Notre-Dame de Paris by Victor Hugo (e reader for manga txt) 📕
Description
Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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And not only had Messire Robert d’Estouteville his special court as provost and vicomte of Paris; but in addition he had a share, both for eye and tooth, in the grand court of the king. There was no head in the least elevated which had not passed through his hands before it came to the headsman. It was he who went to seek M. de Nemours at the Bastille Saint Antoine, in order to conduct him to the Halles; and to conduct to the Grève M. de Saint-Pol, who clamored and resisted, to the great joy of the provost, who did not love monsieur the constable.
Here, assuredly, is more than sufficient to render a life happy and illustrious, and to deserve some day a notable page in that interesting history of the provosts of Paris, where one learns that Oudard de Villeneuve had a house in the Rue des Boucheries, that Guillaume de Hangest purchased the great and the little Savoy, that Guillaume Thiboust gave the nuns of Sainte-Geneviève his houses in the Rue Clopin, that Hugues Aubriot lived in the Hôtel du Porc-Épic, and other domestic facts.
Nevertheless, with so many reasons for taking life patiently and joyously, Messire Robert d’Estouteville woke up on the morning of the seventh of January, 1482, in a very surly and peevish mood. Whence came this ill temper? He could not have told himself. Was it because the sky was gray? or was the buckle of his old belt of Montlhéry badly fastened, so that it confined his provostal portliness too closely? had he beheld ribald fellows, marching in bands of four, beneath his window, and setting him at defiance, in doublets but no shirts, hats without crowns, with wallet and bottle at their side? Was it a vague presentiment of the three hundred and seventy livres, sixteen sous, eight farthings, which the future King Charles VII was to cut off from the provostship in the following year? The reader can take his choice; we, for our part, are much inclined to believe that he was in a bad humor, simply because he was in a bad humor.
Moreover, it was the day after a festival, a tiresome day for everyone, and above all for the magistrate who is
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