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in his speculations to reflect for a moment.

“Though how, in that last case, he could hope to have his own share in the business concealed is more than I can tell,” he continued, in his ignorance of poor Stevie’s devotion to Mr. Verloc (who was good), and of his truly peculiar dumbness, which in the old affair of fireworks on the stairs had for many years resisted entreaties, coaxing, anger, and other means of investigation used by his beloved sister. For Stevie was loyal.⁠ ⁠… “No, I can’t imagine. It’s possible that he never thought of that at all. It sounds an extravagant way of putting it, Sir Ethelred, but his state of dismay suggested to me an impulsive man who, after committing suicide with the notion that it would end all his troubles, had discovered that it did nothing of the kind.”

The Assistant Commissioner gave this definition in an apologetic voice. But in truth there is a sort of lucidity proper to extravagant language, and the great man was not offended. A slight jerky movement of the big body half lost in the gloom of the green silk shades, of the big head leaning on the big hand, accompanied an intermittent stifled but powerful sound. The great man had laughed.

“What have you done with him?”

The Assistant Commissioner answered very readily:

“As he seemed very anxious to get back to his wife in the shop, I let him go, Sir Ethelred.”

“You did? But the fellow will disappear.”

“Pardon me. I don’t think so. Where could he go to? Moreover, you must remember that he has got to think of the danger from his comrades too. He’s there at his post. How could he explain leaving it? But even if there were no obstacles to his freedom of action he would do nothing. At present he hasn’t enough moral energy to take a resolution of any sort. Permit me also to point out that if I had detained him we would have been committed to a course of action on which I wished to know your precise intentions first.”

The great personage rose heavily, an imposing shadowy form in the greenish gloom of the room.

“I’ll see the Attorney-General tonight, and will send for you tomorrow morning. Is there anything more you’d wish to tell me now?”

The Assistant Commissioner had stood up also, slender and flexible.

“I think not, Sir Ethelred, unless I were to enter into details which⁠—”

“No. No details, please.”

The great shadowy form seemed to shrink away as if in physical dread of details; then came forward, expanded, enormous, and weighty, offering a large hand. “And you say that this man has got a wife?”

“Yes, Sir Ethelred,” said the Assistant Commissioner, pressing deferentially the extended hand. “A genuine wife and a genuinely, respectably, marital relation. He told me that after his interview at the Embassy he would have thrown everything up, would have tried to sell his shop, and leave the country, only he felt certain that his wife would not even hear of going abroad. Nothing could be more characteristic of the respectable bond than that,” went on, with a touch of grimness, the Assistant Commissioner, whose own wife too had refused to hear of going abroad. “Yes, a genuine wife. And the victim was a genuine brother-in-law. From a certain point of view we are here in the presence of a domestic drama.”

The Assistant Commissioner laughed a little; but the great man’s thoughts seemed to have wandered far away, perhaps to the questions of his country’s domestic policy, the battleground of his crusading valour against the paynim Cheeseman. The Assistant Commissioner withdrew quietly, unnoticed, as if already forgotten.

He had his own crusading instincts. This affair, which, in one way or another, disgusted Chief Inspector Heat, seemed to him a providentially given starting-point for a crusade. He had it much at heart to begin. He walked slowly home, meditating that enterprise on the way, and thinking over Mr. Verloc’s psychology in a composite mood of repugnance and satisfaction. He walked all the way home. Finding the drawing-room dark, he went upstairs, and spent some time between the bedroom and the dressing-room, changing his clothes, going to and fro with the air of a thoughtful somnambulist. But he shook it off before going out again to join his wife at the house of the great lady patroness of Michaelis.

He knew he would be welcomed there. On entering the smaller of the two drawing-rooms he saw his wife in a small group near the piano. A youngish composer in pass of becoming famous was discoursing from a music stool to two thick men whose backs looked old, and three slender women whose backs looked young. Behind the screen the great lady had only two persons with her: a man and a woman, who sat side by side on armchairs at the foot of her couch. She extended her hand to the Assistant Commissioner.

“I never hoped to see you here tonight. Annie told me⁠—”

“Yes. I had no idea myself that my work would be over so soon.”

The Assistant Commissioner added in a low tone: “I am glad to tell you that Michaelis is altogether clear of this⁠—”

The patroness of the ex-convict received this assurance indignantly.

“Why? Were your people stupid enough to connect him with⁠—”

“Not stupid,” interrupted the Assistant Commissioner, contradicting deferentially. “Clever enough⁠—quite clever enough for that.”

A silence fell. The man at the foot of the couch had stopped speaking to the lady, and looked on with a faint smile.

“I don’t know whether you ever met before,” said the great lady.

Mr. Vladimir and the Assistant Commissioner, introduced, acknowledged each other’s existence with punctilious and guarded courtesy.

“He’s been frightening me,” declared suddenly the lady who sat by the side of Mr. Vladimir, with an inclination of the head towards that gentleman. The Assistant Commissioner knew the lady.

“You do not look frightened,” he pronounced, after surveying her conscientiously with his tired and equable gaze. He was thinking meantime to himself that in this house one met everybody sooner or later. Mr. Vladimir’s rosy countenance

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