The King of Elfland’s Daughter by Lord Dunsany (e ink manga reader TXT) 📕
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The people of the obscure village Erl demand to be ruled by a magic lord, so their ruler sends his son Alveric to Elfland to wed the elfin princess Lirazel. He brings her back to Erl and the couple have a son, but Lirazel has trouble integrating with human society. When a scheme by her father spirits her away and Elfland vanishes, Alveric begins a mad quest to find where Elfland went.
The King of Elfland’s Daughter is written in the pseudo-archaic prose style for which Dunsany is known. Some contemporaries thought the style did not suit a novel-length work, but contemporary Irish writer George Russell called the book “the most purely beautiful thing Lord Dunsany has written.” The book touches on a range of themes, including the longing for fantastical things lost, the perception of time, sanity and madness, the fear of the unknown, and being careful what you wish for. Large passages are also devoted to hunting; the original edition even featured an illustration of a unicorn hunt opposite the title page. Neil Gaiman wrote an introduction to the 1999 edition, and Christopher Lee was a featured vocalist on a 1977 progressive rock album based on the book.
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- Author: Lord Dunsany
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“Go hence. To your village go. And you that sought for magic in your youth but desire it not in your age, know that there is a blindness of spirit which comes from age, more black than the blindness of eye, making a darkness about you across which nothing may be seen, or felt, or known, or in any way apprehended. And no voice out of that darkness shall conjure me to grant a spell against magic. Hence!”
And as she said “Hence” she put her weight on her stick and was evidently preparing to rise from her seat. And at this great terror came upon all the parliament. And they noticed at the same moment that evening was drawing in and all the valley darkening. On this high field where the witch’s cabbages grew some light yet lingered, and listening to her fierce words they had not thought of the hour. But now it was manifestly growing late, and a wind roamed past them that seemed to come over the ridges a little way off, from night; and chilled them as it passed; and all the air seemed given over to that very thing against which they sought for a spell.
And here they were at this hour with the witch before them, and she was evidently about to rise. Her eyes were fixed on them. Already she was partly up from her chair. There could be no doubt that before three moments were passed she would be hobbling amongst them with her glittering eyes peering in each one’s face. They turned and ran down the hill.
XXXI The Cursing of Elfin ThingsAs the parliament of Erl ran down the hill they ran into the dusk of evening. Greyly it lay in the valley above the mist from the stream. But with more than the mystery of dusk the air was heavy. Lights blinking early from houses showed that all the folk were home, and the street was deserted by everything that was human; save when with hushed air and almost furtive step they saw their lord Orion like a tall shadow go by, with will-o’-the-wisps behind him, towards the house of the trolls, thinking no earthly thoughts. And the strangeness that had been growing day by day made all the village eerie. So that with short and troubled breath the twelve old men hurried on.
And so they came to the holy place of the Freer, which lay on the side of the village that was towards the witch’s hill. And it was the hour at which he was wont to celebrate after-bird-song, as they named the singing that they sang in the holy place when all the birds were home. But the Freer was not within his holy place; he stood in the cold night air on the upper step without it, his face turned towards Elfland. He had on his sacred robe with its border of purple, and the emblem of gold round his neck; but the door of his holy place was shut and his back was towards it. They wondered to see him stand thus.
And as they wondered the Freer began to intone, clear in the evening with his eyes away to the east, where already a few of the earliest stars were showing. With his head held high he spoke as though his voice might pass over the frontier of twilight and be heard by the people of Elfland.
“Curst be all wandering things,” he said, “whose place is not upon Earth. Curst be all lights that dwell in fens and in marish places. Their homes are in deeps of the marshes. Let them by no means stir from there until the Last Day. Let them abide in their place and there await damnation.
“Cursed be gnomes, trolls, elves and goblins on land, and all sprites of the water. And fauns be accursed and such as follow Pan. And all that dwell on the heath, being other than beasts or men. Cursed be fairies and all tales told of them, and whatever enchants the meadows before the sun is up, and all fables of doubtful authority, and the legends that men hand down from unhallowed times.
“Cursed be brooms that leave their place by the hearth. Cursed be witches and all manner of witcheries.
“Cursed be toadstool rings and whatever dances within them. And all strange lights, strange songs, strange shadows, or rumours that hint of them, and all doubtful things of the dusk, and the things that ill-instructed children fear, and old wives’ tales and things done o’ midsummer nights; all these be accursed with all that leaneth toward Elfland and all that cometh thence.”
Never a lane of that village, never a barn, but a will-o’-the-wisp was dancing nimbly above it; the night was gilded with them. But as the good Freer spoke they backed away from his curses, floating further off as though a light wind blew them, and danced again after drifting a little way. This they did both before and behind him
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