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digging into her thigh. Elena actually managed to unearth some self-seeded carrots, thin and misshapen with feathery tops. Their smell is strong and earthy and Rachel’s stomach rumbles. Boiled and mashed for Ivan or chopped into a soup – she could live on soup quite happily if she had to – a few onions, a little garlic, some potatoes, a pan on the stove, tipping scraps in, a pinch of pepper or some of Elena’s homegrown herbs . . .

Ivan stirs and kicks his legs out. His thigh, Rachel notices, is marked with pinpricks of bright pink. Not ticks, though – ant bites. She licks a finger and dabs the raised skin as she remembers her mother once doing.

‘Oy!’ mutters Zoya, pressing on the brake in her careful, measured way, though they haven’t yet reached the city.

Rachel peers around Zoya’s headrest. There’s a vehicle about fifty metres in front of them and it isn’t moving; instead it straddles the single-lane road. It is a silver car, sleek and foreign. It looks out of place in the birch woods.

‘Is it an accident?’ she asks, squinting as the late afternoon sunlight glances off the bonnet.

‘Maybe the engine has overheated,’ says Zoya, slowing the car to a stop while they are still some metres away. ‘Or they have no fuel.’ She eases the handbrake upwards, but she doesn’t turn off the ignition.

Rachel shunts Ivan up against her left shoulder, wincing at the stabbing pins and needles in her hand. Cars don’t run out of fuel at right angles to the road, she thinks. There are no other vehicles in sight. This block to their progress is deliberate, and it is probably the police because Lucas is always complaining about the cursory checks they make, the bribes they require. But the man stepping out of the trees doesn’t look like a policeman. His hair is dark; he has sloping shoulders, a measured gait. She recognises him straight away.

‘Mykola!’

‘Mykola?’ repeats Zoya, turning her head a little, as if she might have misheard. Stepan opens an eye, yawns and pushes his knees into the seat in front so that they leave dents in the vinyl. Elena stirs also, muttering something as she wakes. She covers her eyes with one hand and gathers the cornflower stems with the other. The skin on her knuckles is stretched thin like tracing paper as she clutches the stalks. Rachel remembers how she spat at the man who’d delivered Mykola’s washing machine. She remembers Mykola’s warnings. There is unfinished business between these two. Now he will see that she and Ivan are with Elena, out here in the woods, when he told her to stay away. Rachel’s chest tightens. He has been waiting for them here.

Mykola skirts round the Zhiguli’s bonnet.

‘Lock the door,’ instructs Zoya. ‘I will deal with this.’ But Rachel is too slow; Ivan is fully awake now, stamping his feet on her thighs. The door is already being opened.

‘Hello Mykola,’ she says, keeping her voice bright. ‘Has your car broken down?’ Zoya glares at her in the rear-view mirror.

Mykola peers in. He is wearing a white shirt, no jacket. His head is bare. ‘Good afternoon, Rachel,’ he says. He looks at Ivan before staring briefly at the other occupants. ‘You have had a pleasant afternoon, I think. Please get out of the car.’

Rachel shifts Ivan onto her lap. ‘Is there a problem?’

‘Yes,’ says Mykola.

‘No,’ says Zoya, with a warning pump on the accelerator. ‘Stay where you are.’

Now there are two people telling Rachel what to do. Zoya sounds strained, furious. Mykola, on the other hand, remains impassive, his dark eyes upon her.

‘These are bad people,’ he says. ‘The boy, I know him. I have no problem with him, if he keeps his mouth shut. But your driver, and her –’ he pauses, raising his chin towards Elena, though his gaze doesn’t shift. ‘You must come back to Kiev with me.’

Insects buzz around the car outside, but inside there is silence. Stepan is examining a scab on his elbow while Elena just stares down at her lap, her grey hair sticking out and her shoulders hunched forward. She is still gripping the cornflowers, though their baby-blue heads are beginning to wilt.

‘Zoya and Elena are my friends,’ says Rachel, carefully. ‘I’m not going anywhere with you. I don’t need your protection.’ She wants to shut the door, but Mykola is in the way. He is patting the car roof with his right hand: one, two, three.

‘All right,’ he says. ‘If you will not come with me, then I shall tell you about her because she is a mother, like you, and also nothing like you.’

This man is talking about mothers again, yet Elena and Zoya don’t have children. Zoya won’t catch Rachel’s eye, so she glances across to Stepan and although he has turned away, staring out through the glass towards the woods, it is as if he holds her gaze in his reflection. His pale eyes are unreadable, unreachable.

‘You think that Kiev is a hard place,’ continues Mykola. ‘You pity us for what you imagine we have endured. The women, you believe they have seen too much and that is why they shout and scold when you appear with your fine healthy baby. Yet she is not part of this story of yours. She is outside all of that and I can see that you won’t ask why because you are afraid. Well, a mother should never be afraid. You will hear what I have to say. You will hear what she has done.’

Mykola has lowered his voice. It is as if he is telling them a story. Rachel wants to stop him, yet her own dread prevents her.

‘Once, there was a woman who had a baby. She was unmarried, but that is how it goes sometimes. When the war came, she took up with a partisan who promised what he could not deliver. Then the fascists arrived. They pulled her lover out of the cellar where he hid and they

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