King Solomon’s Mines by H. Rider Haggard (inspirational books for women TXT) 📕

battle-axe had shorn from the body resting on its knees, was the gaunt corpse of Twala, the last king of the Kukuanas. Yes, there, the head perched upon the knees, it sat in all its ugliness, the vertebra projecting a full inch above the level of the shrunken flesh of the neck, for all the world like a black double of Hamilton Tighe.11 Over the surface of the corpse there was gathered a thin glassy film, that made its appearance yet more appalling, for which we were, at the moment, quite unable to account, till presently we observed that from the roof of the chamber the water fell steadily, drip! drop! drip! on to the neck of the corpse, whence it ran down over the entire surface, and finally escaped into the rock through a tiny hole in the table. Then I guessed what the film was⁠—Twala’s body was being transformed into a stalactite.

A look at the white forms seated on the stone bench which ran round that ghastly board confirmed this view. They were human bodies indeed, or rather they had been human; now they were stalactites. This was the way in which the Kukuana people had from time immemorial preserved their royal dead. They petrified them. What the exact system might be, if there was any, beyond the placing of them for a long period of years under the drip, I never discovered, but there they sat, iced over and preserved forever by the siliceous fluid.

Anything more awe-inspiring than the spectacle of this long line of departed royalties (there were twenty-seven of them, the last being Ignosi’s father), wrapped, each of them, in a shroud of ice-like spar, through which the features could be dimly discovered, and seated round that inhospitable board, with Death himself for a host, it is impossible to imagine. That the practice of thus preserving their kings must have been an ancient one is evident from the number, which, allowing for an average reign of fifteen years, supposing that every king who reigned was placed here⁠—an improbable thing, as some are sure to have perished in battle far from home⁠—would fix the date of its commencement at four and a quarter centuries back.

But the colossal Death, who sits at the head of the board, is far older than that, and, unless I am much mistaken, owes his origin to the same artist who designed the three Colossi. He is hewn out of a single stalactite, and, looked at as a work of art, is most admirably conceived and executed. Good, who understands such things, declared that, so far as he could see, the anatomical design of the skeleton is perfect down to the smallest bones.

My own idea is, that this terrific object was a freak of fancy on the part of some old-world sculptor, and that its presence had suggested to the Kukuanas the idea of placing their royal dead under its awful presidency. Or perhaps it was set there to frighten away any marauders who might have designs upon the treasure chamber beyond. I cannot say. All I can do is to describe it as it is, and the reader must form his own conclusion.

Such, at any rate, was the White Death and such were the White Dead!

XVII Solomon’s Treasure Chamber

While we were engaged in recovering from our fright, and in examining the grisly wonders of the Place of Death, Gagool had been differently occupied. Somehow or other⁠—for she was marvellously active when she chose⁠—she had scrambled on to the great table, and made her way to where our departed friend Twala was placed, under the drip, to see, suggested Good, how he was “pickling,” or for some dark purpose of her own. Then, after bending down to kiss his icy lips as though in affectionate greeting, she hobbled back, stopping now and again to address the remark, the tenor of which I could not catch, to one or other of the shrouded forms, just as you or I might welcome an old acquaintance. Having gone through this mysterious and horrible ceremony, she squatted herself down on the table immediately under the White Death, and began, so far as I could make out, to offer up prayers. The spectacle of this wicked creature pouring out supplications, evil ones no doubt, to the arch enemy of mankind, was so uncanny that it caused us to hasten our inspection.

“Now, Gagool,” said I, in a low voice⁠—somehow one did not dare to speak above a whisper in that place⁠—“lead us to the chamber.”

The old witch promptly scrambled down from the table.

“My lords are not afraid?” she said, leering up into my face.

“Lead on.”

“Good, my lords;” and she hobbled round to the back of the great Death. “Here is the chamber; let my lords light the lamp, and enter,” and she placed the gourd full of oil upon the floor, and leaned herself against the side of the cave. I took out a match, of which we had still a few in a box, and lit a rush wick, and then looked for the doorway, but there was nothing before us except the solid rock. Gagool grinned. “The way is there, my lords. Ha! ha! ha!”

“Do not jest with us,” I said sternly.

“I jest not, my lords. See!” and she pointed at the rock.

As she did so, on holding up the lamp we perceived that a mass of stone was rising slowly from the floor and vanishing into the rock above, where doubtless there is a cavity prepared to receive it. The mass was of the width of a good-sized door, about ten feet high and not less than five feet thick. It must have weighed at least twenty or thirty tons, and was clearly moved upon some simple balance principle of counterweights, probably the same as that by which the opening and shutting of an ordinary modern window is arranged. How the principle was set in motion,