Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βAll keep still!β was his caution. βDonβt talk or make any noise! Everything will be all right. Now, donβt feel the slightest alarm. Weβll take care of you all.β
Ruby felt across the table until Corkβs firm hand closed upon hers. βAre you afraid, Eddie?β she whispered. βAre you afraid youβll get a free ride?β
βNothinβ doinβ in the teeth-chatterinβ line,β said Cork. βI guess Rooneyβs been slow with his envelope. Donβt you worry, girly; Iβll look out for you all right.β
Yet Mr. McManusβs ease was only skin- and muscle-deep. With the police looking everywhere for Buck Maloneβs assailant, and with Corrigan still on the ocean wave, he felt that to be caught in a police raid would mean an ended career for him. He wished he had remained in the high rear room of the true Capulet reading the pink extras.
Rooney seemed to have opened the front door below and engaged the police in conference in the dark hall. The wordless low growl of their voices came up the stairway. Frank made a wireless news station of himself at the upper door. Suddenly he closed the door, hurried to the extreme rear of the room and lighted a dim gas jet.
βThis way, everybody!β he called sharply. βIn a hurry; but no noise, please!β
The guests crowded in confusion to the rear. Rooneyβs lieutenant swung open a panel in the wall, overlooking the back yard, revealing a ladder already placed for the escape.
βDown and out, everybody!β he commanded. βLadies first! Less talking, please! Donβt crowd! Thereβs no danger.β
Among the last, Cork and Ruby waited their turn at the open panel. Suddenly she swept him aside and clung to his arm fiercely.
βBefore we go out,β she whispered in his earβ ββbefore anything happens, tell me again, Eddie, do youβ βdo you really like me?β
βOn the dead level,β said Cork, holding her close with one arm, βwhen it comes to you, Iβm all in.β
When they turned they found they were lost and in darkness. The last of the fleeing customers had descended. Half way across the yard they bore the ladder, stumbling, giggling, hurrying to place it against an adjoining low building over the roof of which their only route to safety.
βWe may as well sit down,β said Cork grimly. βMaybe Rooney will stand the cops off, anyhow.β
They sat at a table; and their hands came together again.
A number of men then entered the dark room, feeling their way about. One of them, Rooney himself, found the switch and turned on the electric light. The other man was a cop of the old regimeβ βa big cop, a thick cop, a fuming, abrupt copβ βnot a pretty cop. He went up to the pair at the table and sneered familiarly at the girl.
βWhat are youse doinβ in here?β he asked.
βDropped in for a smoke,β said Cork mildly.
βHad any drinks?β
βNot later than one oβclock.β
βGet outβ βquick!β ordered the cop. Then, βSit down!β he countermanded.
He took off Corkβs hat roughly and scrutinized him shrewdly. βYour nameβs McManus.β
βBad guess,β said Cork. βItβs Peterson.β
βCork McManus, or something like that,β said the cop. βYou put a knife into a man in Dutch Mikeβs saloon a week ago.β
βAw, forget it!β said Cork, who perceived a shade of doubt in the officerβs tones. βYouβve got my mug mixed with somebody elseβs.β
βHave I? Well, youβll come to the station with me, anyhow, and be looked over. The description fits you all right.β The cop twisted his fingers under Corkβs collar. βCome on!β he ordered roughly.
Cork glanced at Ruby. She was pale, and her thin nostrils quivered. Her quick eye danced from one manβs face to the other as they spoke or moved. What hard luck! Cork was thinkingβ βCorrigan on the briny; and Ruby met and lost almost within an hour! Somebody at the police station would recognize him, without a doubt. Hard luck!
But suddenly the girl sprang up and hurled herself with both arms extended against the cop. His hold on Corkβs collar was loosened and he stumbled back two or three paces.
βDonβt go so fast, Maguire!β she cried in shrill fury. βKeep your hands off my man! You know me, and you know Iβm givinβ you good advice. Donβt you touch him again! Heβs not the guy you are lookinβ forβ βIβll stand for that.β
βSee here, Fanny,β said the Cop, red and angry, βIβll take you, too, if you donβt look out! How do you know this ainβt the man I want? What are you doing in here with him?β
βHow do I know?β said the girl, flaming red and white by turns. βBecause Iβve known him a year. Heβs mine. Oughtnβt I to know? And what am I doinβ here with him? Thatβs easy.β
She stooped low and reached down somewhere into a swirl of flirted draperies, heliotrope and black. An elastic snapped, she threw on the table toward Cork a folded wad of bills. The money slowly straightened itself with little leisurely jerks.
βTake that, Jimmy, and letβs go,β said the girl. βIβm declarinβ the usual dividends, Maguire,β she said to the officer. βYou had your usual five-dollar graft at the usual corner at ten.β
βA lie!β said the cop, turning purple. βYou go on my beat again and Iβll arrest you every time I see you.β
βNo, you wonβt,β said the girl. βAnd Iβll tell you why. Witnesses saw me give you the money tonight, and last week, too. Iβve been getting fixed for you.β
Cork put the wad of money carefully into his pocket, and said: βCome on, Fanny; letβs have some chop suey before we go home.β
βClear out, quick, both of you, or Iβllβ ββ
The copβs bluster trailed away into inconsequentiality.
At the corner of the street the two halted. Cork handed back the money without a word. The girl took it and slipped it slowly into
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