Lassiter 07 - Flesh and Bones by Levine, Paul (ebook reader web .txt) 📕

the villain," Kip said. "The Prince of Fucking Darkness."

"Kip!"

"That's what Jack Warden called him. I thought lawyers considered it a compliment."

By the time Rosen took the stand, he spoke in plain English, occasionally fiddling with his mustache while he listened to my questions. He explained that Chrissy's fainting was caused by a gradual decline in blood pressure, and that she would grow woozy just before she fainted.

"So there would be a time of semiconsciousness?" I asked.

"Yes. As the blood pressure falls, there could be several seconds that precede the actual fainting where Chrissy blacks out, sees stars, that sort of thing."

"Would she be capable of processing information?"

"Objection, vague," Socolow shouted.

"Sustained," Judge Stanger said.

"In such a state, would she be capable of forming a conscious thought, carrying out an intended task?"

"Objection, calls for speculation."

Before the judge could sustain the objection, I offered to rephrase the question. "Dr. Rosen, assuming a person with the classic neurocardiogenic syncope is in the preliminary phase of an episode—that is, the person's heart rate and blood pressure are falling and the person is woozy and seconds away from fainting— could that person consciously carry out an intended task?"

"Objection, assumes facts not in evidence."

"I'll overrule it," Judge Stanger said. "It's admissible as a hypothetical question to an expert."

Sometimes judges get tired of sustaining objections and, like everybody else, just want to hear the answers.

"It's a gray area," Dr. Rosen said. "And there's a continuum during which the person loses consciousness. At a certain point just prior to actually fainting, the person clearly would be incapable of performing most tasks."

"Such as aiming a gun and pulling a trigger?"

"Yes. The combination of neural, mental, and motor skills required would not be possible in such a state."

I thanked the doctor and glanced at the jury. I caught a nod or two and nodded right back.

28

Playing the Sap

Sometimes I am so confused, I have to write everything on a legal pad. I draw a line down the middle of the page, scribble what I know on the left side and what I don't know on the right.

Chrissy believed she had been sexually abused by her father. But was it true? I didn't know.

Rusty bearded me for Guy Bernhardt. Why? For money, I was certain.

Guy masterminded Chrissy's mind fuck. He had Schein program her to kill Harry Bernhardt. But why? Cui bono? Guy stood to gain. But he would inherit half his father's estate eventually. Why be so greedy, so inhumane, as to want it all now? Why kill your father and frame your half sister? There had to be something more than the estate, but all I had was a question mark on the right side of my pad.

Schein tricked Chrissy into confessing on tape, recording evidence of her premeditation. Or did he? Was Chrissy involved in some double-fake, the legal equivalent of a reverse with a flea-flicker at the end of the play? Was I the patsy for Chrissy, too? Only yesterday, Kip had been watching The Maltese Falcon on cable, and I'd heard Humphrey Bogart telling Mary Astor, "I won't play the sap for you."

After I put it all down on paper, I started again, this time ignoring what really happened and trying to figure what made the best story. They don't teach you this in law school; you pick it up in the courtrooms, corridors, and conference rooms along the way.

Okay, take it from the top. Chrissy believed she had been sexually abused by her father. That gave her the motive—but not the lawful excuse—for killing him. Although some jurors might be sympathetic if they believed the abuse actually happened, they would be bound to follow the law. She had not been acting in self-defense or the defense of another, and she was not insane. My argument that Chrissy's fainting amounted to a lack of conscious intent was smoke and mirrors. In other words, no defense, and once Schein hammered me with the missing tape, as he threatened to do if I called him to testify, the element of premeditation would be proved.

So, weirdly, according to my legal pad, we were better off if Chrissy had not been sexually abused by her father. If she had no motive for killing Harry, it lessened her blame; it made her programming by Schein all the more necessary to get the job done. If the half brother and the shrink had fabricated everything, it helped me shift the focus to them. They pulled the trigger, not this poor, confused young woman.

But was that true? I didn't know. And at the moment, it didn't matter. All that mattered was Chrissy. Which was why I decided to bet the farm on the destruction of Dr. Lawrence Schein.

Lawrence Schein, graduate of Tulane University and the University of Miami Medical School, with an internship at Jackson Memorial Hospital and residency at Massachusetts General, with specialized training in psychiatry, and the author of a few undistinguished papers, did not know where I was going. He didn't know how many cards I held or if I was bluffing.

Charlie Riggs taught me the three essentials of proving that John Doe committed a crime: motive, opportunity, and means. That's also the order of proof. Which is why I started with what Charlie Riggs would call causa or ratio, the reason or motivation for the crime.

"Harry Bernhardt was a friend of yours, wasn't he, Doctor?"

"Yes, for a long time."

Schein smiled as if fondly remembering their get-togethers. He liked the question, was pleased with the answer. After all, you don't go about setting up the murder of a friend.

"When's the last time you had dinner with Harry Bernhardt?"

"Dinner? Well, I don't know. I don't remember."

"When's the last time you were in his home?"

He fiddled with the knot of his club tie. He wore a navy cashmere sport jacket and gray slacks. His shaved head gleamed under the fluorescent lighting. "It's been some time."

"Were you ever in his home after his wife, Emily, died?"

"Not that I recall." Looking