Eminent Victorians by Lytton Strachey (romantic novels in english .txt) 📕
Description
Eminent Victorians consists of four short biographies by Lytton Strachey of Victorians who were famous in their day: Cardinal Manning, a powerful cleric; Florence Nightingale, founder of modern nursing; Thomas Arnold, founder of the modern-day English public school style; and General Gordon, a popular officer of the British Army.
In Strachey’s day, these people were considered heroes and paragons of Victorian morality and ethics. But instead of lengthy, glowing biographies, Strachey opts for short, witty, and biting biographies that skewer their subjects. All of the subjects are portrayed with their human flaws and moral contradictions on full display, implicitly knocking down the sanctimonious visions of these former heroes (perhaps with the exception of Nightingale, who, while portrayed as an often-cold and mercilessly-driven taskmistress, nevertheless escaped with her reputation enhanced).
The biographies are not only interesting for their wit, humor, and readability, but because of the windows they open to the issues of the age. Manning’s biography occurs against the backdrop of a time of upheaval in the English Catholic church, with concepts like Papal Infallability entering the picture; Nightingale’s biography shines light on the appalling conditions of war; Arnold’s biography is a lens on the development of formal education and schools; and Gordon’s biography reveals England as an empire growing more unsteady, whose ability to influence and control faraway lands is not as certain as it might think.
Eminent Victorians took six years to write and was met with glowing reviews on its publication. It made Strachey famous and cemented his name in the list of top-tier biographers.
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- Author: Lytton Strachey
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This singular person was General Gordon, and his book was the Holy Bible.
In such complete retirement from the world and the ways of men, it might have seemed that a life of inordinate activity had found at last a longed-for, final peacefulness. For month after month, for an entire year, the General lingered by the banks of the Jordan. But then the enchantment was suddenly broken. Once more adventure claimed him; he plunged into the whirl of high affairs; his fate was mingled with the frenzies of Empire and the doom of peoples. And it was not in peace and rest, but in ruin and horror, that he reached his end.
The circumstances of that tragic history, so famous, so bitterly debated, so often and so controversially described, remain full of suggestion for the curious examiner of the past. There emerges from those obscure, unhappy records an interest, not merely political and historical, but human and dramatic. One catches a vision of strange characters, moved by mysterious impulses, interacting in queer complication, and hurrying at last—so it almost seems—like creatures in a puppet show to a predestined catastrophe. The characters, too, have a charm of their own: they are curiously English. What other nation on the face of the earth could have produced Mr. Gladstone and Sir Evelyn Baring and Lord Hartington and General Gordon? Alike in their emphasis and their lack of emphasis, in their eccentricity and their conventionality, in their matter-of-factness and their romance, these four figures seem to embody the mingling contradictions of the English spirit. As for the mise-en-scène, it is perfectly appropriate. But first, let us glance at the earlier adventures of the hero of the piece.
Charles George Gordon was born in 1833. His father, of Highland and military descent, was himself a Lieutenant-General; his mother came of a family of merchants, distinguished for their sea voyages into remote regions of the globe. As a boy, Charlie was remarkable for his high spirits, pluck, and love of mischief. Destined for the Artillery, he was sent to the Academy at Woolwich, where some other characteristics made their appearance. On one occasion, when the cadets had been forbidden to leave the dining-room and the senior corporal stood with outstretched arms in the doorway to prevent their exit, Charlie Gordon put his head down, and, butting the officer in the pit of the stomach, projected him down a flight of stairs and through a glass door at the bottom. For this act of insubordination he was nearly dismissed—while the captain of his company predicted that he would never make an officer. A little later, when he was eighteen, it came to the knowledge of the authorities that bullying was rife at the Academy. The newcomers were questioned, and one of them said that Charlie Gordon had hit him over the head with a clothes-brush. He had worked well, and his record was on the whole a good one; but the authorities took a serious view of the case, and held back his commission for six months. It was owing to this delay that he went into the Royal Engineers, instead of the Royal Artillery.
He was sent to Pembroke, to work at the erection of fortifications; and at Pembroke those religious convictions, which never afterwards left him, first gained a hold upon his mind. Under the influence of his sister Augusta and of a “very religious captain of the name of Drew,” he began to reflect upon his sins, look up texts, and hope for salvation. Though he had never been confirmed—he never was confirmed—he took the sacrament every Sunday; and he eagerly perused the Priceless Diamond, Scott’s Commentaries, and The Remains of the Rev. R. McCheyne.
“No novels or worldly books,” he wrote to his sister, “come up to the Commentaries of Scott. … I, remember well when you used to get them in numbers, and I used to laugh at them; but, thank God, it is different with me now. I feel much happier and more contented than I used to do. I did not like Pembroke, but now I would not wish for any prettier place. I have got a horse and gig, and Drew and myself drive all about the country. I hope my dear father and mother think of eternal things … Dearest Augusta, pray for me, I beg of you.”
He was twenty-one; the Crimean War broke out; and before the year was over, he had managed to get himself transferred to Balaclava. During the siege of Sebastopol he behaved with conspicuous gallantry. Upon the declaration of peace, he was sent to Bessarabia to assist in determining the frontier between Russia and Turkey, in accordance with the Treaty of Paris; and upon this duty he was occupied for nearly two years. Not long after his return home, in 1860, war was declared upon China. Captain Gordon was dispatched to the scene of operations, but the fighting was over before he arrived. Nevertheless, he was to remain for the next four years in China, where he was to lay the foundations of extraordinary renown.
Though he was too late to take part in the capture of the Taku Forts, he was in time to witness the destruction of the Summer Palace at Peking—the act by which Lord Elgin, in the name of European civilisation, took vengeance upon the barbarism of the East.
The war was over; but the British Army remained in the country, until the payment of an indemnity by the Chinese Government was completed. A camp was formed at Tientsin, and Gordon was occupied in setting up huts for the troops. While he was thus engaged, he had a slight
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