The Story of the Amulet by E. Nesbit (important books to read txt) 📕
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In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half.
Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs.
A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy.
These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace.
The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who.
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- Author: E. Nesbit
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One really good thing happened when they took the Psammead to a magic-lantern show and lecture at the boys’ school at Camden Town. The lecture was all about our soldiers in South Africa. And the lecturer ended up by saying, “And I hope every boy in this room has in his heart the seeds of courage and heroism and self-sacrifice, and I wish that every one of you may grow up to be noble and brave and unselfish, worthy citizens of this great Empire for whom our soldiers have freely given their lives.”
And, of course, this came true—which was a distinct score for Camden Town.
As Anthea said, it was unlucky that the lecturer said boys, because now she and Jane would have to be noble and unselfish, if at all, without any outside help. But Jane said, “I daresay we are already because of our beautiful natures. It’s only boys that have to be made brave by magic”—which nearly led to a first-class row.
And I daresay you would like to know all about the affair of the fishing rod, and the fishhooks, and the cook next door—which was amusing from some points of view, though not perhaps the cook’s—but there really is no time even for that.
The only thing that there’s time to tell about is the Adventure of Maskelyne and Cooke’s, and the Unexpected Apparition—which is also the beginning of the end.
It was Nurse who broke into the gloomy music of the autumn rain on the window panes by suggesting a visit to the Egyptian Hall, England’s Home of Mystery. Though they had good, but private reasons to know that their own particular personal mystery was of a very different brand, the four all brightened at the idea. All children, as well as a good many grownups, love conjuring.
“It’s in Piccadilly,” said old Nurse, carefully counting out the proper number of shillings into Cyril’s hand, “not so very far down on the left from the Circus. There’s big pillars outside, something like Carter’s seed place in Holborn, as used to be Day and Martin’s blacking when I was a gell. And something like Euston Station, only not so big.”
“Yes, I know,” said everybody.
So they started.
But though they walked along the left-hand side of Piccadilly they saw no pillared building that was at all like Carter’s seed warehouse or Euston Station or England’s Home of Mystery as they remembered it.
At last they stopped a hurried lady, and asked her the way to Maskelyne and Cooke’s.
“I don’t know, I’m sure,” she said, pushing past them. “I always shop at the Stores.” Which just shows, as Jane said, how ignorant grown-up people are.
It was a policeman who at last explained to them that England’s Mysteries are now appropriately enough enacted at St. George’s Hall. So they tramped to Langham Place, and missed the first two items in the programme. But they were in time for the most wonderful magic appearances and disappearances, which they could hardly believe—even with all their knowledge of a larger magic—was not really magic after all.
“If only the Babylonians could have seen this conjuring,” whispered Cyril. “It takes the shine out of their old conjurer, doesn’t it?”
“Hush!” said Anthea and several other members of the audience.
Now there was a vacant seat next to Robert. And it was when all eyes were fixed on the stage where Mr. Devant was pouring out glasses of all sorts of different things to drink, out of one kettle with one spout, and the audience were delightedly tasting them, that Robert felt someone in that vacant seat. He did not feel someone sit down in it. It was just that one moment there was no one sitting there, and the next moment, suddenly, there was someone.
Robert turned. The someone who had suddenly filled that empty place was Rekh-marā, the Priest of Amen!
Though the eyes of the audience were fixed on Mr. David Devant, Mr. David Devant’s eyes were fixed on the audience. And it happened that his eyes were more particularly fixed on that empty chair. So that he saw quite plainly the sudden appearance, from nowhere, of the Egyptian Priest.
“A jolly good trick,” he said to himself, “and worked under my own eyes, in my own hall. I’ll find out how that’s done.” He had never seen a trick that he could not do himself if he tried.
By this time a good many eyes in the audience had turned on the clean-shaven, curiously-dressed figure of the Egyptian Priest.
“Ladies and gentlemen,” said Mr. Devant, rising to the occasion, “this is a trick I have never before performed. The empty seat, third from the end, second row, gallery—you will now find occupied by an Ancient Egyptian, warranted genuine.”
He little knew how true his words were.
And now all eyes were turned on the Priest and the children, and the whole audience, after a moment’s breathless surprise, shouted applause. Only the lady on the other side of Rekh-marā drew back a little. She knew no one had passed her, and, as she said later, over tea and cold tongue, “it was that sudden it made her flesh creep.”
Rekh-marā seemed very much annoyed at the notice he was exciting.
“Come out of this crowd,” he whispered to Robert. “I must talk with you apart.”
“Oh, no,” Jane whispered. “I did so want to see the Mascot Moth, and the Ventriloquist.”
“How did you
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