Sister Carrie by Theodore Dreiser (best book clubs .TXT) 📕
Description
Caroline Meeber, known as Sister Carrie to her family, moves to Chicago at the tender age of eighteen to try to make something of herself. Living with her sister and brother-in-law, she quickly finds that life, and work, are hard in the big city. She soon takes up with a traveling salesman she met on the train into town. Months later her eye is turned by one of the salesman’s acquaintances, George Hurstwood, and vice-versa. A series of events lead Carrie and Hurstwood to New York City, where both struggle to live out the aspirations that brought them there.
Theodore Dreiser was one of the earliest naturalist writers, but he wrote Sister Carrie while the United States was still very Victorian in its morals. The book therefore caused a stir from the beginning: Carrie Meeber was clearly, even in the disguised language of the time, a sexually active, unmarried female, who wasn’t made to suffer for her indiscretion to the extent considered necessary at the time. Dreiser’s depiction of rough language merely added to the controversy. The first printing sold only 456 copies in two years; it was to be another five years before Dreiser could convince another publisher to carry the book. Today it’s considered a classic and one of the “greatest of all American urban novels.”
The text of Sister Carrie was unchanged until 1981, when the University of Pennsylvania Press published a new version with 36,000 words restored. The edition was not without controversy: the cuts were originally made before the first printing at the suggestion of Dreiser’s wife, or his friend Arthur Henry, and Dreiser had approved all of them. Although the new Pennsylvania Edition, as it is called, made a good case for restoring the changes, it is the 1907 text that remains the most widely available today, and it is that text in this edition.
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- Author: Theodore Dreiser
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On the morrow, however, there was nothing in the papers concerning the event, and, in view of the flow of common, everyday things about, it now lost a shade of the glow of the previous evening. Drouet himself was not talking so much of as for her. He felt instinctively that, for some reason or other, he needed reconstruction in her regard.
“I think,” he said, as he spruced around their chambers the next morning, preparatory to going downtown, “that I’ll straighten out that little deal of mine this month and then we’ll get married. I was talking with Mosher about that yesterday.”
“No, you won’t,” said Carrie, who was coming to feel a certain faint power to jest with the drummer.
“Yes, I will,” he exclaimed, more feelingly than usual, adding, with the tone of one who pleads, “Don’t you believe what I’ve told you?”
Carrie laughed a little.
“Of course I do,” she answered.
Drouet’s assurance now misgave him. Shallow as was his mental observation, there was that in the things which had happened which made his little power of analysis useless. Carrie was still with him, but not helpless and pleading. There was a lilt in her voice which was new. She did not study him with eyes expressive of dependence. The drummer was feeling the shadow of something which was coming. It coloured his feelings and made him develop those little attentions and say those little words which were mere forefendations against danger.
Shortly afterward he departed, and Carrie prepared for her meeting with Hurstwood. She hurried at her toilet, which was soon made, and hastened down the stairs. At the corner she passed Drouet, but they did not see each other.
The drummer had forgotten some bills which he wished to turn into his house. He hastened up the stairs and burst into the room, but found only the chambermaid, who was cleaning up.
“Hello,” he exclaimed, half to himself, “has Carrie gone?”
“Your wife? Yes, she went out just a few minutes ago.”
“That’s strange,” thought Drouet. “She didn’t say a word to me. I wonder where she went?”
He hastened about, rummaging in his valise for what he wanted, and finally pocketing it. Then he turned his attention to his fair neighbour, who was good-looking and kindly disposed towards him.
“What are you up to?” he said, smiling.
“Just cleaning,” she replied, stopping and winding a dusting towel about her hand.
“Tired of it?”
“Not so very.”
“Let me show you something,” he said, affably, coming over and taking out of his pocket a little lithographed card which had been issued by a wholesale tobacco company. On this was printed a picture of a pretty girl, holding a striped parasol, the colours of which could be changed by means of a revolving disk in the back, which showed red, yellow, green, and blue through little interstices made in the ground occupied by the umbrella top.
“Isn’t that clever?” he said, handing it to her and showing her how it worked. “You never saw anything like that before.”
“Isn’t it nice?” she answered.
“You can have it if you want it,” he remarked.
“That’s a pretty ring you have,” he said, touching a commonplace setting which adorned the hand holding the card he had given her.
“Do you think so?”
“That’s right,” he answered, making use of a pretence at examination to secure her finger. “That’s fine.”
The ice being thus broken, he launched into further observation, pretending to forget that her fingers were still retained by his. She soon withdrew them, however, and retreated a few feet to rest against the windowsill.
“I didn’t see you for a long time,” she said, coquettishly, repulsing one of his exuberant approaches. “You must have been away.”
“I was,” said Drouet.
“Do you travel far?”
“Pretty far—yes.”
“Do you like it?”
“Oh, not very well. You get tired of it after a while.”
“I wish I could travel,” said the girl, gazing idly out of the window.
“What has become of your friend, Mr. Hurstwood?” she suddenly asked, bethinking herself of the manager, who, from her own observation, seemed to contain promising material.
“He’s here in town. What makes you ask about him?”
“Oh, nothing, only he hasn’t been here since you got back.”
“How did you come to know him?”
“Didn’t I take up his name a dozen times in the last month?”
“Get out,” said the drummer, lightly. “He hasn’t called more than half a dozen times since we’ve been here.”
“He hasn’t, eh?” said the girl, smiling. “That’s all you know about it.”
Drouet took on a slightly more serious tone. He was uncertain as to whether she was joking or not.
“Tease,” he said, “what makes you smile that way?”
“Oh, nothing.”
“Have you seen him recently?”
“Not since you came back,” she laughed.
“Before?”
“Certainly.”
“How often?”
“Why, nearly every day.”
She was a mischievous newsmonger, and was keenly wondering what the effect of her words would be.
“Who did he come to see?” asked the drummer, incredulously.
“Mrs. Drouet.”
He looked rather foolish at this answer, and then attempted to correct himself so as not to appear a dupe.
“Well,” he said, “what of it?”
“Nothing,” replied the girl, her head cocked coquettishly on one side.
“He’s an old friend,” he went on, getting deeper into the mire.
He would have gone on further with his little flirtation, but the taste for it was temporarily removed. He was quite relieved when the girl’s name was called from below.
“I’ve got to go,” she said, moving away from him airily.
“I’ll see you later,” he said, with a pretence of disturbance at being interrupted.
When she was gone, he gave freer play to his feelings. His face, never easily controlled by him, expressed all the perplexity and disturbance which he felt. Could it be that Carrie had received so many visits and yet said nothing about them? Was Hurstwood lying? What did
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