Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βBut I donβt know you,β said the girl, with fine scrupulosity. βI donβt accept the company of gentlemen I ainβt acquainted with. My aunt never would allow that.β
βWhy,β said Cork McManus, pulling his ear, βIβm the latest thing in suitings with side vents and bell skirt when it comes to escortinβ a lady. You bet youβll find me all right, Ruby. And Iβll give you a tip as to who I am. My governor is one of the hottest cross-buns of the Wall Street push. Morganβs cab horse casts a shoe every time the old man sticks his head out the window. Me! Well, Iβm in traininβ down the Street. The old manβs goinβ to put a seat on the Stock Exchange in my stockinβ my next birthday. But it all sounds like a lemon to me. What I like is golf and yachtinβ andβ βerβ βwell, say a corkinβ fast ten-round bout between welterweights with walkinβ gloves.β
βI guess you can walk to the door with me,β said the girl hesitatingly, but with a certain pleased flutter. βStill I never heard anything extra good about Wall Street brokers, or sports who go to prize fights, either. Ainβt you got any other recommendations?β
βI think youβre the swellest looker Iβve had my lamps on in little old New York,β said Cork impressively.
βThatβll be about enough of that, now. Ainβt you the kidder!β She modified her chiding words by a deep, long, beaming, smile-embellished look at her cavalier. βWeβll drink our beer before we go, ha?β
A waiter sang. The tobacco smoke grew denser, drifting and rising in spirals, waves, tilted layers, cumulus clouds, cataracts and suspended fogs like some fifth element created from the ribs of the ancient four. Laughter and chat grew louder, stimulated by Rooneyβs liquids and Rooneyβs gallant hospitality to Lady Nicotine.
One oβclock struck. Downstairs there was a sound of closing and locking doors. Frank pulled down the green shades of the front windows carefully. Rooney went below in the dark hall and stood at the front door, his cigarette cached in the hollow of his hand. Thenceforth whoever might seek admittance must present a countenance familiar to Rooneyβs hawkβs eyeβ βthe countenance of a true sport.
Cork McManus and the bookbindery girl conversed absorbedly, with their elbows on the table. Their glasses of beer were pushed to one side, scarcely touched, with the foam on them sunken to a thin white scum. Since the stroke of one the stale pleasures of Rooneyβs had become renovated and spiced; not by any addition to the list of distractions, but because from that moment the sweets became stolen ones. The flattest glass of beer acquired the tang of illegality; the mildest claret punch struck a knockout blow at law and order; the harmless and genial company became outlaws, defying authority and rule. For after the stroke of one in such places as Rooneyβs, where neither bed nor board is to be had, drink may not be set before the thirsty of the city of the four million. It is the law.
βSay,β said Cork McManus, almost covering the table with his eloquent chest and elbows, βwas that dead straight about you workinβ in the bookbindery and livinβ at homeβ βand just happeninβ in hereβ βandβ βand all that spiel you gave me?β
βSure it was,β answered the girl with spirit. βWhy, what do you think? Do you suppose Iβd lie to you? Go down to the shop and ask βem. I handed it to you on the level.β
βOn the dead level?β said Cork. βThatβs the way I want it; becauseβ ββ
βBecause what?β
βI throw up my hands,β said Cork. βYouβve got me goinβ. Youβre the girl Iβve been lookinβ for. Will you keep company with me, Ruby?β
βWould you like me toβ βEddie?β
βSurest thing. But I wanted a straight story aboutβ βabout yourself, you know. When a fellow had a girlβ βa steady girlβ βsheβs got to be all right, you know. Sheβs got to be straight goods.β
βYouβll find Iβll be straight goods, Eddie.β
βOf course you will. I believe what you told me. But you canβt blame me for wantinβ to find out. You donβt see many girls smokinβ cigarettes in places like Rooneyβs after midnight that are like you.β
The girl flushed a little and lowered her eyes. βI see that now,β she said meekly. βI didnβt know how bad it looked. But I wonβt do it any more. And Iβll go straight home every night and stay there. And Iβll give up cigarettes if you say so, Eddieβ βIβll cut βem out from this minute on.β
Corkβs air became judicial, proprietary, condemnatory, yet sympathetic. βA lady can smoke,β he decided, slowly, βat times and places. Why? Because itβs beinβ a lady that helps her pull it off.β
βIβm going to quit. Thereβs nothing to it,β said the girl. She flicked the stub of her cigarette to the floor.
βAt times and places,β repeated Cork. βWhen I call round for you of eveninβs weβll hunt out a dark bench in Stuyvesant Square and have a puff or two. But no more Rooneyβs at one oβclockβ βsee?β
βEddie, do you really like me?β The girl searched his hard but frank features eagerly with anxious eyes.
βOn the dead level.β
βWhen are you coming to see meβ βwhere I live?β
βThursdayβ βday after tomorrow eveninβ. That suit you?β
βFine. Iβll be ready for you. Come about seven. Walk to the door with me tonight and Iβll show you where I live. Donβt forget, now. And donβt you go to see any other girls before then, mister! I bet you will, though.β
βOn the dead level,β said Cork, βyou make βem all look like rag-dolls to me. Honest, you do. I know when Iβm suited. On the dead level, I do.β
Against the front door downstairs repeated heavy blows were delivered. The loud crashes resounded in the room above. Only a trip-hammer or a policemanβs foot could have been the author of those sounds. Rooney jumped like a bullfrog to a corner of the room, turned off the electric lights and hurried swiftly below. The room was left utterly dark except for the winking red
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