Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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But we have not to do with the wars of the Mulberry Hills and the Dry Docks. We must to Rooneyβs, where, on the most blighted dead branch of the tree of life, a little pale orchid shall bloom.
Overstrained etiquette at last gave way. It is not known who first overstepped the bounds of punctilio; but the consequences were immediate. Buck Malone, of the Mulberry Hills, with a Dewey-like swiftness, got an eight-inch gun swung round from his hurricane deck. But McManusβs simile must be the torpedo. He glided in under the guns and slipped a scant three inches of knife blade between the ribs of the Mulberry Hill cruiser. Meanwhile Brick Cleary, a devotee to strategy, had skimmed across the lunch counter and thrown the switch of the electrics, leaving the combat to be waged by the light of gunfire alone. Dutch Mike crawled from his haven and ran into the street crying for the watch instead of for a Shakespeare to immortalize the Cimmerian shindy.
The cop came, and found a prostrate, bleeding Montagu supported by three distrait and reticent followers of the House. Faithful to the ethics of the gangs, no one knew whence the hurt came. There was no Capulet to be seen.
βRaus mit der interrogatories,β said Buck Malone to the officer. βSure I know who done it. I always manages to get a birdβs eye view of any guy that comes up anβ makes a show case for a hardware store out of me. No. Iβm not telling you his name. Iβll settle with um meself. Wowβ βouch! Easy, boys! Yes, Iβll attend to his case meself. Iβm not making any complaint.β
At midnight McManus strolled around a pile of lumber near an East Side dock, and lingered in the vicinity of a certain water plug. Brick Cleary drifted casually to the trysting place ten minutes later. βHeβll maybe not croak,β said Brick; βand he wonβt tell, of course. But Dutch Mike did. He told the police he was tired of having his place shot up. Itβs unhandy just now, because Tim Corriganβs in Europe for a weekβs end with Kings. Heβll be back on the Kaiser Williams next Friday. Youβll have to duck out of sight till then. Timβll fix it up all right for us when he comes back.β
This goes to explain why Cork McManus went into Rooneyβs one night and there looked upon the bright, stranger face of Romance for the first time in his precarious career.
Until Tim Corrigan should return from his jaunt among Kings and Princes and hold up his big white finger in private offices, it was unsafe for Cork in any of the old haunts of his gang. So he lay, perdu, in the high rear room of a Capulet, reading pink sporting sheets and cursing the slow paddle wheels of the Kaiser Wilhelm.
It was on Thursday evening that Corkβs seclusion became intolerable to him. Never a hart panted for water fountain as he did for the cool touch of a drifting stein, for the firm security of a foot-rail in the hollow of his shoe and the quiet, hearty challenges of friendship and repartee along and across the shining bars. But he must avoid the district where he was known. The cops were looking for him everywhere, for news was scarce, and the newspapers were harping again on the failure of the police to suppress the gangs. If they got him before Corrigan came back, the big white finger could not be uplifted; it would be too late then. But Corrigan would be home the next day, so he felt sure there would be small danger in a little excursion that night among the crass pleasures that represented life to him.
At half-past twelve McManus stood in a darkish crosstown street looking up at the name βRooneyβs,β picked out by incandescent lights against a signboard over a second-story window. He had heard of the place as a tough βhangoutβ; with its frequenters and its locality he was unfamiliar. Guided by certain unerring indications common to all such resorts, he ascended the stairs and entered the large room over the cafΓ©.
Here were some twenty or thirty tables, at this time about half-filled with Rooneyβs guests. Waiters served drinks. At one end a human pianola with drugged eyes hammered the keys with automatic and furious unprecision. At merciful intervals a waiter would roar or squeak a songβ βsongs full of βMr. Johnsonsβ and βbabesβ and βcoonsββ βhistorical word guaranties of the genuineness of African melodies composed by red waistcoated young gentlemen, natives of the cotton fields and rice swamps of West Twenty-eighth Street.
For one brief moment you must admire Rooney with me as he receives, seats, manipulates, and chaffs his guests. He is twenty-nine. He has Wellingtonβs nose, Danteβs chin, the cheekbones of an Iroquois, the smile of Talleyrand, Corbettβs foot work, and the poise of an eleven-year-old East Side Central Park Queen of the May. He is assisted by a lieutenant known as Frank, a pudgy, easy chap, swell-dressed, who goes among the tables seeing
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