The Golden Bowl by Henry James (free ebook reader for android TXT) 📕
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In The Golden Bowl, an impoverished Italian aristocrat comes to London to marry a wealthy American, but meets an old mistress before the wedding and spends time with her, helping her pick out a wedding gift. After their marriage, his wife maintains a close relationship with her father, while their own relationship becomes strained.
Completed in 1904, Henry James himself considered The Golden Bowl one of his best novels, and it remains one of critics’ favorites. Along with The Wings of the Dove and The Ambassadors, the novel represents James’ “major phase,” where he returned to the study of Americans abroad, which dominated his earlier career. The novel focuses almost entirely on four central characters, and explores themes of marriage and adultery in an intricate psychological study, which some critics have even suggested anticipates the style of stream-of-consciousness writing.
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- Author: Henry James
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When presently, therefore, from her standpoint, she saw the Prince come back she had an impression of all the place as higher and wider and more appointed for great moments; with its dome of lustres lifted, its ascents and descents more majestic, its marble tiers more vividly overhung, its numerosity of royalties, foreign and domestic, more unprecedented, its symbolism of “State” hospitality both emphasised and refined. This was doubtless a large consequence of a fairly familiar cause, a considerable inward stir to spring from the mere vision, striking as that might be, of Amerigo in a crowd; but she had her reasons, she held them there, she carried them in fact, responsibly and overtly, as she carried her head, her high tiara, her folded fan, her indifferent, unattended eminence; and it was when he reached her and she could, taking his arm, show herself as placed in her relation, that she felt supremely justified. It was her notion of course that she gave a glimpse of but few of her grounds for this discrimination—indeed of the most evident alone; yet she would have been half willing it should be guessed how she drew inspiration, drew support, in quantity sufficient for almost anything, from the individual value that, through all the picture, her husband’s son-in-law kept for the eye, deriving it from his fine unconscious way, in the swarming social sum, of outshining, overlooking and overtopping. It was as if in separation, even the shortest, she half forgot or disbelieved how he affected her sight, so that reappearance had, in him, each time, a virtue of its own—a kind of disproportionate intensity suggesting his connection with occult sources of renewal. What did he do when he was away from her that made him always come back only looking, as she would have called it, “more so?” Superior to any shade of cabotinage, he yet almost resembled an actor who, between his moments on the stage, revisits his dressing-room and, before the glass, pressed by his need of effect, retouches his makeup. The Prince was at present, for instance, though he had quitted her but ten minutes before, still more than then the person it pleased her to be left with—a truth that had all its force for her while he made her his care for their conspicuous return together to the upper rooms. Conspicuous beyond any wish they could entertain was what, poor wonderful man, he couldn’t help making it; and when she raised her eyes again, on the ascent, to Bob Assingham, still aloft in his gallery and still looking down at her, she was aware that, in spite of hovering and warning inward voices, she even enjoyed the testimony rendered by his lonely vigil to the lustre she reflected.
He was always lonely at great parties, the dear Colonel—it wasn’t in such places that the seed he sowed at home was ever reaped by him; but nobody could have seemed to mind it less, to brave it with more bronzed indifference; so markedly that he moved about less like one of the guests than like some quite presentable person in charge of the police arrangements or the electric light. To Mrs. Verver, as will be seen, he represented, with the perfect good faith of his apparent blankness, something definite enough; though her bravery was not thereby too blighted for her to feel herself calling him to witness that the only witchcraft her companion had used, within the few minutes, was that of attending Maggie, who had withdrawn from the scene, to her carriage. Notified, at all events, of Fanny’s probable presence, Charlotte was, for a while after this, divided between the sense of it as a fact somehow to reckon with and deal with, which was a perception that made, in its degree, for the prudence, the pusillanimity of postponement, of avoidance—and a quite other feeling, an impatience that presently ended by prevailing, an eagerness, really, to be suspected, sounded, veritably arraigned, if only that she might have the bad moment over, if only that she might prove to herself, let alone to Mrs. Assingham also, that she could convert it to good; if only, in short, to be “square,” as they said, with her question. For herself indeed, particularly, it wasn’t a question; but something in her bones told her that Fanny would treat it as one, and there was truly nothing that, from this friend, she
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