Short Fiction by O. Henry (librera reader txt) ๐
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryโs stories are the famous โtwistโ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryโs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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Considering this extremely courteous idiosyncrasy of the Kid and the pride he took in it, one can perceive that the solution of the problem that was presented to him by what he saw and heard from his hiding-place in the pear that afternoon (at least as to one of the actors) must have been obscured by difficulties. And yet one could not think of the Kid overlooking little matters of that kind.
At the end of the short twilight they gathered around a supper of frijoles, goat steaks, canned peaches, and coffee, by the light of a lantern in the jacal. Afterward, the ancestor, his flock corralled, smoked a cigarette and became a mummy in a grey blanket. Tonia washed the few dishes while the Kid dried them with the flour-sacking towel. Her eyes shone; she chatted volubly of the inconsequent happenings of her small world since the Kidโs last visit; it was as all his other homecomings had been.
Then outside Tonia swung in a grass hammock with her guitar and sang sad canciones de amor.
โDo you love me just the same, old girl?โ asked the Kid, hunting for his cigarette papers.
โAlways the same, little one,โ said Tonia, her dark eyes lingering upon him.
โI must go over to Finkโs,โ said the Kid, rising, โfor some tobacco. I thought I had another sack in my coat. Iโll be back in a quarter of an hour.โ
โHasten,โ said Tonia, โand tell meโ โhow long shall I call you my own this time? Will you be gone again tomorrow, leaving me to grieve, or will you be longer with your Tonia?โ
โOh, I might stay two or three days this trip,โ said the Kid, yawning. โIโve been on the dodge for a month, and Iโd like to rest up.โ
He was gone half an hour for his tobacco. When he returned Tonia was still lying in the hammock.
โItโs funny,โ said the Kid, โhow I feel. I feel like there was somebody lying behind every bush and tree waiting to shoot me. I never had mullygrubs like them before. Maybe itโs one of them presumptions. Iโve got half a notion to light out in the morning before day. The Guadalupe country is burning up about that old Dutchman I plugged down there.โ
โYou are not afraidโ โno one could make my brave little one fear.โ
โWell, I havenโt been usually regarded as a jackrabbit when it comes to scrapping; but I donโt want a posse smoking me out when Iโm in your jacal. Somebody might get hurt that oughtnโt to.โ
โRemain with your Tonia; no one will find you here.โ
The Kid looked keenly into the shadows up and down the arroyo and toward the dim lights of the Mexican village.
โIโll see how it looks later on,โ was his decision.
At midnight a horseman rode into the rangersโ camp, blazing his way by noisy โhalloesโ to indicate a pacific mission. Sandridge and one or two others turned out to investigate the row. The rider announced himself to be Domingo Sales, from the Lone Wolf Crossing. He bore a letter for Seรฑor Sandridge. Old Luisa, the lavendera, had persuaded him to bring it, he said, her son Gregorio being too ill of a fever to ride.
Sandridge lighted the camp lantern and read the letter. These were its words:
Dear One: He has come. Hardly had you ridden away when he came out of the pear. When he first talked he said he would stay three days or more. Then as it grew later he was like a wolf or a fox, and walked about without rest, looking and listening. Soon he said he must leave before daylight when it is dark and stillest. And then he seemed to suspect that I be not true to him. He looked at me so strange that I am frightened. I swear to him that I love him, his own Tonia. Last of all he said I must prove to him I am true. He thinks that even now men are waiting to kill him as he rides from my house. To escape he says he will dress in my clothes, my red skirt and the blue waist I wear and the brown mantilla over the head, and thus ride away. But before that he says that I must put on his clothes, his pantalones and camisa and hat, and ride away on his horse from the jacal as far as the big road beyond the crossing and back again. This before he goes, so he can tell if I am true and if men are hidden to shoot him. It is a terrible thing. An hour before daybreak this is to be. Come, my dear one, and kill this man and take me for your Tonia. Do not try to take hold of him alive, but kill him quickly. Knowing all, you should do that. You must come long before the time and hide yourself in the little shed near the jacal where the wagon and saddles are kept. It is dark in there. He will wear my red skirt and blue waist and brown mantilla. I send you a hundred kisses. Come surely and shoot quickly and straight.
Thine Own Tonia.
Sandridge quickly explained to his men the official part of the missive. The rangers protested against his going alone.
โIโll get him easy enough,โ said the lieutenant. โThe girlโs got him trapped. And donโt even think heโll get the drop on me.โ
Sandridge saddled his horse and rode to the Lone Wolf Crossing. He tied his big dun in a clump of brush on the arroyo, took his Winchester from its scabbard,
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