Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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“No, no,” Clennam entreated, “don’t say that.”
“Oh I must you know,” said Flora, in a positive tone, “what nonsense not to, I know I am not what you expected, I know that very well.”
In the midst of her rapidity, she had found that out with the quick perception of a cleverer woman. The inconsistent and profoundly unreasonable way in which she instantly went on, nevertheless, to interweave their long-abandoned boy and girl relations with their present interview, made Clennam feel as if he were lightheaded.
“One remark,” said Flora, giving their conversation, without the slightest notice and to the great terror of Clennam, the tone of a love-quarrel, “I wish to make, one explanation I wish to offer, when your Mama came and made a scene of it with my Papa and when I was called down into the little breakfast-room where they were looking at one another with your Mama’s parasol between them seated on two chairs like mad bulls what was I to do?”
“My dear Mrs. Finching,” urged Clennam—“all so long ago and so long concluded, is it worth while seriously to—”
“I can’t, Arthur,” returned Flora, “be denounced as heartless by the whole society of China without setting myself right when I have the opportunity of doing so, and you must be very well aware that there was Paul and Virginia which had to be returned and which was returned without note or comment, not that I mean to say you could have written to me watched as I was but if it had only come back with a red wafer on the cover I should have known that it meant Come to Peking Nankeen and What’s the third place, barefoot.”
“My dear Mrs. Finching, you were not to blame, and I never blamed you. We were both too young, too dependent and helpless, to do anything but accept our separation.—Pray think how long ago,” gently remonstrated Arthur.
“One more remark,” proceeded Flora with unslackened volubility, “I wish to make, one more explanation I wish to offer, for five days I had a cold in the head from crying which I passed entirely in the back drawing-room—there is the back drawing-room still on the first floor and still at the back of the house to confirm my words—when that dreary period had passed a lull succeeded years rolled on and Mr. F. became acquainted with us at a mutual friend’s, he was all attention he called next day he soon began to call three evenings a week and to send in little things for supper it was not love on Mr. F.’s part it was adoration, Mr. F. proposed with the full approval of Papa and what could I do?”
“Nothing whatever,” said Arthur, with the cheerfulest readiness, “but what you did. Let an old friend assure you of his full conviction that you did quite right.”
“One last remark,” proceeded Flora, rejecting commonplace life with a wave of her hand, “I wish to make, one last explanation I wish to offer, there was a time ere Mr. F. first paid attentions incapable of being mistaken, but that is past and was not to be, dear Mr. Clennam you no longer wear a golden chain you are free I trust you may be happy, here is Papa who is always tiresome and putting in his nose everywhere where he is not wanted.”
With these words, and with a hasty gesture fraught with timid caution—such a gesture had Clennam’s eyes been familiar with in the old time—poor Flora left herself at eighteen years of age, a long long way behind again; and came to a full stop at last.
Or rather, she left about half of herself at eighteen years of age behind, and grafted the rest on to the relict of the late Mr. F.; thus making a moral mermaid of herself, which her once boy-lover contemplated with feelings wherein his sense of the sorrowful and his sense of the comical were curiously blended.
For example. As if there were a secret understanding between herself and Clennam of the most thrilling nature; as if the first of a train of post-chaises and four, extending all the way to Scotland, were at that moment round the corner; and as if she couldn’t (and wouldn’t) have walked into the Parish Church with him, under the shade of the family umbrella, with the Patriarchal blessing on her head, and the perfect concurrence of all mankind; Flora comforted her soul with agonies of mysterious signalling, expressing dread of discovery. With the sensation of becoming more and more lightheaded every minute, Clennam saw the relict of the late Mr. F. enjoying herself in the most wonderful manner, by putting herself and him in their old places, and going through all the old performances—now, when the stage was dusty, when the scenery was faded, when the youthful actors were dead, when the orchestra was empty, when the lights were out. And still, through all this grotesque revival of what he remembered as having once been prettily natural to her, he could not but feel that it revived at sight of him, and that there was a tender memory in it.
The Patriarch insisted on his staying to dinner, and Flora signalled “Yes!” Clennam so wished he could have done more than stay to dinner—so heartily wished he could have found the Flora that had been, or that never had been—that he thought the least atonement he could make for the disappointment he almost felt ashamed of, was to give himself up to the family desire. Therefore, he stayed to dinner.
Pancks dined with them. Pancks steamed out of his little dock at a quarter before six, and bore straight down for the Patriarch, who happened to be then driving, in an inane manner, through a stagnant account of Bleeding Heart Yard. Pancks instantly made fast to him and hauled him out.
“Bleeding Heart Yard?” said Pancks, with a
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