The Hill of Dreams by Arthur Machen (best books for students to read .txt) ๐
Description
An ancient Roman hilltop fort proves an irresistible draw to Lucian Taylor, but what awaits at the top isnโt just a view of the surrounding Welsh landscape but a bacchal experience his young soul isnโt ready for. This experience sets his path as he attempts to transcribe his increasingly elaborate visions into the perfect book; the book that will actually mean something more than the banal novels he sees the publishing houses push out.
The Hill of Dreams is a semi-autobiographical work, with Arthur Machen following a similar physical journey to the novel: a childhood in rural Wales followed by attempts to become an author in London. Machen was inspired by a review of Tristram Shandy that described it as โa picaresque of the mind,โ and determined to write โa Robinson Crusoe of the soul.โ The protagonistโs isolation from the rest of society certainly resonates with that description.
Machen wrote this ten years earlier than its original 1907 publication, it having been turned down by the publishers of the time. While it was mostly ignored on its initial release, it has picked up admirers over the years and is now viewed as one of Machenโs most important works.
Read free book ยซThe Hill of Dreams by Arthur Machen (best books for students to read .txt) ๐ยป - read online or download for free at americanlibrarybooks.com
- Author: Arthur Machen
Read book online ยซThe Hill of Dreams by Arthur Machen (best books for students to read .txt) ๐ยป. Author - Arthur Machen
It was not only his father that had died, but with him the last strong link was broken, and the past life, the days of his boyhood, grew faint as a dream. With his father his mother died again, and the long years died, the time of his innocence, the memory of affection. He was sorry that his letters had gone home so rarely; it hurt him to imagine his father looking out when the post came in the morning, and forced to be sad because there was nothing. But he had never thought that his father valued the few lines that he wrote, and indeed it was often difficult to know what to say. It would have been useless to write of those agonizing nights when the pen seemed an awkward and outlandish instrument, when every effort ended in shameful defeat, or of the happier hours when at last wonder appeared and the line glowed, crowned and exalted. To poor Mr. Taylor such tales would have seemed but trivial histories of some Oriental game, like an odd story from a land where men have time for the infinitely little, and can seriously make a science of arranging blossoms in a jar, and discuss perfumes instead of politics. It would have been useless to write to the rectory of his only interest, and so he wrote seldom.
And then he had been sorry because he could never write again and never see his home. He had wondered whether he would have gone down to the old place at Christmas, if his father had lived. It was curious how common things evoked the bitterest griefs, but his fatherโs anxiety that the plum-pudding should be good, and ready for him, had brought the tears into his eyes. He could hear him saying in a nervous voice that attempted to be cheerful: โI suppose you will be thinking of the Christmas puddings soon, Jane; you remember how fond Lucian used to be of plum-pudding. I hope we shall see him this December.โ No doubt poor Miss Deacon paled with rage at the suggestion that she should make Christmas pudding in July; and returned a sharp answer; but it was pathetic. The wind wailed, and the rain dashed and beat again and again upon the window. He imagined that all his thoughts of home, of the old rectory amongst the elms, had conjured into his mind the sound of the storm upon the trees, for, tonight, very clearly he heard the creaking of the boughs, the noise of boughs moaning and beating and weeping on the walls, and even a pattering of wet, on wet earth, as if there were a shrub near the window that shook off the raindrops, before the gust.
That thrill, as it were a shudder of fear, passed over him again, and he knew not what had made him afraid. There were some dark shadow on his mind that saddened him; it seemed as if a vague memory of terrible days hung like a cloud over his thought, but it was all indefinite, perhaps the last grim and ragged edge of the melancholy wrack that had swelled over his life and the bygone years. He shivered and tried to rouse himself and drive away the sense of dread and shame that seemed so real and so awful, and yet he could not grasp it. But the torpor of sleep, the burden of the work that he had ended a few hours before, still weighed down his limb and bound his thoughts. He could scarcely believe that he had been busy at his desk a little while ago, and that just before the winter day closed it and the rain began to fall he had laid down the pen with a sigh of relief, and had slept in his chair. It was rather as if he had slumbered deeply through a long and weary night, as if an awful vision of flame and darkness and the worm that dieth not had come to him sleeping. But he would dwell no more on the darkness; he went back to the early days in London when he had said farewell to the hills and to the waterpools, and had set to work in this little room in the dingy street.
How he had toiled and laboured at the desk before him! He had put away the old wild hopes of the masterpiece conceived and executed in a fury of inspiration, wrought out in one white heat of creative joy; it was enough if by dint of long perseverance and singleness of desire he could at last, in pain and agony and despair, after failure and disappointment and effort constantly renewed, fashion something of which he need not be ashamed. He had put himself to school again, and had, with what patience he could command, ground his teeth into the rudiments, resolved that at last he would test out the heart of the mystery. They were good nights to remember, these; he was glad to think of the little ugly room, with its silly wallpaper and its โbirdโs-eyeโ furniture, lighted up, while he sat at the bureau and wrote on into the cold stillness of the London morning, when the flickering lamplight and the daystar shone together. It was an interminable labour, and he had always known it to be as hopeless as alchemy. The gold, the great and glowing masterpiece, would never shine amongst the dead ashes and smoking efforts of the crucible, but
Comments (0)