Dubliners by James Joyce (grave mercy .TXT) ๐
Description
Dubliners is a collection of picturesque short stories that paint a portrait of life in middle-class Dublin in the early 20th century. Joyce, a Dublin native, was careful to use actual locations and settings in the city, as well as language and slang in use at the time, to make the stories directly relatable to those who lived there.
The collection had a rocky publication history, with the stories being initially rejected over eighteen times before being provisionally accepted by a publisherโthen later rejected again, multiple times. It took Joyce nine years to finally see his stories in print, but not before seeing a printer burn all but one copy of the proofs. Today Dubliners survives as a rich example of not just literary excellence, but of what everyday life was like for average Dubliners in their day.
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- Author: James Joyce
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โHe is dead,โ she said at length. โHe died when he was only seventeen. Isnโt it a terrible thing to die so young as that?โ
โWhat was he?โ asked Gabriel, still ironically.
โHe was in the gasworks,โ she said.
Gabriel felt humiliated by the failure of his irony and by the evocation of this figure from the dead, a boy in the gasworks. While he had been full of memories of their secret life together, full of tenderness and joy and desire, she had been comparing him in her mind with another. A shameful consciousness of his own person assailed him. He saw himself as a ludicrous figure, acting as a pennyboy for his aunts, a nervous, well-meaning sentimentalist, orating to vulgarians and idealising his own clownish lusts, the pitiable fatuous fellow he had caught a glimpse of in the mirror. Instinctively he turned his back more to the light lest she might see the shame that burned upon his forehead.
He tried to keep up his tone of cold interrogation, but his voice when he spoke was humble and indifferent.
โI suppose you were in love with this Michael Furey, Gretta,โ he said.
โI was great with him at that time,โ she said.
Her voice was veiled and sad. Gabriel, feeling now how vain it would be to try to lead her whither he had purposed, caressed one of her hands and said, also sadly:
โAnd what did he die of so young, Gretta? Consumption, was it?โ
โI think he died for me,โ she answered.
A vague terror seized Gabriel at this answer, as if, at that hour when he had hoped to triumph, some impalpable and vindictive being was coming against him, gathering forces against him in its vague world. But he shook himself free of it with an effort of reason and continued to caress her hand. He did not question her again, for he felt that she would tell him of herself. Her hand was warm and moist: it did not respond to his touch, but he continued to caress it just as he had caressed her first letter to him that spring morning.
โIt was in the winter,โ she said, โabout the beginning of the winter when I was going to leave my grandmotherโs and come up here to the convent. And he was ill at the time in his lodgings in Galway and wouldnโt be let out, and his people in Oughterard were written to. He was in decline, they said, or something like that. I never knew rightly.โ
She paused for a moment and sighed.
โPoor fellow,โ she said. โHe was very fond of me and he was such a gentle boy. We used to go out together, walking, you know, Gabriel, like the way they do in the country. He was going to study singing only for his health. He had a very good voice, poor Michael Furey.โ
โWell; and then?โ asked Gabriel.
โAnd then when it came to the time for me to leave Galway and come up to the convent he was much worse and I wouldnโt be let see him so I wrote him a letter saying I was going up to Dublin and would be back in the summer, and hoping he would be better then.โ
She paused for a moment to get her voice under control, and then went on:
โThen the night before I left, I was in my grandmotherโs house in Nunsโ Island, packing up, and I heard gravel thrown up against the window. The window was so wet I couldnโt see, so I ran downstairs as I was and slipped out the back into the garden and there was the poor fellow at the end of the garden, shivering.โ
โAnd did you not tell him to go back?โ asked Gabriel.
โI implored of him to go home at once and told him he would get his death in the rain. But he said he did not want to live. I can see his eyes as well as well! He was standing at the end of the wall where there was a tree.โ
โAnd did he go home?โ asked Gabriel.
โYes, he went home. And when I was only a week in the convent he died and he was buried in Oughterard, where his people came from. O, the day I heard that, that he was dead!โ
She stopped, choking with sobs, and, overcome by emotion, flung herself face downward on the bed, sobbing in the quilt. Gabriel held her hand for a moment longer, irresolutely, and then, shy of intruding on her grief, let it fall gently and walked quietly to the window.
She was fast asleep.
Gabriel, leaning on his elbow, looked for a few moments unresentfully on her tangled hair and half-open mouth, listening to her deep-drawn breath. So she had had that romance in her life: a man had died for her sake. It hardly pained him now to think how poor a part he, her husband, had played in her life. He watched her while she slept, as though he and she had never lived together as man and wife. His curious eyes rested long upon her face and on her hair: and, as he thought of what she must have been then, in that time of her first girlish beauty, a strange, friendly pity for her entered his soul. He did not like to say even to himself that her face was no longer beautiful, but he knew that it was no longer the face for which Michael Furey had braved death.
Perhaps she had not told him all the story. His eyes moved to the chair over which she had thrown some of her clothes. A petticoat string dangled to the floor. One boot stood upright, its limp upper fallen down: the fellow of it lay upon its side. He wondered at his riot of emotions of an hour before. From what had it proceeded? From his auntโs supper, from his own foolish speech, from the wine and dancing, the merrymaking when saying goodnight in the hall, the pleasure of the walk along
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