Short Fiction by Herman Melville (leveled readers txt) 📕

“Well, let me see,” said I, taking out my pencil. “Come, I’ll mark it with your name.”

Bidding me take out my watch, Cupid adroitly dropped the inscribed slip on an exposed part of the incipient mass.

Instantly my eye marked the secondhand on my dial-plate.

Slowly I followed the slip, inch by inch: sometimes pausing for full half a minute as it disappeared beneath inscrutable groups of the lower cylinders, but only gradually to emerge again; and so, on, and on, and on⁠—inch by inch; now in open sight, sliding along like a freckle on the quivering sheet; and then again wholly vanished; and so, on, and on, and on⁠—inch by inch; all the time the main sheet growing more and more to final firmness⁠—when, suddenly, I saw a sort of paper-fall, not wholly unlike a waterfall; a scissory sound smote my ear, as of some cord being snapped; and down dropped an unfolded sheet of perfect foolscap, with my “Cupid” half faded out of it, and still moist and warm.

My travels were at an end, for here was the end of the machine.

“Well, how long was it?” said Cupid.

“Nine minutes to a second,” replied I, watch in hand.

“I told you so.”

For a moment a curious emotion filled me, not wholly unlike that which one might experience at the fulfillment of some mysterious prophecy. But how absurd, thought I again; the thing is a mere machine, the essence of which is unvarying punctuality and precision.

Previously absorbed by the wheels and cylinders, my attention was now directed to a sad-looking woman standing by.

“That is rather an elderly person so silently tending the machine-end here. She would not seem wholly used to it either.”

“Oh,” knowingly whispered Cupid, through the din, “she only came last week. She was a nurse formerly. But the business is poor in these parts, and she’s left it. But look at the paper she is piling there.”

“Ay, foolscap,” handling the piles of moist, warm sheets, which continually were being delivered into the woman’s waiting hands. “Don’t you turn out anything but foolscap at this machine?”

“Oh, sometimes, but not often, we turn out finer work⁠—cream-laid and royal sheets, we call them. But foolscap being in chief demand we turn out foolscap most.”

It was very curious. Looking at that blank paper continually dropping, dropping, dropping, my mind ran on in wonderings of those strange uses to which those thousand sheets eventually would be put. All sorts of writings would be writ on those now vacant things⁠—sermons, lawyers’ briefs, physicians’ prescriptions, love-letters, marriage certificates, bills of divorce, registers of births, death-warrants, and so on, without end. Then, recurring back to them as they here lay all blank, I could not but bethink me of that celebrated comparison of John Locke, who, in demonstration of his theory that man had no innate ideas, compared the human mind at birth to a sheet of blank paper, something destined to be scribbled on, but what sort of characters no soul might tell.

Pacing slowly to and fro along the involved machine, still humming with its play, I was struck as well by the inevitability as the evolvement-power in all its motions.

“Does that thin cobweb there,” said I, pointing to the sheet in its more imperfect stage, “does that never tear or break? It is marvelous fragile, and yet this machine it passes through is so mighty.”

“It never is known to tear a hair’s point.”

“Does it never stop⁠—get clogged?”

“No. It must go. The machinery makes it go just so; just that very way, and at that very pace you there plainly see it go. The pulp can’t help going.”

Something of awe now stole over me, as I gazed upon this inflexible iron animal. Always, more or less, machinery of this ponderous elaborate sort strikes, in some moods, strange dread into the human heart, as some living, panting Behemoth might. But what made the thing I saw so specially terrible to me was the metallic necessity, the unbudging fatality which governed it. Though, here and there, I could not follow the thin, gauzy vail of pulp in the course of its more mysterious or entirely invisible advance, yet it was indubitable that, at those points where it eluded me, it still marched on in unvarying docility to the autocratic cunning of the machine. A fascination fastened on me. I stood spellbound and wandering in my soul. Before my eyes⁠—there, passing in slow procession along the wheeling cylinders, I seemed to see, glued to the pallid incipience of the pulp, the yet more pallid faces of all the pallid girls I had eyed that heavy day. Slowly, mournfully, beseechingly, yet unresistingly, they gleamed along, their agony dimly outlined on the imperfect paper, like the print of the tormented face on the handkerchief of Saint Veronica.

“Halloa! the heat of this room is too much for you,” cried Cupid, staring at me.

“No⁠—I am rather chill, if anything.”

“Come out, Sir⁠—out⁠—out,” and, with the protecting air of a careful father, the precocious lad hurried me outside.

In a few minutes, feeling revived a little, I went into the folding-room⁠—the first room I had entered, and where the desk for transacting business stood, surrounded by the blank counters and blank girls engaged at them.

“Cupid here has led me a strange tour,” said I to the dark-complexioned man before mentioned, whom I had ere this discovered not only to be an old bachelor, but also the principal proprietor. “Yours is a most wonderful factory. Your great machine is a miracle of inscrutable intricacy.”

“Yes, all our visitors think it so. But we don’t have many. We are in a very out-of-the-way corner here. Few inhabitants, too. Most of our girls come from far-off villages.”

“The girls,” echoed I, glancing round at their silent forms. “Why is it, Sir, that in most factories, female operatives, of whatever age, are indiscriminately called girls, never women?”

“Oh! as to that⁠—why, I suppose, the fact of their being generally unmarried⁠—that’s the reason, I should think. But it never struck me before. For our factory