Green Forest Stories by Thornton W. Burgess (best e ink reader for manga txt) đź“•
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American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories.
This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre.
Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history.
In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.)
The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example.
In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet.
That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
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- Author: Thornton W. Burgess
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So back and forth from the ground to the old nest in the tree Whitefoot hurried, and presently there was quite a pile of weed stalks and soft grass and strips of bark in the old nest. Mrs. Whitefoot joined Whitefoot in hunting for just the right things, but she spent more time in arranging the material. Over that old nest she made a fine high roof. Down through the lower side she cut a little round doorway just big enough for them to pass through. Unless you happened to be underneath looking up, you never would have guessed there was an entrance at all. Inside was a snug, round room, and in this she made the softest and most comfortable of beds. As it began to look more and more like a home, Whitefoot himself became as excited and eager as Mrs. Whitefoot had been from the beginning. “It certainly is going to be a fine home,” said Whitefoot.
“Didn’t I tell you it would be?” retorted Mrs. Whitefoot.
XXX The Whitefoots Enjoy Their New HomeNo home is ever mean or poor
Where love awaits you at the door.
“There,” said Mrs. Whitefoot, as she worked a strip of white birch bark into the roof of the new home she and Whitefoot had been building out of the old home of Melody the Wood Thrush, “this finishes the roof. I don’t think any water will get through it even in the hardest rain.”
“It is wonderful,” declared Whitefoot admiringly. “Wherever did you learn to build such a house as this?”
“From my mother,” replied Mrs. Whitefoot. “I was born in just such a home. It makes the finest kind of a home for Wood Mouse babies.”
“You don’t think there is danger that the wind will blow it down, do you?” ventured Whitefoot.
“Of course I don’t,” retorted little Mrs. Whitefoot scornfully. “Hasn’t this old nest remained right where it is for over a year? Do you suppose that if I had thought there was the least bit of danger that it would blow down, I would have used it? Do credit me with a little sense, my dear.”
“Yes’m, I do,” replied Whitefoot meekly. “You are the most sensible person in all the Great World. I wasn’t finding fault. You see, I have always lived in a hole in the ground or a hollow stump, or a hole in a tree, and I have not yet become used to a home that moves about and rocks as this one does when the wind blows. But if you say it is all right, why of course it is all right. Probably I will get used to it after awhile.”
Whitefoot did get used to it. After living in it for a few days, it no longer seemed strange, and he no longer minded its swaying when the wind blew. The fact is, he rather enjoyed it. So Whitefoot and Mrs. Whitefoot settled down to enjoy their new home. Now and then they added a bit to it here and there.
Somehow Whitefoot felt unusually safe, safer than he had ever felt in any of his other homes. You see, he had seen several feathered folk alight close to it and not give it a second look. He knew that they had seen that home, but had mistaken it for what it had once been, the deserted home of one of their own number.
Whitefoot had chuckled. He had chuckled long and heartily. “If they make that mistake,” said he to himself, “everybody else is likely to make it. That home of ours is right in plain sight, yet I do believe it is safer than the best hidden home I ever had before. Shadow the Weasel never will think of climbing up this little tree to look at an old nest, and Shadow is the one I am most afraid of.”
It was only a day or two later that Buster Bear happened along that way. Now Buster is very fond of tender Wood Mouse. More than once Whitefoot had had a narrow escape from Buster’s big claws as they tore open an old stump or dug into the ground after him. He saw Buster glance up at the new home without the slightest interest in those shrewd little eyes of his. Then Buster shuffled on to roll over an old log and lick up the ants he found under it. Again Whitefoot chuckled. “Yes, sir,” said he. “It is the safest home I’ve ever had.”
So Whitefoot and little Mrs. Whitefoot were very happy in the home which they had built, and for once in his life Whitefoot did very little worrying. Life seemed more beautiful than it had ever been before. And he almost forgot that there was such a thing as a hungry enemy.
XXXI Whitefoot Is HurtThe hurts that hardest are to bear
Come from those for whom we care.
Whitefoot was hurt. Yes, sir, Whitefoot was hurt. He was very much hurt. It wasn’t a bodily hurt; it was an inside hurt. It was a hurt that made his heart ache. And to make it worse, he couldn’t understand it at all. One evening he had been met at the little round doorway by little Mrs. Whitefoot.
“You can’t come in,” said she.
“Why can’t I?” demanded Whitefoot, in the greatest surprise.
“Never mind why. You can’t, and that is all there is to it,” replied Mrs. Whitefoot.
“You mean I can’t ever come in any more?” asked Whitefoot.
“I don’t know about that,” replied Mrs. Whitefoot, “but you can’t come in now, nor for some time. I think the best thing you can do is to go back to your old home in the hollow stub.”
Whitefoot stared at little Mrs. Whitefoot quite as if he thought she had gone crazy. Then he lost
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