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rising feeling, how often he had refused to go to places with her, to share in little visits, or, indeed, take part in any of the social amenities which furnished the diversion of her existence. He had been seen at the theatre with people whom he called Moy’s friends; now he was seen driving, and, most likely, would have an excuse for that. Perhaps there were others of whom she did not hear, or why should he be so busy, so indifferent, of late? In the last six weeks he had become strangely irritable⁠—strangely satisfied to pick up and go out, whether things were right or wrong in the house. Why?

She recalled, with more subtle emotions, that he did not look at her now with any of the old light of satisfaction or approval in his eye. Evidently, along with other things, he was taking her to be getting old and uninteresting. He saw her wrinkles, perhaps. She was fading, while he was still preening himself in his elegance and youth. He was still an interested factor in the merrymakings of the world, while she⁠—but she did not pursue the thought. She only found the whole situation bitter, and hated him for it thoroughly.

Nothing came of this incident at the time, for the truth is it did not seem conclusive enough to warrant any discussion. Only the atmosphere of distrust and ill-feeling was strengthened, precipitating every now and then little sprinklings of irritable conversation, enlivened by flashes of wrath. The matter of the Waukesha outing was merely a continuation of other things of the same nature.

The day after Carrie’s appearance on the Avery stage, Mrs. Hurstwood visited the races with Jessica and a youth of her acquaintance, Mr. Bart Taylor, the son of the owner of a local house-furnishing establishment. They had driven out early, and, as it chanced, encountered several friends of Hurstwood, all Elks, and two of whom had attended the performance the evening before. A thousand chances the subject of the performance had never been brought up had Jessica not been so engaged by the attentions of her young companion, who usurped as much time as possible. This left Mrs. Hurstwood in the mood to extend the perfunctory greetings of some who knew her into short conversations, and the short conversations of friends into long ones. It was from one who meant but to greet her perfunctorily that this interesting intelligence came.

“I see,” said this individual, who wore sporting clothes of the most attractive pattern, and had a field-glass strung over his shoulder, “that you did not get over to our little entertainment last evening.”

“No?” said Mrs. Hurstwood, inquiringly, and wondering why he should be using the tone he did in noting the fact that she had not been to something she knew nothing about. It was on her lips to say, “What was it?” when he added, “I saw your husband.”

Her wonder was at once replaced by the more subtle quality of suspicion.

“Yes,” she said, cautiously, “was it pleasant? He did not tell me much about it.”

“Very. Really one of the best private theatricals I ever attended. There was one actress who surprised us all.”

“Indeed,” said Mrs. Hurstwood.

“It’s too bad you couldn’t have been there, really. I was sorry to hear you weren’t feeling well.”

Feeling well! Mrs. Hurstwood could have echoed the words after him open-mouthed. As it was, she extricated herself from her mingled impulse to deny and question, and said, almost raspingly:

“Yes, it is too bad.”

“Looks like there will be quite a crowd here today, doesn’t it?” the acquaintance observed, drifting off upon another topic.

The manager’s wife would have questioned farther, but she saw no opportunity. She was for the moment wholly at sea, anxious to think for herself, and wondering what new deception was this which caused him to give out that she was ill when she was not. Another case of her company not wanted, and excuses being made. She resolved to find out more.

“Were you at the performance last evening?” she asked of the next of Hurstwood’s friends who greeted her, as she sat in her box.

“Yes. You didn’t get around.”

“No,” she answered, “I was not feeling very well.”

“So your husband told me,” he answered. “Well, it was really very enjoyable. Turned out much better than I expected.”

“Were there many there?”

“The house was full. It was quite an Elk night. I saw quite a number of your friends⁠—Mrs. Harrison, Mrs. Barnes, Mrs. Collins.”

“Quite a social gathering.”

“Indeed it was. My wife enjoyed it very much.”

Mrs. Hurstwood bit her lip.

“So,” she thought, “that’s the way he does. Tells my friends I am sick and cannot come.”

She wondered what could induce him to go alone. There was something back of this. She rummaged her brain for a reason.

By evening, when Hurstwood reached home, she had brooded herself into a state of sullen desire for explanation and revenge. She wanted to know what this peculiar action of his imported. She was certain there was more behind it all than what she had heard, and evil curiosity mingled well with distrust and the remnants of her wrath of the morning. She, impending disaster itself, walked about with gathered shadow at the eyes and the rudimentary muscles of savagery fixing the hard lines of her mouth.

On the other hand, as we may well believe, the manager came home in the sunniest mood. His conversation and agreement with Carrie had raised his spirits until he was in the frame of mind of one who sings joyously. He was proud of himself, proud of his success, proud of Carrie. He could have been genial to all the world, and he bore no grudge against his wife. He meant to be pleasant, to forget her presence, to live in the atmosphere of youth and pleasure which had been restored to him.

So now, the house, to his mind, had a most pleasing and comfortable appearance. In the hall he found an evening paper, laid there by the maid and forgotten by Mrs. Hurstwood. In the dining-room the table was clean laid with

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