Nostromo by Joseph Conrad (book recommendations .txt) π
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Originally published as a serial, Nostromo is set in a fictional South American country where the outbreak of civil war puts the mining town of Sulaco in turmoil. Giovanni Battista Fidanza, known as Nostromo, is given the task of smuggling out a large amount of silver to keep it from the revolutionaries.
Conrad was inspired to write the book when he read, in a sailorβs memoir, the tale of a man who singlehandedly stole a boatload of silver. He had first heard the same story a quarter of a century earlier as a young sailor.
Nostromo has met with critical acclaim: it is often regarded as Conradβs greatest novel and Francis Scott Fitzgerald said he would rather have written Nostromo than any other novel.
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- Author: Joseph Conrad
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βTheir last move of eight oβclock last night was to organize themselves into a Monterist Committee which sits, as far as I know, in a posada kept by a retired Mexican bullfighter, a great politician, too, whose name I have forgotten. Thence they have issued a communication to us, the Goths and paralytics of the Amarilla Club (who have our own committee), inviting us to come to some provisional understanding for a truce, in order, they have the impudence to say, that the noble cause of liberty βshould not be stained by the criminal excesses of Conservative selfishness!β As I came out to sit with Nostromo on the cathedral steps the club was busy considering a proper reply in the principal room, littered with exploded cartridges, with a lot of broken glass, blood smears, candlesticks, and all sorts of wreckage on the floor. But all this is nonsense. Nobody in the town has any real power except the railway engineers, whose men occupy the dismantled houses acquired by the Company for their town station on one side of the plaza, and Nostromo, whose cargadores were sleeping under the arcades along the front of Anzaniβs shops. A fire of broken furniture out of the Intendencia saloons, mostly gilt, was burning on the plaza, in a high flame swaying right upon the statue of Charles IV. The dead body of a man was lying on the steps of the pedestal, his arms thrown wide open, and his sombrero covering his faceβ βthe attention of some friend, perhaps. The light of the flames touched the foliage of the first trees on the alameda, and played on the end of a side street nearby, blocked up by a jumble of oxcarts and dead bullocks. Sitting on one of the carcasses, a lepero, muffled up, smoked a cigarette. It was a truce, you understand. The only other living being on the plaza besides ourselves was a cargador walking to and fro, with a long, bare knife in his hand, like a sentry before the arcades, where his friends were sleeping. And the only other spot of light in the dark town were the lighted windows of the club, at the corner of the calle.β
After having written so far, Don Martin Decoud, the exotic dandy of the Parisian boulevard, got up and walked across the sanded floor of the cafΓ© at one end of the Albergo of United Italy, kept by Giorgio Viola, the old companion of Garibaldi. The highly coloured lithograph of the faithful hero seemed to look dimly, in the light of one candle, at the man with no faith in anything except the truth of his own sensations. Looking out of the window, Decoud was met by a darkness so impenetrable that he could see neither the mountains nor the town, nor yet the buildings near the harbour; and there was not a sound, as if the tremendous obscurity of the Placid Gulf, spreading from the waters over the land, had made it dumb as well as blind. Presently Decoud felt a light tremor of the floor and a distant clank of iron. A bright white light appeared, deep in the darkness, growing bigger with a thundering noise. The rolling stock usually kept on the sidings in Rincon was being run back to the yards for safe keeping. Like a mysterious stirring of the darkness behind the headlight of the engine, the train passed in a gust of hollow uproar, by the end of the house, which seemed to vibrate all over in response. And nothing was clearly visible but, on the end of the last flat car, a negro, in white trousers and naked to the waist, swinging a blazing torch basket incessantly with a circular movement of his bare arm. Decoud did not stir.
Behind him, on the back of the chair from which he had risen, hung his elegant Parisian overcoat, with a pearl-grey silk lining. But when he turned back to come to the table the candlelight fell upon a face that was grimy and scratched. His rosy lips were blackened with heat, the smoke of gunpowder. Dirt and rust tarnished the lustre of his short beard. His shirt collar and cuffs were crumpled; the blue silken tie hung down his breast like a rag; a greasy smudge crossed his white brow. He had not taken off his clothing nor used water, except to snatch a hasty drink greedily, for some forty hours. An awful restlessness had made him its own, had marked him with all the signs of desperate strife, and put a dry, sleepless stare into his eyes. He murmured to himself in a hoarse voice, βI wonder if thereβs any bread here,β looked vaguely about him, then dropped into the chair and took the pencil up again. He became aware he had not eaten anything for many hours.
It occurred to him that no one could understand him so well as his sister. In the most sceptical heart there lurks at such moments, when the chances of existence are involved, a desire to leave a correct impression of the feelings, like a light by which the action may be seen when personality is gone, gone where no light of investigation can ever reach the truth which every death takes out of the world. Therefore, instead of looking for something to eat, or trying to snatch an hour or so of sleep, Decoud was filling the pages of a large
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