The Gadfly by Ethel Voynich (top fiction books of all time .txt) ๐
Description
The Gadfly is set in 1840s Italy, at a time when the country was chafing under Austrian rule. The titular character is a charming, witty writer of pointed political satires who finds himself running with a crowd of revolutionaries. The plot develops as the revolutionaries struggle against the government and as the Gadfly struggles with a mysterious hatred of the Church, and of a certain Cardinal.
The novel, with its complex themes of loyalty, romance, revolution, and struggle against both establishment and religion, was very popular in its day both in its native Ireland and other countries like Russia and China. In Russia, the book was so popular that it became required reading. Since its publication it has also been adapted into film, opera, theater, and ballet, and its popularity spurred Voynich to write sequels and prequels.
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- Author: Ethel Voynich
Read book online ยซThe Gadfly by Ethel Voynich (top fiction books of all time .txt) ๐ยป. Author - Ethel Voynich
The Gadfly carried the letter to Gemma and, while she read it, sat frowning at the floor and stroking the catโs fur the wrong way.
โThis is bad,โ she said. โWe can hardly keep the Venetians waiting for three weeks.โ
โOf course we canโt; the thing is absurd. Domenichino m-might unders-s-stand that. We must follow the lead of the Venetians, not they ours.โ
โI donโt see that Domenichino is to blame; he has evidently done his best, and he canโt do impossibilities.โ
โItโs not in Domenichino that the fault lies; itโs in the fact of his being one person instead of two. We ought to have at least one responsible man to guard the store and another to see the transports off. He is quite right; he must have efficient help.โ
โBut what help are we going to give him? We have no one in Florence to send.โ
โThen I m-must go myself.โ
She leaned back in her chair and looked at him with a little frown.
โNo, that wonโt do; itโs too risky.โ
โIt will have to do if we canโt f-f-find any other way out of the difficulty.โ
โThen we must find another way, thatโs all. Itโs out of the question for you to go again just now.โ
An obstinate line appeared at the corners of his under lip.
โI d-donโt see that itโs out of the question.โ
โYou will see if you think about the thing calmly for a minute. It is only five weeks since you got back; the police are on the scent about that pilgrim business, and scouring the country to find a clue. Yes, I know you are clever at disguises; but remember what a lot of people saw you, both as Diego and as the countryman; and you canโt disguise your lameness or the scar on your face.โ
โThere are p-plenty of lame people in the world.โ
โYes, but there are not plenty of people in the Romagna with a lame foot and a sabre-cut across the cheek and a left arm injured like yours, and the combination of blue eyes with such dark colouring.โ
โThe eyes donโt matter; I can alter them with belladonna.โ
โYou canโt alter the other things. No, it wonโt do. For you to go there just now, with all your identification-marks, would be to walk into a trap with your eyes open. You would certainly be taken.โ
โBut s-s-someone must help Domenichino.โ
โIt will be no help to him to have you caught at a critical moment like this. Your arrest would mean the failure of the whole thing.โ
But the Gadfly was difficult to convince, and the discussion went on and on without coming nearer to any settlement. Gemma was beginning to realize how nearly inexhaustible was the fund of quiet obstinacy in his character; and, had the matter not been one about which she felt strongly, she would probably have yielded for the sake of peace. This, however, was a case in which she could not conscientiously give way; the practical advantage to be gained from the proposed journey seemed to her not sufficiently important to be worth the risk, and she could not help suspecting that his desire to go was prompted less by a conviction of grave political necessity than by a morbid craving for the excitement of danger. He had got into the habit of risking his neck, and his tendency to run into unnecessary peril seemed to her a form of intemperance which should be quietly but steadily resisted. Finding all her arguments unavailing against his dogged resolve to go his own way, she fired her last shot.
โLet us be honest about it, anyway,โ she said; โand call things by their true names. It is not Domenichinoโs difficulty that makes you so determined to go. It is your own personal passion forโ โโ
โItโs not true!โ he interrupted vehemently. โHe is nothing to me; I donโt care if I never see him again.โ
He broke off, seeing in her face that he had betrayed himself. Their eyes met for an instant, and dropped; and neither of them uttered the name that was in both their minds.
โItโ โit is not Domenichino I want to save,โ he stammered at last, with his face half buried in the catโs fur; โit is that Iโ โI understand the danger of the work failing if he has no help.โ
She passed over the feeble little subterfuge, and went on as if there had been no interruption:
โIt is your passion for running into danger which makes you want to go there. You have the same craving for danger when you are worried that you had for opium when you were ill.โ
โIt was not I that asked for the opium,โ he said defiantly; โit was the others who insisted on giving it to me.โ
โI dare say. You plume yourself a little on your stoicism, and to ask for physical relief would have hurt your pride; but it is rather flattered than otherwise when you risk your life to relieve the irritation of your nerves. And yet, after all, the distinction is a merely conventional one.โ
He drew the catโs head back and looked down into the round, green eyes. โIs it true, Pasht?โ he said. โAre all these unkind things true that your mistress is s-saying about me? Is it a case of mea culpa; mea m-maxima
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