Jude the Obscure by Thomas Hardy (snow like ashes .txt) 📕
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Jude the Obscure was first published in its complete form in 1895, just after finishing its serial run in Harper’s Magazine. At the time, its unconventional and somewhat scandalous themes earned it widespread criticism and condemnation. In the 1912 “Wessex Edition,” Hardy appended a postscript to the book’s preface in which he stated that the outrage ultimately abated with no lingering effect other than “completely curing me of further interest in novel-writing.” Indeed, Jude was to be Hardy’s last novel.
The story chronicles the life of Jude Fawley, an orphan boy of unremarkable birth or means, growing up in the small farming village of Marygreen in Hardy’s fictional version of Wessex, England. From an early age, Jude determines to chart the course of his life by the stars of learning and scholarship, but he very quickly discovers just how little interest the society of his time would take in the grand ambitions of a young man of so humble an origin. Without proper guidance and limited resources, his progress is slow and arduous. And when he discovers the existence of his cousin, the charming Sue Bridehead, it is nearly abandoned altogether in favor of an almost obsessive pursuit.
The novel proceeds to trace the lives of Jude and Sue as they become locked in a struggle both against themselves and the conventions of their times. Lofty ideals clash with harsh realities; grand pursuits fall prey to darker aspects of human nature. Characters are complex: at times spiteful, selfish, or self-destructive. Hardy, however, remains very subtle in his portrayal of these tragic figures and their flaws. The effect is to render them convincingly human. Ultimately, Jude is an unhappy tale of unfulfilled promise that is rarely told, and rarely told so well.
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- Author: Thomas Hardy
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Jude accordingly rang the bell, and was admitted.
The musician came to him in a moment, and being respectably dressed, good-looking, and frank in manner, Jude obtained a favourable reception. He was nevertheless conscious that there would be a certain awkwardness in explaining his errand.
“I have been singing in the choir of a little church near Melchester,” he said. “And we have this week practised ‘The Foot of the Cross,’ which I understand, sir, that you composed?”
“I did—a year or so ago.”
“I—like it. I think it supremely beautiful!”
“Ah well—other people have said so too. Yes, there’s money in it, if I could only see about getting it published. I have other compositions to go with it, too; I wish I could bring them out; for I haven’t made a five-pound note out of any of them yet. These publishing people—they want the copyright of an obscure composer’s work, such as mine is, for almost less than I should have to pay a person for making a fair manuscript copy of the score. The one you speak of I have lent to various friends about here and Melchester, and so it has got to be sung a little. But music is a poor staff to lean on—I am giving it up entirely. You must go into trade if you want to make money nowadays. The wine business is what I am thinking of. This is my forthcoming list—it is not issued yet—but you can take one.”
He handed Jude an advertisement list of several pages in booklet shape, ornamentally margined with a red line, in which were set forth the various clarets, champagnes, ports, sherries, and other wines with which he purposed to initiate his new venture. It took Jude more than by surprise that the man with the soul was thus and thus; and he felt that he could not open up his confidences.
They talked a little longer, but constrainedly, for when the musician found that Jude was a poor man his manner changed from what it had been while Jude’s appearance and address deceived him as to his position and pursuits. Jude stammered out something about his feelings in wishing to congratulate the author on such an exalted composition, and took an embarrassed leave.
All the way home by the slow Sunday train, sitting in the fireless waiting-rooms on this cold spring day, he was depressed enough at his simplicity in taking such a journey. But no sooner did he reach his Melchester lodging than he found awaiting him a letter which had arrived that morning a few minutes after he had left the house. It was a contrite little note from Sue, in which she said, with sweet humility, that she felt she had been horrid in telling him he was not to come to see her; that she despised herself for having been so conventional; and that he was to be sure to come by the eleven-forty-five train that very Sunday, and have dinner with them at half-past one.
Jude almost tore his hair at having missed this letter till it was too late to act upon its contents; but he had chastened himself considerably of late, and at last his chimerical expedition to Kennetbridge really did seem to have been another special intervention of Providence to keep him away from temptation. But a growing impatience of faith, which he had noticed in himself more than once of late, made him pass over in ridicule the idea that God sent people on fools’ errands. He longed to see her; he was angry at having missed her: and he wrote instantly, telling her what had happened, and saying he had not enough patience to wait till the following Sunday, but would come any day in the week that she liked to name.
Since he wrote a little over-ardently, Sue, as her manner was, delayed her reply till Thursday before Good Friday, when she said he might come that afternoon if he wished, this being the earliest day on which she could welcome him, for she was now assistant-teacher in her husband’s school. Jude therefore got leave from the Cathedral works at the trifling expense of a stoppage of pay, and went.
Part IV At Shaston“Whoso prefers either Matrimony or other Ordinance before the Good of Man and the plain Exigence of Charity, let him profess Papist, or Protestant, or what he will, he is no better than a Pharisee.”
—J. Milton IShaston, the ancient British Palladour,
From whose foundation first such strange reports arise,
(as Drayton sang it), was, and is, in itself the city of a dream. Vague imaginings of its castle, its three mints, its magnificent apsidal Abbey, the chief glory of South Wessex, its twelve churches, its shrines, chantries, hospitals, its gabled freestone mansions—all now ruthlessly swept away—throw the visitor, even against his will, into a pensive melancholy, which the stimulating atmosphere and limitless landscape around him can scarcely dispel. The spot was the burial-place of a king and a queen, of abbots and abbesses, saints and bishops, knights and squires. The bones of King Edward “the Martyr,” carefully removed hither for holy preservation, brought Shaston a renown which made it the resort of pilgrims from every part of Europe, and enabled it to maintain a reputation extending far beyond English shores. To this fair creation of the great Middle-Age the Dissolution was, as historians tell us, the death-knell. With the destruction of the enormous abbey the whole place collapsed in a general ruin: the Martyr’s bones met
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