The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Soames turned away, and, hidden in the recess, gazed into the lighted room. It was cooler out there. He saw the new arrivals, June and her grandfather, enter. What had made them so late? They stood by the doorway. They looked fagged. Fancy Uncle Jolyon turning out at this time of night! Why hadn’t June come to Irene, as she usually did, and it occurred to him suddenly that he had seen nothing of June for a long time now.
Watching her face with idle malice, he saw it change, grow so pale that he thought she would drop, then flame out crimson. Turning to see at what she was looking, he saw his wife on Bosinney’s arm, coming from the conservatory at the end of the room. Her eyes were raised to his, as though answering some question he had asked, and he was gazing at her intently.
Soames looked again at June. Her hand rested on old Jolyon’s arm; she seemed to be making a request. He saw a surprised look on his uncle’s face; they turned and passed through the door out of his sight.
The music began again—a waltz—and, still as a statue in the recess of the window, his face unmoved, but no smile on his lips, Soames waited. Presently, within a yard of the dark balcony, his wife and Bosinney passed. He caught the perfume of the gardenias that she wore, saw the rise and fall of her bosom, the languor in her eyes, her parted lips, and a look on her face that he did not know. To the slow, swinging measure they danced by, and it seemed to him that they clung to each other; he saw her raise her eyes, soft and dark, to Bosinney’s, and drop them again.
Very white, he turned back to the balcony, and leaning on it, gazed down on the Square; the figures were still there looking up at the light with dull persistency, the policeman’s face, too, upturned, and staring, but he saw nothing of them. Below, a carriage drew up, two figures got in, and drove away. …
That evening June and old Jolyon sat down to dinner at the usual hour. The girl was in her customary high-necked frock, old Jolyon had not dressed.
At breakfast she had spoken of the dance at Uncle Roger’s, she wanted to go; she had been stupid enough, she said, not to think of asking anyone to take her. It was too late now.
Old Jolyon lifted his keen eyes. June was used to go to dances with Irene as a matter of course! and deliberately fixing his gaze on her, he asked: “Why don’t you get Irene?”
No! June did not want to ask Irene; she would only go if—if her grandfather wouldn’t mind just for once for a little time!
At her look, so eager and so worn, old Jolyon had grumblingly consented. He did not know what she wanted, he said, with going to a dance like this, a poor affair, he would wager; and she no more fit for it than a cat! What she wanted was sea air, and after his general meeting of the Globular Gold Concessions he was ready to take her. She didn’t want to go away? Ah! she would knock herself up! Stealing a mournful look at her, he went on with his breakfast.
June went out early, and wandered restlessly about in the heat. Her little light figure that lately had moved so languidly about its business, was all on fire. She bought herself some flowers. She wanted—she meant to look her best. He would be there! She knew well enough that he had a card. She would show him that she did not care. But deep down in her heart she resolved that evening to win him back. She came in flushed, and talked brightly all lunch; old Jolyon was there, and he was deceived.
In the afternoon she was overtaken by a desperate fit of sobbing. She strangled the noise against the pillows of her bed, but when at last it ceased she saw in the glass a swollen face with reddened eyes, and violet circles round them. She stayed in the darkened room till dinner time.
All through that silent meal the struggle went on within her.
She looked so shadowy and exhausted that old Jolyon told Sankey to countermand the carriage, he would not have her going out. … She was to go to bed! She made no resistance. She went up to her room, and sat in the dark. At ten o’clock she rang for her maid.
“Bring some hot water, and go down and tell Mr. Forsyte that I feel perfectly rested. Say that if he’s too tired I can go to the dance by myself.”
The maid looked askance, and June turned on her imperiously. “Go,” she said, “bring the hot water at once!”
Her ball-dress still lay on the sofa, and with a sort of fierce care she arrayed herself, took the flowers in her hand, and went down, her small face carried high under its burden of hair. She could hear old Jolyon in his room as she passed.
Bewildered and vexed, he was dressing. It was past ten, they would not get there till eleven; the girl was mad. But he dared not cross her—the expression of her face at dinner haunted him.
With great ebony brushes he smoothed his hair till it shone like silver under the light; then he, too, came out on the gloomy staircase.
June met him below, and, without a word, they went to the carriage.
When, after that drive which seemed to last forever, she entered Roger’s drawing-room, she disguised under a mask of resolution a very torment of nervousness and emotion. The feeling of shame at what might be called “running after him” was smothered by the dread that he might not be there, that she might not see him after all, and by that dogged resolve—somehow, she did not know how—to win
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