Such Is Life by Joseph Furphy (children's books read aloud .TXT) 📕

uncompromised, and a nonchalance unruffled, in the face of Dick’s really interesting descriptions of Southeastern Tasmania. Concerning my lapse of engagement on the previous evening, I merely remarked that the default was caused my circumstances over which etc.

I spent a couple of days, besides Sunday, at B⁠⸺’s place; while the fisherman kept an eye on my horses. I helped B⁠⸺ to work out a new and rotten idea of a windmill pump; Dick handing me things, and holding the other end. On the first afternoon, a couple of hours after my arrival, I drove into ⸻ for some blacksmith work; and, whilst it was being done, I looked in at the Express office, and had a gossip with Archimedes on the topics of the day.

And now, whilst duly appreciating the rectitude of soul which has carried me through this trying disclosure, you will surely condone the obscurity in which I have been compelled to envelop all names used herein.

IV

Sun. Dec. 9. Dead Man’s Bend. Warrigal Alf down. Rescue twice. Enlisted Terrible Tommy.

Now what would your novelist rede you from that record, if he had possession of my diary? Something mysterious and momentous, no doubt, and probably connected with buried treasure. Yet it is only the abstract and brief chronicle of a fair average day; a day happy in having no history worth mentioning; merely a drowsy morning, an idle midday, and a stirring afternoon. Life is largely composed of such uneventful days; and these are therefore most worthy of careful analysis.

How easy it is to recall the scene! The Lachlan river, filled by summer rains far away among the mountains, to a width of something like thirty yards, flowing silently past, and going to waste. Irregular areas of lignum, hundreds of acres in extent, and eight or ten feet in height, representing swamps; and long, serpentine reaches of the same, but higher in growth, indicating billabongs of the river. The river itself fringed, and the adjacent low ground dotted, with swamp box, river coolibah, and red-gum⁠—the latter small and stunted in comparison with the giants of its species on the Murray and Lower Goulburn. On both sides of the river, far as the eye can command, extend the level plains of black or light-red soil, broken here and there by clumps and belts of swamp box, now cut off from the line of the horizon by the quivering, glassy stratum of the lower atmosphere.

And where the boundary fence of Mondunbarra and Avondale crosses the plain, is seen a fair example of the mirage⁠—that phenomenon so vaguely apprehended in regions outside its domain, and so little noticed where repetition has made it familiar. But there it is; no smoky-looking film on the plain, no shimmering distortion of objects in middle-distance, but, to all appearance, a fine sheet of silvery water, two hundred yards distant, about the same in average width, and half-a-mile in length from right to left. Both banks are clearly defined; irregular promontories jut far out into the smooth water from each side; and the boundary fence crosses it, post after post, in diminishing perspective, like any fence standing in shallow, sunlit water. The most critical and deliberate examination can no more detect evidence of fantasy in the unreal water than in the real fence.

The mirage is one of Nature’s obscure and cheerless jokes; and in this instance, as in some few others, she is beyond Art. She even assists the illusion by a very slight depression of the plain in the right place. In fact, an artist’s picture of a mirage would be his picture of a level-brimmed, unruffled lake; also, the most skilful word-painter, in attempting to contrast the appearance of water with that of its facsimile, would become as confused and hazy as any clergyman taxed to differentiate his creed from that of the mullah running the opposition. And Nature, in taking this mirthless rise out of the spectator, never repeats herself in the particulars of distance, area or configuration of her simulacre; it may be a mere stripe across the road⁠—the brown, sinuous track disappearing beneath its surface, to reappear on the opposing shore⁠—it may be no larger than a good gilgie; or it may be the counterfeit presentment of a sheet of water, miles in extent, though this last is rare.

A hot day is not an imperative condition of the true mirage; but the ground must be open plain, or nearly so; the atmosphere must be clear, and the ground thoroughly dry. It is worthy of notice that horses and cattle are entirely insusceptible to the illusion. Another fact, not so noteworthy in view of the general perversity of inanimate things, is, that you never see a mirage when you are watching for it to decide an argument. It always presents itself when you have no interest in it. In this quality of irredeemable cussedness it resembles the emu’s nest. No one ever found that when he was looking for it; no one ever found it except he was in a raging hurry, with a long stage to go, and no likelihood of coming back by the same route.

To complete the picture⁠—which I want you to carry in your mind’s eye⁠—you will imagine Cleopatra and Bunyip standing under a coolibah⁠—standing heads and points, after the manner of equine mates; each switching the flies and mosquitos off his comrade’s face, and shivering them off such parts of his own body as possessed the requisite faculty. And in the centre of a clear place, a couple of hundred yards away, you may notice a bullock-wagon, apparently deserted; the heavy wool-tarpaulin, dark with dust and grease, thrown across the arched jigger, forming a tent on the body, and falling over the wheels nearly to the ground, yet displaying the outline of the Sydney pattern⁠—which, as every schoolgirl knows, differs from that of Riverina.

In the foreground of this picture, you may fancy the present annalist lying⁠—or, as lying