An ancient Roman hilltop fort proves an irresistible draw to Lucian Taylor, but what awaits at the top isnβt just a view of the surrounding Welsh landscape but a bacchal experience his young soul isnβt ready for. This experience sets his path as he attempts to transcribe his increasingly elaborate visions into the perfect book; the book that will actually mean something more than the banal novels he sees the publishing houses push out.
The Hill of Dreams is a semi-autobiographical work, with Arthur Machen following a similar physical journey to the novel: a childhood in rural Wales followed by attempts to become an author in London. Machen was inspired by a review of Tristram Shandy that described it as βa picaresque of the mind,β and determined to write βa Robinson Crusoe of the soul.β The protagonistβs isolation from the rest of society certainly resonates with that description.
Machen wrote this ten years earlier than its original 1907 publication, it having been turned down by the publishers of the time. While it was mostly ignored on its initial release, it has picked up admirers over the years and is now viewed as one of Machenβs most important works.
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February, and after those dreary terrible weeks the desk and the heap and litter of papers had once more engulfed and absorbed him. And in the succeeding summer, of a night when he lay awake and listened to the birds, shining images came wantonly to him. For an hour, while the dawn brightened, he had felt the presence of an age, the resurrection of the life that the green fields had hidden, and his heart stirred for joy when he knew that he held and possessed all the loveliness that had so long mouldered. He could scarcely fall asleep for eager and leaping thoughts, and as soon as his breakfast was over he went out and bought paper and pens of a certain celestial stationer in Notting Hill. The street was not changed as he passed to and fro on his errand. The rattling wagons jostled by at intervals, a rare hansom came spinning down from London, there sounded the same hum and jangle of the gliding trams. The languid life of the pavement was unaltered; a few people, un-classed, without salience or possible description, lounged and walked from east to west, and from west to east, or slowly dropped into the byways to wander in the black waste to the north, or perhaps go astray in the systems that stretched towards the river. He glanced down these byroads as he passed, and was astonished, as always, at their mysterious and desert aspect. Some were utterly empty; lines of neat, appalling residences, trim and garnished as if for occupation, edging the white glaring road; and not a soul was abroad, and not a sound broke their stillness. It was a picture of the desolation of midnight lighted up, but empty and waste as the most profound and solemn hours before the day. Other of these byroads, of older settlement, were furnished with more important houses, standing far back from the pavement, each in a little wood of greenery, and thus one might look down as through a forest vista, and see a way smooth and guarded with low walls and yet untrodden, and all a leafy silence. Here and there in some of these echoing roads a figure seemed lazily advancing in the distance, hesitating and delaying, as if lost in the labyrinth. It was difficult to say which were the more dismal, these deserted streets that wandered away to right and left, or the great main thoroughfare with its narcotic and shadowy life. For the latter appeared vast, interminable, grey, and those who traveled by it were scarcely real, the bodies of the living, but rather the uncertain and misty shapes that come and go across the desert in an Eastern tale, when men look up from the sand and see a caravan pass them, all in silence, without a cry or a greeting. So they passed and repassed each other on those pavements, appearing and vanishing, each intent on his own secret, and wrapped in obscurity. One might have sworn that not a man saw his neighbor who met him or jostled him, that here everyone was a phantom for the other, though the lines of their paths crossed and recrossed, and their eyes stared like the eyes of live men. When two went by together, they mumbled and cast distrustful glances behind them as though afraid all the world was an enemy, and the pattering of feet was like the noise of a shower of rain. Curious appearances and simulations of life gathered at points in the road, for at intervals the villas ended and shops began in a dismal row, and looked so hopeless that one wondered who could buy. There were women fluttering uneasily about the greengrocers, and shabby things in rusty black touched and retouched the red lumps that an unshaven butcher offered, and already in the corner public there was a confused noise, with a tossing of voices that rose and fell like a Jewish chant, with the senseless stir of marionettes jerked into an imitation of gaiety. Then, in crossing a side street that seemed like grey midwinter in stone, he trespassed from one world to another, for an old decayed house amidst its garden held the opposite corner. The laurels had grown into black skeletons, patched with green drift, the ilex gloomed over the porch, the deodar had blighted the flowerbeds. Dark ivies swarmed over an elm-tree, and a brown clustering fungus sprang in gross masses on the lawn, showing where the roots of dead trees mouldered. The blue verandah, the blue balcony over the door, had faded to grey, and the stucco was blotched with ugly marks of weather, and a dank smell of decay, that vapor of black rotten earth in old town gardens, hung heavy about the gates. And then a row of musty villas had pushed out in shops to the pavement, and the things in faded black buzzed and stirred about the limp cabbages, and the red lumps of meat.
It was the same terrible street, whose pavements he had trodden so often, where sunshine seemed but a gaudy light, where the fume of burning bricks always drifted. On black winter nights he had seen the sparse lights glimmering through the rain and drawing close together, as the dreary road vanished in long perspective. Perhaps this was its most appropriate moment, when nothing of its smug villas and skeleton shops remained but the bright patches of their windows, when the old house amongst its mouldering shrubs was but a dark cloud, and the streets to the north and south seemed like starry wastes, beyond them the blackness of infinity. Always in the daylight it had been to him abhorred and abominable, and its grey houses and purlieus had been fungus-like sproutings, and the efflorescence of horrible decay.
But on that bright morning neither the dreadful street nor those who moved about it appalled him. He returned joyously to his den, and reverently laid out the paper on his
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