Sons and Lovers by D. H. Lawrence (best short novels .txt) ๐
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Sons and Lovers, a story of working-class England, is D. H. Lawrenceโs third novel. It went through various drafts, and was titled โPaul Morelโ until the final draft, before being published and met with an indifferent reaction from contemporary critics. Modern critics now consider it to be D. H. Lawrenceโs masterpiece, with the Modern Library placing it ninth in its โ100 Best English-Language Novels of the 20th Century.โ
The novel follows the Morels, a family living in a coal town, and headed by a passionate but boorish miner. His wife, originally from a refined family, is dragged down by Morelโs classlessness, and finds her lifeโs joy in her children. As the children grow up and start leading lives of their own, they struggle against their motherโs emotional drain on them.
Sons and Lovers was written during a period in Lawrenceโs life when his own mother was gravely ill. Its exploration of the Oedipal instinct, frank depiction of working-class household unhappiness and violence, and accurate and colorful depiction of Nottinghamshire dialect, make it a fascinating window into the life of people not often chronicled in fiction of the day.
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- Author: D. H. Lawrence
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While the boys were reading, Mrs. Morel went into the garden. They were now in another house, an old one, near the Scargill Street home, which had been left soon after William had died. Directly came an excited cry from the garden:
โPaul! Paul! come and look!โ
It was his motherโs voice. He threw down his book and went out. There was a long garden that ran to a field. It was a grey, cold day, with a sharp wind blowing out of Derbyshire. Two fields away Bestwood began, with a jumble of roofs and red house-ends, out of which rose the church tower and the spire of the Congregational Chapel. And beyond went woods and hills, right away to the pale grey heights of the Pennine Chain.
Paul looked down the garden for his mother. Her head appeared among the young currant-bushes.
โCome here!โ she cried.
โWhat for?โ he answered.
โCome and see.โ
She had been looking at the buds on the currant trees. Paul went up.
โTo think,โ she said, โthat here I might never have seen them!โ
Her son went to her side. Under the fence, in a little bed, was a ravel of poor grassy leaves, such as come from very immature bulbs, and three scyllas in bloom. Mrs. Morel pointed to the deep blue flowers.
โNow, just see those!โ she exclaimed. โI was looking at the currant bushes, when, thinks I to myself, โThereโs something very blue; is it a bit of sugar-bag?โ and there, behold you! Sugar-bag! Three glories of the snow, and such beauties! But where on earth did they come from?โ
โI donโt know,โ said Paul.
โWell, thatโs a marvel, now! I thought I knew every weed and blade in this garden. But havenโt they done well? You see, that gooseberry-bush just shelters them. Not nipped, not touched!โ
He crouched down and turned up the bells of the little blue flowers.
โTheyโre a glorious colour!โ he said.
โArenโt they!โ she cried. โI guess they come from Switzerland, where they say they have such lovely things. Fancy them against the snow! But where have they come from? They canโt have blown here, can they?โ
Then he remembered having set here a lot of little trash of bulbs to mature.
โAnd you never told me,โ she said.
โNo! I thought Iโd leave it till they might flower.โ
โAnd now, you see! I might have missed them. And Iโve never had a glory of the snow in my garden in my life.โ
She was full of excitement and elation. The garden was an endless joy to her. Paul was thankful for her sake at last to be in a house with a long garden that went down to a field. Every morning after breakfast she went out and was happy pottering about in it. And it was true, she knew every weed and blade.
Everybody turned up for the walk. Food was packed, and they set off, a merry, delighted party. They hung over the wall of the millrace, dropped paper in the water on one side of the tunnel and watched it shoot out on the other. They stood on the footbridge over Boathouse Station and looked at the metals gleaming coldly.
โYou should see the Flying Scotsman come through at half-past six!โ said Leonard, whose father was a signalman. โLad, but she doesnโt half buzz!โ and the little party looked up the lines one way, to London, and the other way, to Scotland, and they felt the touch of these two magical places.
In Ilkeston the colliers were waiting in gangs for the public-houses to open. It was a town of idleness and lounging. At Stanton Gate the iron foundry blazed. Over everything there were great discussions. At Trowell they crossed again from Derbyshire into Nottinghamshire. They came to the Hemlock Stone at dinnertime. Its field was crowded with folk from Nottingham and Ilkeston.
They had expected a venerable and dignified monument. They found a little, gnarled, twisted stump of rock, something like a decayed mushroom, standing out pathetically on the side of a field. Leonard and Dick immediately proceeded to carve their initials, โL. W.โ and โR. P.,โ in the old red sandstone; but Paul desisted, because he had read in the newspaper satirical remarks about initial-carvers, who could find no other road to immortality. Then all the lads climbed to the top of the rock to look round.
Everywhere in the field below, factory girls and lads were eating lunch or sporting about. Beyond was the garden of an old manor. It had yew-hedges and thick clumps and borders of yellow crocuses round the lawn.
โSee,โ said Paul to Miriam, โwhat a quiet garden!โ
She saw the dark yews and the golden crocuses, then she looked gratefully. He had not seemed to belong to her among all these others; he was different thenโ โnot her Paul, who understood the slightest quiver of her innermost soul, but something else, speaking another language than hers. How it hurt her, and deadened her very perceptions. Only when he came right back to her, leaving his other, his lesser self, as she thought, would she feel alive again. And now he asked her to look at this garden, wanting the contact with her again. Impatient of the set in the field, she turned to the quiet lawn, surrounded by sheaves of shut-up crocuses. A feeling of stillness, almost of ecstasy, came over her. It felt almost as if she were alone with him in this garden.
Then he left her again and joined the others. Soon they started home. Miriam loitered behind, alone. She did not fit in with the others; she could very rarely get into human relations with anyone: so her friend, her companion, her lover, was Nature. She saw the sun declining wanly. In the dusky, cold hedgerows were some red leaves. She lingered to gather them, tenderly, passionately. The love in her fingertips caressed the leaves; the passion in her heart came to a glow upon the leaves.
Suddenly she realised she was alone in a strange
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