Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βThen he goes out and heads toward the river, following his nose. In a little side street, where there was no street and no sidewalks and no houses, he finds what he is looking for. We go into a shanty and sit on high stools among stevedores and boatmen, and eat beans with tin spoons. Yes, sir, beansβ βbeans boiled with salt pork.
βββI kind of thought weβd strike some over this way,β says Solly.
βββDelightful,β says I, βThat stylish hotel grub may appeal to some; but for me, give me the husky table dβgoat.β
βWhen we had succumbed to the beans I leads him out of the tarpaulin-steam under a lamp post and pulls out a daily paper with the amusement column folded out.
βββBut now, what ho for a merry round of pleasure,β says I. βHereβs one of Hall Caineβs shows, and a stockyard company in Hamlet, and skating at the Hollowhorn Rink, and Sarah Bernhardt, and the Shapely Syrens Burlesque Company. I should think, now, that the Shapelyβ ββ
βBut what does this healthy, wealthy, and wise man do but reach his arms up to the second-story windows and gape noisily.
βββReckon Iβll be going to bed,β says he; βitβs about my time. St. Louis is a kind of quiet place, ainβt it?β
βββOh, yes,β says I; βever since the railroads ran in here the townβs been practically ruined. And the building-and-loan associations and the fair have about killed it. Guess we might as well go to bed. Wait till you see Chicago, though. Shall we get tickets for the Big Breeze tomorrow?β
βββMought as well,β says Solly. βI reckon all these towns are about alike.β
βWell, maybe the wise cicerone and personal conductor didnβt fall hard in Chicago! Loolooville-on-the-Lake is supposed to have one or two things in it calculated to keep the rural visitor awake after the curfew rings. But not for the grass-fed man of the pampas! I tried him with theatres, rides in automobiles, sails on the lake, champagne suppers, and all those little inventions that hold the simple life in check; but in vain. Solly grew sadder day by day. And I got fearful about my salary, and knew I must play my trump card. So I mentioned New York to him, and informed him that these Western towns were no more than gateways to the great walled city of the whirling dervishes.
βAfter I bought the tickets I missed Solly. I knew his habits by then; so in a couple of hours I found him in a saddle-shop. They had some new ideas there in the way of trees and girths that had strayed down from the Canadian mounted police; and Solly was so interested that he almost looked reconciled to live. He invested about nine hundred dollars in there.
βAt the depot I telegraphed a cigar-store man I knew in New York to meet me at the Twenty-third Street ferry with a list of all the saddle-stores in the city. I wanted to know where to look for Solly when he got lost.
βNow Iβll tell you what happened in New York. I says to myself: βFriend Heherezade, you want to get busy and make Bagdad look pretty to the sad sultan of the sour countenance, or itβll be the bowstring for yours.β But I never had any doubt I could do it.
βI began with him like youβd feed a starving man. I showed him the horsecars on Broadway and the Staten Island ferryboats. And then I piled up the sensations on him, but always keeping a lot of warmer ones up my sleeve.
βAt the end of the third day he looked like a composite picture of five thousand orphans too late to catch a picnic steamboat, and I was wilting down a collar every two hours wondering how I could please him and whether I was going to get my thou. He went to sleep looking at the Brooklyn Bridge; he disregarded the skyscrapers above the third story; it took three ushers to wake him up at the liveliest vaudeville in town.
βOnce I thought I had him. I nailed a pair of cuffs on him one morning before he was awake; and I dragged him that evening to the palm-cage of one of the biggest hotels in the cityβ βto see the Johnnies and the Alice-sit-by-the-hours. They were out in numerous quantities, with the fat of the land showing in their clothes. While we were looking them over, Solly divested himself of a fearful, rusty kind of laughβ βlike moving a folding bed with one roller broken. It was his first in two weeks, and it gave me hope.
βββRight you are,β says I. βTheyβre a funny lot of postcards, arenβt they?β
βββOh, I wasnβt thinking of them dudes and culls on the hoof,β says he. βI was thinking of the time me and George put sheep-dip in Horsehead Johnsonβs whisky. I wish I was back in Atascosa City,β says he.
βI felt a cold chill run down my back. βMe to play and mate in one move,β says I to myself.
βI made Solly promise to stay in the cafΓ© for half an hour and I hiked out in a cab to Lolabelle Delatourβs flat on Forty-third Street. I knew her well. She was a chorus-girl in a Broadway musical comedy.
βββJane,β says I when I found her, βIβve got a friend from Texas here. Heβs all right, butβ βwell, he carries weight. Iβd like to give him a little whirl after the show this eveningβ βbubbles, you know, and a buzz out to a casino for the whitebait and pickled walnuts. Is it a go?β
βββCan he sing?β asks Lolabelle.
βββYou know,β says I, βthat I wouldnβt take him away from home unless his notes were good. Heβs got pots of moneyβ βbean-pots full of it.β
βββBring him around after the second act,β says Lolabelle, βand Iβll examine his credentials and securities.β
βSo about ten oβclock that evening
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