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Far from the Madding Crowd

By Thomas Hardy.

Table of Contents Titlepage Imprint Preface Far from the Madding Crowd I: Description of Farmer Oak; An Incident II: Night; The Flock; An Interior; Another Interior III: A Girl on Horseback; Conversation IV: Gabrielโ€™s Resolve; The Visit; The Mistake V: Departure of Bathsheba; A Pastoral Tragedy VI: The Fair; The Journey; The Fire VII: Recognition; A Timid Girl VIII: The Malthouse; The Chat; News IX: The Homestead; A Visitor; Half-Confidences X: Mistress and Men XI: Outside the Barracks; Snow; A Meeting XII: Farmers; A Rule; An Exception XIII: Sortes Sanctorum; The Valentine XIV: Effect of the Letter; Sunrise XV: A Morning Meeting; The Letter Again XVI: All Saintsโ€™ and All Soulsโ€™ XVII: In the Market-Place XVIII: Boldwood in Meditation; Regret XIX: The Sheep-Washing; The Offer XX: Perplexity; Grinding the Shears; A Quarrel XXI: Troubles in the Fold; A Message XXII: The Great Barn and the Sheep-Shearers XXIII: Eventide; A Second Declaration XXIV: The Same Night; The Fir Plantation XXV: The New Acquaintance Described XXVI: Scene on the Verge of the Hay-Mead XXVII: Hiving the Bees XXVIII: The Hollow Amid the Ferns XXIX: Particulars of a Twilight Walk XXX: Hot Cheeks and Tearful Eyes XXXI: Blame; Fury XXXII: Night; Horses Tramping XXXIII: In the Sun; A Harbinger XXXIV: Home Again; A Trickster XXXV: At an Upper Window XXXVI: Wealth in Jeopardy; The Revel XXXVII: The Storm; The Two Together XXXVIII: Rain; One Solitary Meets Another XXXIX: Coming Home; A Cry XL: On Casterbridge Highway XLI: Suspicion; Fanny Is Sent For XLII: Joseph and His Burden; Buckโ€™s Head XLIII: Fannyโ€™s Revenge XLIV: Under a Tree; Reaction XLV: Troyโ€™s Romanticism XLVI: The Gurgoyle: Its Doings XLVII: Adventures by the Shore XLVIII: Doubts Arise; Doubts Linger XLIX: Oakโ€™s Advancement; A Great Hope L: The Sheep Fair; Troy Touches His Wifeโ€™s Hand LI: Bathsheba Talks with Her Outrider LII: Converging Courses LIII: Concurritur; Horae Momento LIV: After the Shock LV: The March Following; โ€œBathsheba Boldwoodโ€ LVI: Beauty in Loneliness; After All LVII: A Foggy Night and Morning; Conclusion Endnotes Colophon Uncopyright Imprint

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Preface

In reprinting this story for a new edition I am reminded that it was in the chapters of Far from the Madding Crowd, as they appeared month by month in a popular magazine, that I first ventured to adopt the word โ€œWessexโ€ from the pages of early English history, and give it a fictitious significance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. Finding that the area of a single county did not afford a canvas large enough for this purpose, and that there were objections to an invented name, I disinterred the old one. The press and the public were kind enough to welcome the fanciful plan, and willingly joined me in the anachronism of imagining a Wessex population living under Queen Victoria;โ โ€”a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National School children. But I believe I am correct in stating that, until the existence of this contemporaneous Wessex was announced in the present story, in 1874, it had never been heard of, and that the expression, โ€œa Wessex peasant,โ€ or โ€œa Wessex custom,โ€ would theretofore have been taken to refer to nothing later in date than the Norman Conquest.

I did not anticipate that this application of the word to a modern use would extend outside the chapters of my own chronicles. But the name was soon taken up elsewhere as a local designation. The first to do so was the now defunct Examiner, which, in the impression bearing date July 15, 1876, entitled one of its articles โ€œThe Wessex Labourer,โ€ the article turning out to be no dissertation on farming during the Heptarchy, but on the modern peasant of the south-west counties, and his presentation in these stories.

Since then the appellation which I had thought to reserve to the horizons and landscapes of a merely realistic dream-country, has become more and more popular as a practical definition; and the dream-country has, by degrees, solidified into a utilitarian region which people can go to, take a house in, and write to the papers from. But I ask all good and gentle readers to be so kind as to forget this, and to refuse steadfastly to believe that there are any inhabitants of a Victorian Wessex outside the pages of this and the companion volumes in which they

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