Short Fiction by O. Henry (librera reader txt) ๐
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryโs stories are the famous โtwistโ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryโs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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Editor Westbrook at length yielded, though but half willingly. And in the half of him that consented lurked the vivisectionist that is in all of us. Let him who has not used the scalpel rise and stand in his place. Pity โtis that there are not enough rabbits and guinea-pigs to go around.
The two experimenters in Art left the Square and hurried eastward and then to the south until they arrived in the Gramercy neighborhood. Within its high iron railings the little park had put on its smart coat of vernal green, and was admiring itself in its fountain mirror. Outside the railings the hollow square of crumbling houses, shells of a bygone gentry, leaned as if in ghostly gossip over the forgotten doings of the vanished quality. Sic transit gloria urbis.
A block or two north of the Park, Dawe steered the editor again eastward, then, after covering a short distance, into a lofty but narrow flathouse burdened with a floridly over-decorated faรงade. To the fifth story they toiled, and Dawe, panting, pushed his latchkey into the door of one of the front flats.
When the door opened Editor Westbrook saw, with feelings of pity, how meanly and meagerly the rooms were furnished.
โGet a chair, if you can find one,โ said Dawe, โwhile I hunt up pen and ink. Hello, whatโs this? Hereโs a note from Louise. She must have left it there when she went out this morning.โ
He picked up an envelope that lay on the centre-table and tore it open. He began to read the letter that he drew out of it; and once having begun it aloud he so read it through to the end. These are the words that Editor Westbrook heard:
โDear Shackleford: By the time you get this I will be about a hundred miles away and still a-going. Iโve got a place in the chorus of the Occidental Opera Co., and we start on the road today at twelve oโclock. I didnโt want to starve to death, and so I decided to make my own living. Iโm not coming back. Mrs. Westbrook is going with me. She said she was tired of living with a combination phonograph, iceberg and dictionary, and sheโs not coming back, either. Weโve been practising the songs and dances for two months on the quiet. I hope you will be successful, and get along all right! Goodbye.
โLouise.โ
Dawe dropped the letter, covered his face with his trembling hands, and cried out in a deep, vibrating voice:
โMy God, why hast thou given me this cup to drink? Since she is false, then let Thy Heavenโs fairest gifts, faith and love, become the jesting bywords of traitors and fiends!โ
Editor Westbrookโs glasses fell to the floor. The fingers of one hand fumbled with a button on his coat as he blurted between his pale lips:
โSay, Shack, ainโt that a hell of a note? Wouldnโt that knock you off your perch, Shack? Ainโt it hell, now, Shackโ โainโt it?โ
The Halberdier of the Little RheinschlossI go sometimes into the Bierhalle and restaurant called Old Munich. Not long ago it was a resort of interesting Bohemians, but now only artists and musicians and literary folk frequent it. But the Pilsner is yet good, and I take some diversion from the conversation of Waiter No. 18.
For many years the customers of Old Munich have accepted the place as a faithful copy from the ancient German town. The big hall with its smoky rafters, rows of imported steins, portrait of Goethe, and verses painted on the wallsโ โtranslated into German from the original of the Cincinnati poetsโ โseems atmospherically correct when viewed through the bottom of a glass.
But not long ago the proprietors added the room above, called it the Little Rheinschloss, and built in a stairway. Up there was an imitation stone parapet, ivy-covered, and the walls were painted to represent depth and distance, with the Rhine winding at the base of the vineyarded slopes, and the castle of Ehrenbreitstein looming directly opposite the entrance. Of course there were tables and chairs; and you could have beer and food brought you, as you naturally would on the top of a castle on the Rhine.
I went into Old Munich one afternoon when there were few customers, and sat at my usual table near the stairway. I was shocked and almost displeased to perceive that the glass cigar-case by the orchestra stand had been smashed to smithereens. I did not like things to happen in Old Munich. Nothing had ever happened there before.
Waiter No. 18 came and breathed on my neck. I was his by right of discovery. Eighteenโs brain was built like a corral. It was full of ideas which, when he opened the gate, came huddling out like a flock of sheep that might get together afterward or might not. I did not shine as a shepherd. As a type Eighteen fitted nowhere. I did not find out if he had a nationality, family, creed, grievance, hobby, soul, preference, home, or vote. He only came always to my table and, as long as his leisure would permit, let words flutter from him like swallows leaving a barn at daylight.
โHow did the cigar-case come to be broken, Eighteen?โ I asked, with a certain feeling of personal grievance.
โI can tell you about that, sir,โ said he, resting his foot on the chair next to mine. โDid you ever have anybody hand you a double handful of good luck while both your hands was full of bad luck, and stop to notice how your fingers behaved?โ
โNo riddles,
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