Monsieur Lecoq by Émile Gaboriau (romance novel chinese novels .txt) 📕
Description
The last Lecoq novel goes back to the beginning, to Monsieur Lecoq’s first case, the case that began his reputation as a master of detection, master of disguise, and master of detail. The case begins simply: Lecoq and several other policemen come upon a crime as it’s being committed. Three men are dead and the killer is in custody. But who is he? Lecoq and his companion officer spend months trying to figure it out, to no avail. Lecoq finally goes to visit his old mentor in order to gain some insight.
The scene then changes to some fifty years previous; in the aftermath of Waterloo, some noblemen return from exile. One of them insults the character of a local who has acted honorably on the nobleman’s behalf, and the remainder of the novel is devoted to how those few minutes end up unravelling the lives of everyone present, and many who aren’t.
Gaboriau again demonstrates his ability to mix detective mystery and Dickensian drama, and foreshadows the style of the first two novels of his more famous English cousin in detection.
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- Author: Émile Gaboriau
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M. Segmuller’s repeated efforts had proved as unsuccessful as Lecoq’s. Skilful questioning, ingenious insinuations, forcible threats, and seductive promises had proved powerless to overcome the dogged spirit of absolute denial which persistently animated, not merely the prisoner May, but also the Widow Chupin, her son Polyte, Toinon the Virtuous, and Madame Milner. The evidence of these various witnesses showed plainly enough that they were all in league with the mysterious accomplice; but what did this knowledge avail? Their attitude never varied! And, even if at times their looks gave the lie to their denials, one could always read in their eyes an unshaken determination to conceal the truth.
There were moments when the magistrate, overpowered by a sense of the insufficiency of the purely moral weapons at his disposal, almost regretted that the Inquisition was suppressed. Yes, in presence of the lies that were told him, lies so impudent that they were almost insults, he no longer wondered at the judicial cruelties of the Middle Ages, or at the use of the muscle-breaking rack, the flesh-burning, red-hot pincers, and other horrible instruments, which, by the physical torture they inflicted, forced the most obstinate culprit to confess. The prisoner May’s manner was virtually unaltered; and far from showing any signs of weakness, his assurance had, if anything, increased, as though he were confident of ultimate victory and as though he had in some way learned that the prosecution had failed to make the slightest progress.
On one occasion, when summoned before M. Segmuller, he ventured to remark in a tone of covert irony: “Why do you keep me confined so long in a secret cell? Am I never to be set at liberty or sent to the assizes. Am I to suffer much longer on account of your fantastic idea that I am some great personage in disguise?”
“I shall keep you until you have confessed,” was M. Segmuller’s answer.
“Confessed what?”
“Oh! you know very well.”
The prisoner shrugged his shoulders at these last words, and then in a tone of mingled despondency and mockery retorted: “In that case there is no hope of my ever leaving this cursed prison!”
It was probably this conviction that induced him to make all seeming preparations for an indefinite stay. He applied for and obtained a portion of the contents of the trunk found at the Hotel de Mariembourg, and evinced great joy when the various knickknacks and articles of clothing were handed over to him. Thanks to the money found upon his person when arrested, and deposited with the prison registrar, he was, moreover, able to procure many little luxuries, which are never denied to unconvicted prisoners, no matter what may be the charges against them, for they have a right to be considered as innocent until a jury has decided to the contrary. To while away the time, May next asked for a volume of Beranger’s songs, and his request being granted, he spent most of the day in learning several of the ditties by heart, singing them in a loud voice and with considerable taste. This fancy having excited some comment, he pretended that he was cultivating a talent which might be useful to him when he was set at liberty. For he had no doubt of his acquittal; at least, so he declared; and if he were anxious about the date of his trial, he did not show the slightest apprehension concerning its result.
He was never despondent save when he spoke of his profession. To all appearance he pined for the stage, and, in fact, he almost wept when he recalled the fantastic, many-colored costumes, clad in which he had once appeared before crowded audiences—audiences that had been convulsed with laughter by his sallies of wit, delivered between bursts of noisy music. He seemed to have become altogether a better fellow; more frank, communicative, and submissive. He eagerly embraced every opportunity to babble about his past, and over and over again did he recount the adventures of the roving life he had led while in the employ of M. Simpson, the showman. He had, of course, traveled a great deal; and he remembered everything he had seen; possessing, moreover, an inexhaustible fund of amusing stories, with which he entertained his custodians. His manner and his words were so natural that head keepers and subordinate turnkeys alike were quite willing to give credit to his assertions.
The governor of the Depot alone remained unconvinced. He had declared that this pretended buffoon must be some dangerous criminal who had escaped from Cayenne, and who for this reason was determined to conceal his antecedents. Such being this functionary’s opinion, he tried every means to substantiate it. Accordingly, during an entire fortnight, May was submitted to the scrutiny of innumerable members of the police force, to whom were added all the more notable private detectives of the capital. No one recognized him, however, and although his photograph was sent to all the prisons and police stations of the empire, not one of the officials could recognize his features.
Other circumstances occurred, each of which had its influence, and one and all of them speaking in the prisoner’s favor. For instance, the second bureau of the Prefecture de Police found positive traces of the existence of a strolling artist, named Tringlot, who was probably the man referred to in May’s story. This Tringlot had been dead several years. Then again, inquiries made in Germany revealed the fact that a certain M.
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