Wheeler, the popular illustrator.

To Mr. Wheeler, over a friendly lunch, Archie had been confiding some of his ambitions to qualify as the hero of one of the Get-on-or-get-out-young-man-step-lively-books.

“You want a job?” said Mr. Wheeler.

“I want a job,” said Archie.

Mr. Wheeler consumed eight fried potatoes in quick succession. He was an able trencherman.

“I always looked on you as one of our leading lilies of the field,” he said. “Why this anxiety to toil and spin?”

“Well, my wife, you know, seems to think it might put me one-up with the jolly old dad if I did something.”

“And you’re not particular what you do, so long as it has the outer aspect of work?”

“Anything in the world, laddie, anything in the world.”

“Then come and pose for a picture I’m doing,” said J. B. Wheeler. “It’s for a magazine cover. You’re just the model I want, and I’ll pay you at the usual rates. Is it a go?”

“Pose?”

“You’ve only got to stand still and look like a chunk of wood. You can do that, surely?”

“I can do that,” said Archie.

“Then come along down to my studio tomorrow.”

“Right-o!” said Archie.

V Strange Experience of an Artist’s Model

“I say, old thing!”

Archie spoke plaintively. Already he was looking back ruefully to the time when he had supposed that an artist’s model had a soft job. In the first five minutes muscles which he had not been aware that he possessed had started to ache like neglected teeth. His respect for the toughness and durability of artists’ models was now solid. How they acquired the stamina to go through this sort of thing all day and then bound off to Bohemian revels at night was more than he could understand.

“Don’t wobble, confound you!” snorted Mr. Wheeler.

“Yes, but, my dear old artist,” said Archie, “what you don’t seem to grasp⁠—what you appear not to realise⁠—is that I’m getting a crick in the back.”

“You weakling! You miserable, invertebrate worm. Move an inch and I’ll murder you, and come and dance on your grave every Wednesday and Saturday. I’m just getting it.”

“It’s in the spine that it seems to catch me principally.”

“Be a man, you fainthearted string-bean!” urged J. B. Wheeler. “You ought to be ashamed of yourself. Why, a girl who was posing for me last week stood for a solid hour on one leg, holding a tennis racket over her head and smiling brightly withal.”

“The female of the species is more-india rubbery than the male,” argued Archie.

“Well, I’ll be through in a few minutes. Don’t weaken. Think how proud you’ll be when you see yourself on all the bookstalls.”

Archie sighed, and braced himself to the task once more. He wished he had never taken on this binge. In addition to his physical discomfort, he was feeling a most awful chump. The cover on which Mr. Wheeler was engaged was for the August number of the magazine, and it had been necessary for Archie to drape his reluctant form in a two-piece bathing suit of a vivid lemon colour; for he was supposed to be representing one of those jolly dogs belonging to the best families who dive off floats at exclusive seashore resorts. J. B. Wheeler, a stickler for accuracy, had wanted him to remove his socks and shoes; but there Archie had stood firm. He was willing to make an ass of himself, but not a silly ass.

“All right,” said J. B. Wheeler, laying down his brush. “That will do for today. Though, speaking without prejudice and with no wish to be offensive, if I had had a model who wasn’t a weak-kneed, jelly-backboned son of Belial, I could have got the darned thing finished without having to have another sitting.”

“I wonder why you chappies call this sort of thing ‘sitting,’ ” said Archie, pensively, as he conducted tentative experiments in osteopathy on his aching back. “I say, old thing, I could do with a restorative, if you have one handy. But, of course, you haven’t, I suppose,” he added, resignedly. Abstemious as a rule, there were moments when Archie found the Eighteenth Amendment somewhat trying.

J. B. Wheeler shook his head.

“You’re a little previous,” he said. “But come round in another day or so, and I may be able to do something for you.” He moved with a certain conspirator-like caution to a corner of the room, and, lifting to one side a pile of canvases, revealed a stout barrel, which he regarded with a fatherly and benignant eye. “I don’t mind telling you that, in the fullness of time, I believe this is going to spread a good deal of sweetness and light.”

“Oh, ah,” said Archie, interested. “Home brew, what?”

“Made with these hands. I added a few more raisins yesterday, to speed things up a bit. There is much virtue in your raisin. And, talking of speeding things up, for goodness’ sake try to be a bit more punctual tomorrow. We lost an hour of good daylight today.”

“I like that! I was here on the absolute minute. I had to hang about on the landing waiting for you.”

“Well, well, that doesn’t matter,” said J. B. Wheeler, impatiently, for the artist soul is always annoyed by petty details. “The point is that we were an hour late in getting to work. Mind you’re here tomorrow at eleven sharp.”

It was, therefore, with a feeling of guilt and trepidation that Archie mounted the stairs on the following morning; for in spite of his good resolutions he was half an hour behind time. He was relieved to find that his friend had also lagged by the wayside. The door of the studio was ajar, and he went in, to discover the place occupied by a lady of mature years, who was scrubbing the floor with a mop. He went into the bedroom and donned his bathing suit. When he emerged, ten minutes later, the charwoman had gone,

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