Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βDonβt see exactly what you are driving at,β said William. βI donβt wear an alpaca coat with blue trousers and a seersucker vest on dress occasions, like I used to do at home. You talk about being cut to a patternβ βwell, ainβt the pattern all right? When youβre in Rome youβve got to do as the Dagoes do. This town seems to me to have other alleged metropolises skinned to flag stations. According to the railroad schedule Iβve got in mind, Chicago and Saint Jo and Paris, France, are asterisk stopsβ βwhich means you wave a red flag and get on every other Tuesday. I like this little suburb of Tarrytown-on-the-Hudson. Thereβs something or somebody doing all the time. Iβm clearing $8,000 a year selling automatic pumps, and Iβm living like kings-up. Why, yesterday, I was introduced to John W. Gates. I took an auto ride with a wine agentβs sister. I saw two men run over by a street car, and I seen Edna May play in the evening. Talk about the West, why, the other night I woke everybody up in the hotel hollering. I dreamed I was walking on a board sidewalk in Oshkosh. What have you got against this town, Jack? Thereβs only one thing in it that I donβt care for, and thatβs a ferryboat.β
The artist gazed dreamily at the cartridge paper on the wall. βThis town,β said he, βis a leech. It drains the blood of the country. Whoever comes to it accepts a challenge to a duel. Abandoning the figure of the leech, it is a juggernaut, a Moloch, a monster to which the innocence, the genius, and the beauty of the land must pay tribute. Hand to hand every newcomer must struggle with the leviathan. Youβve lost, Billy. It shall never conquer me. I hate it as one hates sin or pestilence orβ βthe color work in a ten-cent magazine. I despise its very vastness and power. It has the poorest millionaires, the littlest great men, the lowest skyscrapers, the dolefulest pleasures of any town I ever saw. It has caught you, old man, but I will never run beside its chariot wheels. It glosses itself as the Chinaman glosses his collars. Give me the domestic finish. I could stand a town ruled by wealth or one ruled by an aristocracy; but this is one controlled by its lowest ingredients. Claiming culture, it is the crudest; asseverating its preeminence, it is the basest; denying all outside values and virtue, it is the narrowest. Give me the pure and the open heart of the West country. I would go back there tomorrow if I could.β
βDonβt you like this filet mignon?β said William. βShucks, now, whatβs the use to knock the town! Itβs the greatest ever. I couldnβt sell one automatic pump between Harrisburg and Tommy OβKeefeβs saloon, in Sacramento, where I sell twenty here. And have you seen Sara Bernhardt in βAndrew Mackβ yet?β
βThe townβs got you, Billy,β said Jack.
βAll right,β said William. βIβm going to buy a cottage on Lake Ronkonkoma next summer.β
At midnight Jack raised his window and sat close to it. He caught his breath at what he saw, though he had seen and felt it a hundred times.
Far below and around lay the city like a ragged purple dream. The irregular houses were like the broken exteriors of cliffs lining deep gulches and winding streams. Some were mountainous; some lay in long, desert canyons. Such was the background of the wonderful, cruel, enchanting, bewildering, fatal, great city. But into this background were cut myriads of brilliant parallelograms and circles and squares through which glowed many colored lights. And out of the violet and purple depths ascended like the cityβs soul sounds and odors and thrills that make up the civic body. There arose the breath of gaiety unrestrained, of love, of hate, of all the passions that man can know. There below him lay all things, good or bad, that can be brought from the four corners of the earth to instruct, please, thrill, enrich, despoil, elevate, cast down, nurture or kill. Thus the flavor of it came up to him and went into his blood.
There was a knock on his door. A telegram had come for him. It came from the West, and these were its words:
Come back and the answer will be yes.
Dolly.
He kept the boy waiting ten minutes, and then wrote the reply: βImpossible to leave here at present.β Then he sat at the window again and let the city put its cup of mandragora to his lips again.
After all it isnβt a story; but I wanted to know which one of the heroes won the battle against the city. So I went to a very learned friend and laid the case before him. What he said was: βPlease donβt bother me; I have Christmas presents to buy.β
So there it rests; and you will have to decide for yourself.
The Thingβs the PlayBeing acquainted with a newspaper reporter who had a couple of free passes, I got to see the performance a few nights ago at one of the popular vaudeville houses.
One of the numbers was a violin solo by a striking-looking man not much past forty, but with very gray thick hair. Not being afflicted with a taste for music, I let the system of noises drift past my ears while I regarded the man.
βThere was a story about that chap a month or two ago,β said the reporter. βThey gave me the assignment. It was to run a column and was to be on the extremely light and joking order. The old man seems to like the funny touch I give to local happenings. Oh, yes, Iβm working on a farce comedy now. Well, I went down to the house and got all the details; but I certainly
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