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man named Nichols?”

“Nichols?”

“J. Nichols. He said he knew you. He said he had told you about Uncle Ira leaving you his money.”

“Jerry Nichols! How on earth⁠—Oh, I remember. He wrote to you, didn’t he?”

“He did. And this morning, just after you had left, he called.”

“Jerry Nichols called?”

“To tell me that Uncle Ira had made another will before he died, leaving the money to me.”

Their eyes met.

“So I stole his car and caught the train,” said Elizabeth simply.

Bill was recovering slowly from the news.

“But⁠—this makes rather a difference, you know,” he said.

“In what way?”

“Well, what I mean to say is you’ve got five million dollars and I’ve got two thousand a year, don’t you know, and so⁠—”

Elizabeth tapped him on the knee.

“Bill, do you see what this is in my hand?”

“Eh? What?”

“It’s a pin. And I’m going to dig it right into you wherever I think it will hurt most unless you stop being Harold at once. I’’ll tell you exactly what you’ve got to do, and you needn’t think you’re going to do anything else. When we get to New York we take the subway down to Brooklyn Bridge. We then walk to the City Hall, where you go to the window marked Marriage Licenses and buy one. It will set you back one dollar. You will give your correct age and name and you will hear mine. It will come as a shock to you to know that my second name is something awful! I’ve kept it concealed all my life. After we’ve done that we shall go to the only church that anybody could possibly be married at. It’s on Twenty-ninth Street, just round the corner from Fifth Avenue. It’s got a fountain playing in front of it, and it’s a little bit of Heaven dumped right down in the middle of New York. And after that⁠—well, we might start looking about for that farm we’ve talked of. We can get a good farm for five million dollars, and leave something over to be doled out⁠—cautiously⁠—to Nutty. And then all we have to do is to live happily ever after.”

Something small and soft slipped itself into his hand, just as it had done ages and ages ago in Lady Wetherby’s wood.

It stimulated Bill’s conscience to one last remonstrance.

“But, I say, you know⁠—”

“Well?”

“This business of the money, you know. What I mean to say is⁠—Ow!”

He broke off, as a sharp pain manifested itself in the fleshy part of his leg. Elizabeth was looking at him reprovingly, her weapon poised for another onslaught.

“I told you!” she said.

“All right, I won’t do it again.”

“That’s a good child. Bill, listen. Come closer and tell me all sorts of nice things about myself till we get to Jamaica, and then I’ll tell you what I think of you. We’ve just passed Islip, so you’ve plenty of time.”

Colophon

Uneasy Money
was published in 1916 by
P. G. Wodehouse.

This ebook was transcribed and produced for
Standard Ebooks
by
Asher Smith,
and is based on digital scans available at the
Internet Archive.

The cover page is adapted from
Long Island Homestead, Study from Nature,
a painting completed in 1859 by
Andrew W. Warren.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
February 12, 2021, 10:41 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/p-g-wodehouse/uneasy-money.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

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Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

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