Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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Briggs coincided as usual, and the “previous attachment” was then discussed in conjectures. “You poor friendless creatures are always having some foolish tendre,” Miss Crawley said. “You yourself, you know, were in love with a writing-master (don’t cry, Briggs—you’re always crying, and it won’t bring him to life again), and I suppose this unfortunate Becky has been silly and sentimental too—some apothecary, or house-steward, or painter, or young curate, or something of that sort.”
“Poor thing! poor thing!” says Briggs (who was thinking of twenty-four years back, and that hectic young writing-master whose lock of yellow hair, and whose letters, beautiful in their illegibility, she cherished in her old desk upstairs). “Poor thing, poor thing!” says Briggs. Once more she was a fresh-cheeked lass of eighteen; she was at evening church, and the hectic writing-master and she were quavering out of the same psalm-book.
“After such conduct on Rebecca’s part,” Miss Crawley said enthusiastically, “our family should do something. Find out who is the objet, Briggs. I’ll set him up in a shop; or order my portrait of him, you know; or speak to my cousin, the Bishop and I’ll doter Becky, and we’ll have a wedding, Briggs, and you shall make the breakfast, and be a bridesmaid.”
Briggs declared that it would be delightful, and vowed that her dear Miss Crawley was always kind and generous, and went up to Rebecca’s bedroom to console her and prattle about the offer, and the refusal, and the cause thereof; and to hint at the generous intentions of Miss Crawley, and to find out who was the gentleman that had the mastery of Miss Sharp’s heart.
Rebecca was very kind, very affectionate and affected—responded to Briggs’s offer of tenderness with grateful fervour—owned there was a secret attachment—a delicious mystery—what a pity Miss Briggs had not remained half a minute longer at the keyhole! Rebecca might, perhaps, have told more: but five minutes after Miss Briggs’s arrival in Rebecca’s apartment, Miss Crawley actually made her appearance there—an unheard-of honour—her impatience had overcome her; she could not wait for the tardy operations of her ambassadress: so she came in person, and ordered Briggs out of the room. And expressing her approval of Rebecca’s conduct, she asked particulars of the interview, and the previous transactions which had brought about the astonishing offer of Sir Pitt.
Rebecca said she had long had some notion of the partiality with which Sir Pitt honoured her (for he was in the habit of making his feelings known in a very frank and unreserved manner) but, not to mention private reasons with which she would not for the present trouble Miss Crawley, Sir Pitt’s age, station, and habits were such as to render a marriage quite impossible; and could a woman with any feeling of self-respect and any decency listen to proposals at such a moment, when the funeral of the lover’s deceased wife had not actually taken place?
“Nonsense, my dear, you would never have refused him had there not been someone else in the case,” Miss Crawley said, coming to her point at once. “Tell me the private reasons; what are the private reasons? There is someone; who is it that has touched your heart?”
Rebecca cast down her eyes, and owned there was. “You have guessed right, dear lady,” she said, with a sweet simple faltering voice. “You wonder at one so poor and friendless having an attachment, don’t you? I have never heard that poverty was any safeguard against it. I wish it were.”
“My poor dear child,” cried Miss Crawley, who was always quite ready to be sentimental, “is our passion unrequited, then? Are we pining in secret? Tell me all, and let me console you.”
“I wish you could, dear Madam,” Rebecca said in the same tearful tone. “Indeed, indeed, I need it.” And she laid her head upon Miss Crawley’s shoulder and wept there so naturally that the old lady, surprised into sympathy, embraced her with an almost maternal kindness, uttered many soothing protests of regard and affection for her, vowed that she loved her as a daughter, and would do everything in her power to serve her. “And now who is it, my dear? Is it that pretty Miss Sedley’s brother? You said something about an affair with him. I’ll ask him here, my dear. And you shall have him: indeed you shall.”
“Don’t ask me now,” Rebecca said. “You shall know all soon. Indeed you shall. Dear kind Miss Crawley—dear friend, may I say so?”
“That you may, my child,” the old lady replied, kissing her.
“I can’t tell you now,” sobbed out Rebecca, “I am very miserable. But O! love me always—promise you will love me always.” And in the midst of mutual tears—for the emotions of the younger woman had awakened the sympathies of the elder—this promise was solemnly given by Miss Crawley, who left her little protégé, blessing and admiring her as a dear, artless, tenderhearted, affectionate, incomprehensible creature.
And now she was left alone to think over the sudden and wonderful events of the day, and of what had been and what might have been. What think you were the private feelings of Miss, no (begging her pardon) of Mrs. Rebecca? If, a few pages back, the present writer claimed the privilege of peeping into Miss Amelia Sedley’s bedroom, and understanding with the omniscience of the novelist all the gentle pains and passions which were tossing upon that innocent pillow, why should he not declare himself to be Rebecca’s confidante too, master of her secrets,
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