Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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He said carefully:
“It’s half of it, an irregular piece of it, dead. Or rather pale. Without a proper blood supply. … So a great portion of it, in the shape of memory, has gone.”
She said:
“But you! … without a brain! …” As this was not a question he did not answer.
His going at once to the telephone, as soon as he was in the possession of the name “Metternich,” had at last convinced her that he had not been, for the last four months, acting hypochondriacal or merely lying to obtain sympathy or extended sick leave. Amongst Sylvia’s friends a wangle known as shell-shock was cynically laughed at and quite approved of. Quite decent and, as far as she knew, quite brave menfolk of her women would openly boast that, when they had had enough of it over there, they would wangle a little leave or get a little leave extended by simulating this purely nominal disease, and in the general carnival of lying, lechery, drink and howling that this affair was, to pretend to a little shell-shock had seemed to her to be almost virtuous. At any rate if a man passed his time at garden parties—or, as for the last months Tietjens had done, passed his time in a tin hut amongst dust heaps, going to tea every afternoon in order to help Mrs. Wannop with her newspaper articles—when men were so engaged they were, at least, not trying to kill each other.
She said now:
“Do you mind telling me what actually happened to you?”
He said:
“I don’t know that I can very well. … Something burst—or ‘exploded’ is probably the right word—near me, in the dark. I expect you’d rather not hear about it? …”
“I want to!” Sylvia said.
He said:
“The point about it is that I don’t know what happened and I don’t remember what I did. There are three weeks of my life dead. … What I remember is being in a C.C.S. and not being able to remember my own name.”
“You mean that?” Sylvia asked. “It’s not just a way of talking?”
“No, it’s not just a way of talking,” Tietjens answered. “I lay in bed in the C.C.S. … Your friends were dropping bombs on it.”
“You might not call them my friends,” Sylvia said.
Tietjens said:
“I beg your pardon. One gets into a loose way of speaking. The poor bloody Huns then were dropping bombs from aeroplanes, on the hospital huts. … I’m not suggesting they knew it was a C.C.S.; it was, no doubt, just carelessness. …”
“You needn’t spare the Germans for me!” Sylvia said. “You needn’t spare any man who has killed another man.”
“I was, then, dreadfully worried,” Tietjens went on. “I was composing a preface for a book on Arminianism …”
“You haven’t written a book!” Sylvia exclaimed eagerly, because she thought that if Tietjens took to writing a book there might be a way of his earning a living. Many people had told her that he ought to write a book.
“No, I hadn’t written a book,” Tietjens said, “and I didn’t know what Arminianism was …”
“You know perfectly well what the Arminian heresy is,” Sylvia said sharply; “you explained it all to me years ago.”
“Yes,” Tietjens exclaimed. “Years ago I could have, but I couldn’t then. I could now, but I was a little worried about it then. It’s a little awkward to write a preface about a subject of which you know nothing. But it didn’t seem to me to be discreditable in an army sense. … Still it worried me dreadfully not to know my own name. I lay and worried and worried and thought how discreditable it would appear if a nurse came along and asked me and I didn’t know. Of course my name was on a luggage label tied to my collar; but I’d forgotten they did that to casualties. … Then a lot of people carried pieces of a nurse down the hut: the Germans’ bombs had done that of course. They were still dropping about the place.”
“But good heavens,” Sylvia cried out, “do you mean they carried a dead nurse past you? …”
“The poor dear wasn’t dead,” Tietjens said. “I wish she had been. Her name was Beatrice Carmichael … the first name I learned after my collapse. She’s dead now of course. … That seemed to wake up a fellow on the other side of the room with a lot of blood coming through the bandages on his head. … He rolled out of his bed and, without a word, walked across the hut and began to strangle me …”
“But this isn’t believable,” Sylvia said. “I’m sorry, but I can’t believe it. … You were an officer: they couldn’t have carried a wounded nurse under your nose. They must have known your sister Caroline was a nurse and was killed …”
“Carrie,” Tietjens said, “was drowned on a hospital ship. I thank God I didn’t have to connect the other girl with her. … But you don’t suppose that in addition to one’s name, rank, unit, and date of admission they’d put that I’d lost a sister and two brothers in action and a father—of a broken heart, I daresay. …”
“But you only lost one brother,” Sylvia said. “I went into mourning for him and your sister. …”
“No, two,” Tietjens said; “but the fellow who was strangling me was what I wanted to tell you about. He let out a number of ear-piercing shrieks and lots of orderlies came and pulled him off me and sat all over him. Then he began to shout ‘Faith!’ He shouted: ‘Faith! … Faith! … Faith!’ … at intervals of two seconds, as far as I could tell by my pulse, until four in the morning, when he died. … I don’t know whether it was a religious exhortation or a woman’s name, but I disliked him a good deal because he started my tortures, such as they were. … There had been a girl I knew called Faith. Oh, not a love affair: the daughter of my father’s head gardener, a Scotsman. The point is that every time he said Faith
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